957 resultados para Darío, Rubén, 1867-1916.
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O presente estudo teve como objeto de pesquisa o pensamento de José Veríssimo (Brasil) e José Ingenieros (Argentina) sobre raça e educação. Trata-se de uma proposta circunscrita num estudo comparado deste pensamento entre esses dois intelectuais. Problematizou-se como questão central: de que forma o pensamento de José Veríssimo e José Ingenieros articula a relação entre raça e educação na América Latina do final século XIX e início do século XX? Como objetivo geral, desejou-se analisar, por meio de um estudo comparado, o pensamento de José Veríssimo e de José Ingenieros sobre educação, dando destaque às interações destes com o conceito de raça na América Latina do século XIX. Como objetivos específicos, pretende-se: 1) destacar o contexto histórico do pensamento educacional de José Veríssimo e José Ingenieros; 2) identificar nas obras destes autores as relações entre raça e educação, assim como correlacionar o pensamento de José Veríssimo e de José Ingenieros sobre raça e educação com a história do pensamento intelectual latino-americano. Metodologicamente, inscreve-se o estudo no campo da História Intelectual e da História Cultural. O corpus da pesquisa está composto de duas obras de cada autor. De José Veríssimo, trabalhou-se com As Populações indígenas e mestiças da Amazônia: sua linguagem, suas crenças e seus costumes (1887) e Educação nacional (1906). De José Ingenieros, cotejou-se El hombre medíocre (1913) e Las fuerças morales (obra póstuma). Os resultados do estudo indicam que o modo como as teorias da raça chegam a América Latina são fundamentais para a compreensão do pensamneto dos autores. Nesse sentido, foi preciso realizar uma breve reflexão sobre as discussões teóricas que o tema raça suscitou na América Latina do século XIX, já que tanto José Veríssimo quanto José Ingenieiros nasceram e viveram parte de suas vidas nesse período. O primeiro nasceu no extremo norte do Brasil, no Estado do Pará, e viveu entre 1857 e 1916. Dedicou-se ao estudo da Crítica Literária e refletiu sobre a educação, colocando-a como instrumental necessário para a elevação da população mestiça do país à condição de civilizada. O segundo nasceu em Palermo, na Itália, mas migrou para a Argentina ainda criança, tornando-se cidadão argentino. Dedicou-se ao estudo da Psiquiatria, mas enveredouse, em particular, pela área da Antropologia Criminológica. Ao discutir as perturbações mentais dos indivíduos na sociedade argentina, José Ingenieros se reporta à colonização e às condições materiais dos sujeitos. Para ele, no final do século XIX as raças inferiores continuavam a representar um entrave para o desenvolvimento da Argentina. À princípio, identifica-se que o homem medíocre de Ingenieiros muito se assemelha ao homem indolente de Veríssimo. Ambos os estados – medíocre e indolente – representavam, para estes intelectuais, um estado atrasado que não se via mais presente no homem civilizado. Desse modo, defendem condições externas objetivas diferentes para que, tanto na Argentina quanto no Brasil, as mudanças internas determinadas pela raça, que resultaram no homem medíocre e indolente, fossem superadas. Dentre essas condições externas, a educação desponta como elemento necessário para a superação da indolência e da mediocridade.
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A Revista Feminina, publicação paulista, é composta por um conteúdo bastante variado. Por este motivo, seus artigos e seções têm sido objeto de trabalhos acadêmicos de áreas diversas. Neste artigo, propõe-se comentar as seções e textos que possuam conteúdo literário encontrados nos dois primeiros anos de publicação deste periódico (1915-1916), tendo em vista uma breve e rápida pesquisa que constata a inexistência de trabalhos com esta abordagem. Propõe-se a catalogação e comentário sucinto dos textos de algumas seções de maior destaque, com a finalidade de compreender quais gêneros literários são publicados pela Revista e quais os autores que dela participam. Como resultado, espera-se a confirmação de que há bastante material literário a ser explorado nos referidos números da Revista Feminina, e a conseqüente contribuição para a história da leitura e literatura brasileiras nas primeiras décadas do século XX.
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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Pós-graduação em Agronomia (Entomologia Agrícola) - FCAV
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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[ES]Proyecto fin de carrera centrado en la vivienda colectiva desde la óptica de la industrialización en Canarias. Investigación y desarrollo de una propuesta atendiendo a la viabilidad económica.
