1000 resultados para Forel, François Alphonse (1841-1912) -- Portraits


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Thèse numérisée par la Division de la gestion de documents et des archives de l'Université de Montréal

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This thesis questions the major esthetic differences between the artistic productions of the Second Spanish Republic (1931-1939) and the nationalist artistic productions of the Civil War years and the first decade of the francoist dictatorship. These differences are analysed using the artistic productions of Josep Renau (1907 Valence – 1982 Berlin East) and of Ignacio Zuloaga (Elibar 1870 – Madrid 1945). Renau was an important artistic figure during the Spanich Republic. In this thesis, we analyse Renau’s different propaganda productions between 1931 and 1939. Zuloaga was an international artist when the nationalist uprising occurred in 1936. He was recognized by the European elites for his portraits of Andalousian and Castillian sceneries. Zuloaga supported the nationalist putsch and the francoist ideology. In 1939, the Caudillo ordered the painting of the portrait that we will be analysing. The theories of François Hartog, Reinhart Koselleck, Paul Ricoeur and Hannah Arendt are used to analyse the historical conceptual confrontation in Spain, portrayed by the artworks that we studied. During the Republic, it was the modern historical regime that was in force. The historical references used are close in time and the history is constructed in the future and attached to the idea of progress. With the nationalists, the historical conception is connected to the Historia magistra where the past is used as an example. In the first francoism, a return to Spain’s glorious past (the Middle Ages, the Golden Century and the Counter Reform) is clearly claimed in order to rescue the country from the ills of modernity. It is with these different historical conceptions in mind that we compare the esthetics specificities of the artworks, the identity and historical references and the mediums used to legitimize the power and the political actions of each front.

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O gênero de formigas Octostruma Forel 1912 (Formicidae: Myrmicinae) está restrito à região Neotropical; suas espécies ocorrem do México até a Argentina, são predadoras de pequenos artrópodes e podem nidificar no solo, serapilheira e em epífitas. No presente trabalho, a taxonomia do gênero é revista com base no exame de cerca de 4.000 exemplares. Reconheço 43 espécies de Octostruma, 34 espécies previamente conhecidas são consideradas válidas e redescritas e, portanto, nove são reconhecidas como novas. Além disso, indivíduos de castas e sexos ainda não registrados (machos, gines e ergatóides) são aqui descritos pela primeira vez para diferentes espécies. Novos registros de localidades expandem a distribuição geográfica conhecida para parte das espécies e informações sobre a biologia das espécies a partir de dados de rótulo e observações de campo, somados às poucas informações encontradas na literatura são compiladas neste trabalho. Uma chave de identificação para as operárias de todas as espécies do gênero é fornecida.

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Mode of access: Internet.

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Mode of access: Internet.

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Mode of access: Internet.

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Cover title: La Syrie et le Liban de 1782 à 1841, d'après un témoin oculaire Michel de Damas. Ms. du Musée Britannique, édité avec notes et tables par Louis Malouf.

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v. 1. Discours: Discours de réception à l'Académie française. Réponse à m. Flourens. Réponse à m. le baron Pasquier.--Notices et portraits: Le comte Sieyès. Le comte Roederer. Livingston. Talleyrand. Broussais. Le comte Merlin. Le comte Destutt de Tracy. Daunou.--v. 2. Notices historiques: Le comte Siméon. De Sismondi. Charles Comte. Ancillon. Bignon. Rossi. Cabanis. Droz.--Vie de Franklin.

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"Liste de références": p.74-79.

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"Lu dans la séance du 20 mars 1912."

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"A bill to incorporate the National reserve association of the United States, and for other purposes": p. 32-71.

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A popular work, to which Thackeray and Jerrold contributed some of their earliest sketches. These literary sketches were written to the pictures and not, as some have imagined, the pictures drawn in illustration of the letterpress. cf. Academy, 1874, II, 360.

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"Memoires pour servir à l'histoire de la Convention nationale, par Daunou": p. [175]-197.