Antarctic climate change and the environment: an update

We present an update of the "key points" from the Antarctic Climate Change and the Environment (ACCE) report that was published by the Scientific Committee on Antarctic Research (SCAR) in 2009. We summarise subsequent advances in knowledge concerning how the climates of the Antarctic and Southern Ocean have changed in the past, how they might change in the future, and examine the associated impacts on the marine and terrestrial biota. We also incorporate relevant material presented by SCAR to the Antarctic Treaty Consultative Meetings, and make use of emerging results that will form part of the Intergovernmental Panel on Climate Change (IPCC) Fifth Assessment Report.

Paisajes de la sal en Andalucía

Los paisajes protagonistas de esta investigación han sido creados gracias a la actividad de las salinas, explotaciones “donde se beneficia la sal de las aguas del mar o de ciertos manantiales, cuando se ha evaporado el agua.” (RAE). Son lugares de características únicas, tanto por sus valores naturales y medioambientales, como por los valores culturales, patrimoniales, históricos, sociales e identitarios, “resultado de la acción e interacción de factores naturales y humanos en el territorio” (CEP, 2000). Existen salinas en muchos lugares del mundo, pero es en la Península Ibérica donde se encuentra la mayor concentración de estas explotaciones en toda Europa y, por consiguiente, de los singulares paisajes asociados y generados por ellas. Es también la única región europea donde existen salinas de interior que utilizan métodos de evaporación para la obtención de sal: las energías y circunstancias naturales aprovechadas en ellas, sol, viento, gravedad y humedad relativa, propician la evaporación del agua salada, una de las estrategias fundamentales para su funcionamiento. Esta circunstancia determina su posición geográfica en el territorio y su dependencia de los ciclos climáticos estacionales, del régimen hidrológico, la estructura geológica del subsuelo, la geomorfología y la acción humana para potenciar la eficiencia de los procesos productivos, creando para ello un extenso e interesante patrimonio natural y cultural en torno a ellas. Por tanto, son también paisajes culturales, resultado de un proceso artesanal de producción y comercialización de la sal, que se articula a través de la construcción de una serie de instalaciones preindustriales diseminadas y conectadas en puntos estratégicos del territorio costero e interior. La presente tesis aborda la grave situación a la que se enfrentan en la actualidad los paisajes ibéricos de la sal, concretamente los ubicados en la Comunidad Autónoma de Andalucía, que están sufriendo un ávido proceso de abandono y desaparición desde mediados del s. XX, con la consiguiente pérdida para la sociedad de este valioso patrimonio cultural y natural, que se ha ido construyendo durante siglos, prácticamente desde el inicio de la humanidad. De las diversas tipologías de salinas que existen, se han seleccionado las explotaciones, tanto marítimas como de interior, que utilizan o han utilizado en su origen técnicas de explotación artesanal basadas en la evaporación. El interés de esta acotación tipológica se ha basado en las relaciones de dependencia que estas explotaciones de sal establecen con el entorno físico y climático donde se ubican para poder existir y funcionar. El objetivo principal de esta investigación ha perseguido el establecimiento y definición de un marco territorial, global e integrador, para los paisajes culturales salineros andaluces, a través de la observación directa realizada durante el trabajo de campo, el análisis de textos, imágenes, documentos, gráficos, palabras y entrevistas abiertas. Lo anterior ha permitido identificar, clasificar, analizar y valorar sus principales características y su evolución en el tiempo, identificando las causas del deterioro y desaparición del patrimonio salinero, evaluando la efectividad de las iniciativas, públicas y/o privadas, y de las figuras de protección, así como analizar las relaciones que establecen con su entorno próximo, con los núcleos de población y habitantes a los que sirven, la red de carreteas y caminos que las conectan y los ríos y mares que las proveen de materia prima. Finalmente, se ha establecido una sistemática integral de análisis, con el fin de poder actuar, a partir del conocimiento, a favor de la gestión, salvaguarda y pervivencia de los excepcionales valores culturales y naturales, que definen el carácter e identidad de estos singulares paisajes. ----------------------ABSTRACT----------------- The landscapes of this research have been created by the activity of saltworks, sites “where salt from sea water or certain springs is obtained, when water evaporates.” (RAE). They are places with unique characteristics, because of their natural and environmental values, as well as their cultural, historic and social values, their heritage and identity, “the result of the action and interaction of natural and human factors on the territory” (European Landscape Convention, 2000). There are many saltworks in many places around the world, but it is in the Iberian Peninsula where we find the highest concentration of salt industries within Europe and, therefore, the particular landscapes associated and created by them. It is as well the only European region where we can find inland saltworks with evaporation methods to obtain salt: the energies and natural circumstances used in them are sun, wind, gravity and relative humidity, favouring salt water evaporation, one of the main strategies of their functioning. This circumstance determines their geographic position in the territory and its dependence on seasonal climatic cycles, hydrological regimes, geological subsoil structure, geomorphology and human action to strengthen productive processes efficiency, creating an extensive and interesting natural and cultural heritage around them. Therefore, they are also cultural landscapes, result of a traditional salt production process and marketing, organized through the construction of certain preindustrial buildings scattered and connected in strategic inland and seaside spots. This thesis deals with the plight today’s salt landscapes are facing, particularly those within the Andalucian Region, since the middle of the 20th century undergoing an avid process of abandonment and disappearance, meaning a great loss for society of a cultural and natural heritage constructed along centuries, almost since the beginning of mankind. Among the diverse typologies of saltworks, the selection made consists on those inland and seaside ones, which use or have originally used traditional production techniques based on evaporation. The interest in this particular saltwork typology is based on the dependency relationships these industries establish with the environment and climate where they are located, in order to be able to exist and function. The main goal of this research has pursued to establish and define a global and inclusive territorial framework for Andalucian cultural saltworks landscapes, through direct observation carried out during fieldwork, analysis of texts, images, documents, graphs, words and open interviews. All of it has allowed to identify, classify, analyze and evaluate their main characteristics and evolution over time, identifying the causes of deterioration and disappearance of the saltworks heritage, assessing the effectiveness of public and private initiatives, and protection projects, as well as analyzing the relationships with their surroundings, population centers and residents they serve, road networks connecting them and rivers and seas supplying the raw material. Finally, a comprehensive analysis systematic has been established, in order to be able to take action, with knowledge as starting point, for the management, preservation and survival of the unique cultural and natural values that define the character and identity of these singular landscapes.