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[EN]The Azorean barnacle, Megabalanus azoricus (Pilsbry, 1916), is a Macaronesian endemic whose obscure taxonomy and the unknown relationships among forms inhabiting isolated Northern Atlantic oceanic islands is investigated by means of molecular analysis herein. Mitochondrial data from the 16S rRNA and COX1 genes support its current species status, tropical ancestry, and the taxonomic homogeneity throughout its distribution range. In contrast, at the intraspecific level and based on control region sequences, we detected an overall low level of genetic diversity and three divergent lineages. The haplogroups α and γ were sampled in the Azores, Madeira, Canary, and Cabo Verde archipelagos; whereas haplogroup β was absent from Cabo Verde
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Most actors of the Italian silent cinema in the early 1910s have a theatrical training. Some of them are already asserted or famous actors (like Cesare Dondini, Ermete Novelli, Ermete Zacconi, Giovanni Grasso) who are invited “to pose” for the cinema following their reputation, according to a strategy of an aesthetic and cultural legitimacy launched in 1909 by film d'art of the Pathé Consortium. I think it is the proverbial readiness and strength of the stage Italian actors that create a decisive contribution to the rapid development of the national cinema industry, despite its serious structural deficiencies, from the protoindustrialized phase (1909) to the golden age of divismo (starting in 1913), until the first signs of decadence (1919), and the so-called “fall” of the UCI production and distribution system. This is the main topic of the thesis: an investigation on the Italian stage actors engaged in the film industry (“from stage to screen” as the Italian title says, but in a “post-Vardac” approach) through many different sources: periodicals, memories, personal and business letters, and also contracts, found in several archive funds. A specific chapter is dedicated to the artistic career of Febo Mari (1881-1939), real name Alfredo Rodriguez, witch is a time-sample symptomatic of deep ties established between the growing film publishing and the Italian theatrical production system in the 1910s. The Mari debut in cinema and his ascent toward screen “divo” status coincides with the parable that leads from emergence to decadence of divismo in Italy.
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The 1916 Easter Rising, an unsuccessful insurrection which resulted in the Irish War of Independence, generated a deep change in the political landscape in Ireland. The purpose of this work is to describe this crucial period in the history of Ireland through the voices of Irish writers who expressed their ideas and feelings about the way Ireland was close to gaining its independence. Thanks to songs, poems and literature, I analysed the events of that period through the eyes of the Irish people. Authors like Roddy Doyle and William Butler Yeats were fundamental in examining this topic very thoroughly. Through their works, they were able to convey their knowledge about the events of those years and, at the same time, to give their own opinion, as Irish people, on the topic.
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In the Iron Range Strike of 1916, working-class wives picketed alongside their husbands in a conflict-ridden and dangerous setting. Mine deputies abused immigrant women on the picket lines and in their homes, with several disquieting reports receiving statewide attention in Minnesota. Many middle-class reformers in the Twin Cities grew sympathetic to the plight of northern mining families and became controversially involved the labor struggle. Some middleclass women worked alongside working-class wives and radical organizers from the Industrial Workers of the World (IWW). At the center of this gendered analysis is the cross-class cooperation between an upper-middle class woman, Lenora Austin Hamlin, a radical reformer, Elizabeth Gurley Flynn, and the story of a working-class housewife, Mikla Masonovich. This study will ask how authentic, prevalent, and unproblematic their stories of cross-class cohesive action actually were. In answering this, it will address and identify those factors that impeded women’s potential for unity. “Flash in the Pan” argues that as a result of both real and perceived differences, these networks of women remained isolated, inhibiting each from gaining sufficient power to work cohesively, and marginalizing their influence. Drawing upon a variety of sources, including media representations in newspapers, and archives of social, labor and women’s organizations, this regional study lends state-level insight into the larger gender-labor historiography.
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Rooted in critical scholarship this dissertation is an interdisciplinary study, which contends that having a history is a basic human right. Advocating a newly conceived and termed, Solidarity-inspired History framework/practice perspective, the dissertation argues for and then delivers a restorative voice to working-class historical actors during the 1916 Minnesota Iron Ore Strike. Utilizing an interdisciplinary methodological framework the dissertation combines research methods from the Humanities and the Social Sciences to form a working-class history that is a corrective to standardized studies of labor in the late 19th and early 20th centuries. Oftentimes class interests and power relationships determine the dominant perspectives or voices established in history and disregard people and organizations that run counter to, or in the face of, customary or traditional American themes of patriotism, the Protestant work ethic, adherence to capitalist dogma, or United States exceptionalism. This dissertation counteracts these traditional narratives with a unique, perhaps even revolutionary, examination of the 1916 Minnesota Iron Ore Strike. The intention of this dissertation's critical perspective is to poke, prod, and prompt academics, historians, and the general public to rethink, and then think again, about the place of those who have been dislocated from or altogether forgotten, misplaced, or underrepresented in the historical record. Thus, the purpose of the dissertation is to give voice to historical actors in the dismembered past. Historical actors who have run counter to traditional American narratives often have their body of "evidence" disjointed or completely dislocated from the story of our nation. This type of disremembering creates an artificial recollection of our collective past, which de-articulates past struggles from contemporary groups seeking solidarity and social justice in the present. Class-conscious actors, immigrants, women, the GLBTQ community, and people of color have the right to be remembered on their own terms using primary sources and resources they produced. Therefore, similar to the Wobblies industrial union and its rank-and-file, this dissertation seeks to fan the flames of discontented historical memory by offering a working-class perspective of the 1916 Strike that seeks to interpret the actions, events, people, and places of the strike anew, thus restoring the voices of these marginalized historical actors.