A Supervisão Pedagógica geradora de dinâmicas colaborativas entre professores de Matemática e Ciências Físico- Químicas

Numa escola que se encontra em transformação no sentido de se adaptar aos contextos sociais, culturais e políticos que a rodeiam, cabe aos professores serem agentes ativos na definição do caminho a percorrer, visando o aumento da qualidade educativa a proporcionar aos nossos jovens. O questionamento inerente à reflexão sobre o percurso profissional levou à identificação da situação problema e à formulação daquela que é a questão de partida deste trabalho: Como pode a supervisão pedagógica promover a troca de experiências e o trabalho colaborativo entre os docentes de Matemática e de Ciências Físico Químicas? Para dar resposta a esta questão, elaborámos o enquadramento teórico, orientado pelas palavras-chave e com recurso a autores de referência, no qual pretendemos salientar as principais investigações que conferem suporte às temáticas subjacentes: Cultura profissional docente, Supervisão pedagógica, Gestão curricular. Como o objetivo geral do trabalho de projeto é conceber um projeto de supervisão pedagógica que promova a troca de experiências e o trabalho colaborativo entre os professores de Matemática e de Ciências Físico Químicas, a terceira parte foi estruturada com base nos princípios subjacentes à metodologia de projeto. Recolhemos opiniões através de Inquéritos por Questionário, aplicados a todos os professores dos grupos disciplinares de Matemática e de Ciências Físico-Químicas. A análise dos questionários permitiu constatar que o que é prescrito na literatura especializada não parece ser posto em prática, verificando-se incongruências entre o que deve ser feito e o que é levado a cabo na prática, o que nos leva a salientar a necessidade de formação em supervisão e mais concretamente em trabalho colaborativo. É pois tendo por base o que aqui é referido que se propõe, como plano de intervenção, a realização de uma oficina de formação que, em primeiro lugar, seria destinada aos docentes de Matemática e de Ciências Físico Químicas, devendo posteriormente ser alargada a outros grupos disciplinares e a todos os departamentos.

Nutrient monitoring, simulation and management within a major lowland UK river system: the Kennet

This paper describes an assessment of the nitrogen and phosphorus dynamics of the River Kennet in the south east of England. The Kennet catchment (1200 km(2)) is a predominantly groundwater fed river impacted by agricultural and sewage sources of nutrient (nitrogen and phosphorus) pollution. The results from a suite of simulation models are integrated to assess the key spatial and temporal variations in the nitrogen (N) and phosphorus (P) chemistry, and the influence of changes in phosphorous inputs from a Sewage Treatment Works on the macrophyte and epiphyte growth patterns. The models used are the Export Co-efficient model, the Integrated Nitrogen in Catchments model, and a new model of in-stream phosphorus and macrophyte dynamics: the 'Kennet' model. The paper concludes with a discussion on the present state of knowledge regarding the water quality functioning, future research needs regarding environmental modelling and the use of models as management tools for large, nutrient impacted riverine systems. (C) 2003 IMACS. Published by Elsevier B.V. All rights reserved.

Modelling: promoting creativity whilst forging links between science education and design and technology education

Educational reforms in many countries currently call for the development of knowledge-based societies. In particular, emphasis is placed on the promotion of creativity, especially in the areas of science education and of design and technology education. In this paper, perceptions of the nature of creativity and of the conditions for its realization are discussed. The notion of modelling as a creative act is outlined and the scope for using modelling as a bridge between science education and design and technology education explored. A model for the creative act of modelling is proposed and its major aspects elaborated upon. Finally, strategies for forging links between the two subjects are outlined.

Semi-automatic annotation and retrieval of visual content using the topic map technology

There are still major challenges in the area of automatic indexing and retrieval of multimedia content data for very large multimedia content corpora. Current indexing and retrieval applications still use keywords to index multimedia content and those keywords usually do not provide any knowledge about the semantic content of the data. With the increasing amount of multimedia content, it is inefficient to continue with this approach. In this paper, we describe the project DREAM, which addresses such challenges by proposing a new framework for semi-automatic annotation and retrieval of multimedia based on the semantic content. The framework uses the Topic Map Technology, as a tool to model the knowledge automatically extracted from the multimedia content using an Automatic Labelling Engine. We describe how we acquire knowledge from the content and represent this knowledge using the support of NLP to automatically generate Topic Maps. The framework is described in the context of film post-production.

Everything and nothing project

An EPRSC ‘Partnerships for Public Engagement’ scheme 2010. FEC 122,545.56/UoR 10K everything and nothing is a performance and workshop which engages the public creatively with mathematical concepts: the Poincare conjecture, the shape of the universe, topology, and the nature of infinity are explored through an original, thought provoking piece of music theatre. Jorge Luis Borges' short story 'The Library of Babel' and the aviator Amelia Earhart’s attempt to circumnavigate the globe combine to communicate to audience key mathematical concepts of Poincare’s conjecture. The project builds on a 2008 EPSRC early development project (EP/G001650/1) and is led by an interdisciplinary team the19thstep consisting of composer Dorothy Ker, sculptor Kate Allen and mathematician Marcus du Sautoy. everything and nothing has been devised by Dorothy Ker and Kate Allen, is performed by percussionist Chris Brannick, mezzo soprano Lucy Stevens and sound designer Kelcey Swain. The UK tour targets arts-going audiences, from the Green Man Festival to the British Science Festival. Each performance is accompanied with a workshop led by Topologist Katie Steckles. Alongside the performances and workshops is a website, http://www.everythingandnothingproject.com/ The Public engagement evaluation and monitoring for the project are carried out by evaluator Bea Jefferson. The project is significant in its timely relation to contemporary mathematics and arts-science themes delivering an extensive programme of public engagement.