Arte & jóia: uma análise da joalheria contemporânea brasileira

Since the beginning human needs to produce elements artistics, in such way that can set their history and pass a language, be it as art, culture and / or as an identity. Within this context, the jewelry was being developed, its characteristics and aesthetics, in a period, being artistic, historic, marking this form a civilization, a document, with its innovations and concepts. Nowadays, with technology, trade and the need to search for creations and innovations in the jewelry section, was prepared and developed those that we call Art jewelry. This study brings a trajectory through the history of jewelry art and jewelry; specifying in the contemporary period the various types of jewelry such as author and industry, its artists and jewelers; parts exhibited in museums and designed for competitions, thus creating a analysis of contemporary jewelry

Artista/Câmara de maravilhas

Pós-graduação em Artes - IA

Mediadores de Centros de Ciências e os seus papéis durante as visitas escolares

In the present paper, it is presented a general view about who they are and the activities science centers and museums mediators develop. The literature points out to the diverse roles attributed to these actors and that the presence of this type of professional is a consolidated practice in non-formal educational institutions. Data obtained among the mediators of a science center during mediated school visits are also presented and discussed, focusing in the role attributed to these professionals, with the objective of characterizing their actions during these visits. The data obtained and analyzed showed that during school visits, the roles that are attributed to the mediators are: (a) mediation of the knowledge involved in the expositions; (b) explanation of the scientific concepts involved in the expositions; (c) presentation of the thematic spaces; (d) reception and organization of groups of visitors; (e) preservation of the physical and moral integrity of the visitors, and the integrity of the physical spaces and their equipments; (f) complementation of the school knowledge, and (g) diffusion of the scientific knowledge.

Educação e entretenimento: estudo de objetos de aprendizagem no contexto da televisão interativa

Pós-graduação em Televisão Digital: Informação e Conhecimento - FAAC

A redescoberta da arte de Alfredo Oliani: Sacra e Tumular

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Revisão taxonômica e ecologia de espécies do gênero Pseudopaludicola Miranda-Ribeiro, 1926 (Anura, Leptodactylidae)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A pedagogia no campo expandido da arte: a 8ª Bienal do Mercosul

This research intend to investigate the main concepts on the pedagogical activities from the 8th Bienal de Artes Visuais do Mercosul, through its history and in a field research made in 2011, by the occasion and in the same year of that edition. It tries to recognize the innovative points of its pedagogical curatorial project and its meaning for the educational art in museums - the expanded field of the art. The expository and educational experience in the Bienal do Mercosul, through its concepts, proposes a reflection about educational art in museums or big events

Museu e suas tipologias: o webmuseu em destaque

The rapid development of Information and Communication Technologies - TIC, coupled with the advancement of the global Internet computer network have framed new concepts and definitions such as virtual reality, immersive environments, webmuseums, digital museums, electronic art, cyber art, among other terminologies that are becoming more and more common and are present in everyday Web users. To better understand the terminologies used to describe museum in the virtual environment, we present a summarized table of terms such as webmuseum, virtual museum, digital museum and their derivatives in order to define the elements that differentiate or resemble them. We used the bibliographic descriptive method for identifying the concepts presented by some expert authors in the field. In conclusion, we recommend the use of the term webmuseum for museums in cyberspace as the most appropriate and we define the concept, comprehending its meaning and characteristics.

A relação aluno e a escola: a cultura como resgate do prazer de estar na escola

Este trabalho coloca em pauta os problemas de sociabilidade e convivência existentes dentro da escola em busca de algumas respostas e de uma compreensão mais aprofundada sobre os motivos pelos quais alguns alunos não se sentem acolhidos na instituição, o que os afasta da convivência social e reflete negativamente em sua aprendizagem, em sua trajetória social e em seu futuro desenvolvimento profissional. Partimos da hipótese de que o envolvimento de alunos em atividades culturais tais como cinema, música, literatura, teatro, visita a museus, etc., seja participando como ouvintes ou em oficinas, pode, através de suas várias formas, resgatar um convívio produtivo entre alunos e a instituição fazendo-os querer estar na escola, propiciando oportunidades de desenvolvimento a partir da aquisição de bens culturais, complementando a formação intelectual formal. O trabalho visa acompanhar uma turma do 6° ano de uma escola estadual de Rio Claro, participante do Projeto de Extensão Educação, Cultura e Inclusão Social e verificar os efeitos do acesso aos bens culturais no desempenho escolar, nas relações com seus pares, com seus professores e com a instituição. A pesquisa fundamentar-se-á teoricamente na Sociologia de Pierre Bourdieu e nos escritos de Juarez Dyrell sobre escola e cultura. Os dados foram coletados por meio de pesquisa bibliográfica, pesquisa documental e observação participante

Ácaros de penas (Acari: Astigmata) em aves não passeriformes do Brasil

Pós-graduação em Ciências Biológicas (Zoologia) - IBRC

Ensino e aprendizagem de Biologia em trilhas interpretativas: o modelo contextual do aprendizado como referencial

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Levantamento histórico da Classe Tentaculitoidea no Devoniano brasileiro: principais características e padrões de preservação

This work deals with the historical survey of the class for the Devonian layers, general characteristics of the group and taphonomic preservation standards associated with the group. It was analyzed specimens of scientific collections from brazilian museums and universities. The taxonomic group is represented by four genera in the basins of Parana, Parnaiba and Amazon: Tentaculites, Homoctenus, Styliolina and Volynites. The tentaculitids occur from Ordovician to the Devonian, having its peak in the Middle Devonian. The class has three known orders: Tentaculitida, animals of benthic habit, Homoctenida and Dacryoconarida, animals of habit planktonic. It was also noticed the presence of two patterns of taphonomic conservation: isolated and grouped specimens.

Uma arquitetura de memória: Museu e Arquivo Histórico Municipal de Presidente Prudente

O antigo edifício do Matadouro Municipal, aparece no cenário do município de Presidente Prudente como um importante elemento do imaginário social urbano e de forte valor arquitetônico e histórico. É possível perceber a presença de alguns marcos e lugares que revelam uma leitura da arquitetura histórica da cidade, sendo a área do Museu e Arquivo Histórico de Presidente Prudente um conjunto de interesse cultural neste espaço urbano. Este trabalho elabora uma análise detalhada da paisagem antiga e atual e quais são os registros histórico/culturais materializados no antigo matadouro e propõe adequar o edifício histórico às novas funções urbanas contemporâneas, com o propósito de preservar a função de museu e arquivo histórico e recuperar esta herança para cidade e seu valor patrimonial

A interação museu-escola sob o referencial teórico metodológico das ilhas interdisciplinares de racionalidade

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Análise do processo de formação como mediadora entre o público e a arte

The proposed work is located in education field in exhibition spaces of art and seeks to analyze a process of formation as a mediator focusing on the public's relationship with art, taking into account the fact that often the general public does not dominate the codes of this area, being incumbent upon mediator introduce them. One of the main points to be analyzed is the impact that can be generated by the contact of the visitor with the mediator in the exhibition space, considering a spectrum of possibilities, where at one end focuses the belonging and in the other the symbolic violence. In this direction this research aims to build a relationship of emancipation and autonomy of both, the educator and the visitor. It is known that the concept of public is a generalization, therefore, the analysis of the mediation process, are having as support the experiences lived by the mediator, especially, in the relationship with the lay public. The locations of the experiences lived, were the SESC Pompéia and the Pavilion of the Bienal of São Paulo, different places, but both with the potential to generate reception and / or distances, shot through space (architecture), bodies, codes, accesses, works of art, repertoires, expographic and especially through the mobilization of educator front of all these issues. The cutting of the research covers the experience of the educator (as an intern and professional) in six exhibitions, in these two spaces, between the years 2010 to 2015.