Paisajes de la sal en Andalucía

Los paisajes protagonistas de esta investigación han sido creados gracias a la actividad de las salinas, explotaciones “donde se beneficia la sal de las aguas del mar o de ciertos manantiales, cuando se ha evaporado el agua.” (RAE). Son lugares de características únicas, tanto por sus valores naturales y medioambientales, como por los valores culturales, patrimoniales, históricos, sociales e identitarios, “resultado de la acción e interacción de factores naturales y humanos en el territorio” (CEP, 2000). Existen salinas en muchos lugares del mundo, pero es en la Península Ibérica donde se encuentra la mayor concentración de estas explotaciones en toda Europa y, por consiguiente, de los singulares paisajes asociados y generados por ellas. Es también la única región europea donde existen salinas de interior que utilizan métodos de evaporación para la obtención de sal: las energías y circunstancias naturales aprovechadas en ellas, sol, viento, gravedad y humedad relativa, propician la evaporación del agua salada, una de las estrategias fundamentales para su funcionamiento. Esta circunstancia determina su posición geográfica en el territorio y su dependencia de los ciclos climáticos estacionales, del régimen hidrológico, la estructura geológica del subsuelo, la geomorfología y la acción humana para potenciar la eficiencia de los procesos productivos, creando para ello un extenso e interesante patrimonio natural y cultural en torno a ellas. Por tanto, son también paisajes culturales, resultado de un proceso artesanal de producción y comercialización de la sal, que se articula a través de la construcción de una serie de instalaciones preindustriales diseminadas y conectadas en puntos estratégicos del territorio costero e interior. La presente tesis aborda la grave situación a la que se enfrentan en la actualidad los paisajes ibéricos de la sal, concretamente los ubicados en la Comunidad Autónoma de Andalucía, que están sufriendo un ávido proceso de abandono y desaparición desde mediados del s. XX, con la consiguiente pérdida para la sociedad de este valioso patrimonio cultural y natural, que se ha ido construyendo durante siglos, prácticamente desde el inicio de la humanidad. De las diversas tipologías de salinas que existen, se han seleccionado las explotaciones, tanto marítimas como de interior, que utilizan o han utilizado en su origen técnicas de explotación artesanal basadas en la evaporación. El interés de esta acotación tipológica se ha basado en las relaciones de dependencia que estas explotaciones de sal establecen con el entorno físico y climático donde se ubican para poder existir y funcionar. El objetivo principal de esta investigación ha perseguido el establecimiento y definición de un marco territorial, global e integrador, para los paisajes culturales salineros andaluces, a través de la observación directa realizada durante el trabajo de campo, el análisis de textos, imágenes, documentos, gráficos, palabras y entrevistas abiertas. Lo anterior ha permitido identificar, clasificar, analizar y valorar sus principales características y su evolución en el tiempo, identificando las causas del deterioro y desaparición del patrimonio salinero, evaluando la efectividad de las iniciativas, públicas y/o privadas, y de las figuras de protección, así como analizar las relaciones que establecen con su entorno próximo, con los núcleos de población y habitantes a los que sirven, la red de carreteas y caminos que las conectan y los ríos y mares que las proveen de materia prima. Finalmente, se ha establecido una sistemática integral de análisis, con el fin de poder actuar, a partir del conocimiento, a favor de la gestión, salvaguarda y pervivencia de los excepcionales valores culturales y naturales, que definen el carácter e identidad de estos singulares paisajes. ----------------------ABSTRACT----------------- The landscapes of this research have been created by the activity of saltworks, sites “where salt from sea water or certain springs is obtained, when water evaporates.” (RAE). They are places with unique characteristics, because of their natural and environmental values, as well as their cultural, historic and social values, their heritage and identity, “the result of the action and interaction of natural and human factors on the territory” (European Landscape Convention, 2000). There are many saltworks in many places around the world, but it is in the Iberian Peninsula where we find the highest concentration of salt industries within Europe and, therefore, the particular landscapes associated and created by them. It is as well the only European region where we can find inland saltworks with evaporation methods to obtain salt: the energies and natural circumstances used in them are sun, wind, gravity and relative humidity, favouring salt water evaporation, one of the main strategies of their functioning. This circumstance determines their geographic position in the territory and its dependence on seasonal climatic cycles, hydrological regimes, geological subsoil structure, geomorphology and human action to strengthen productive processes efficiency, creating an extensive and interesting natural and cultural heritage around them. Therefore, they are also cultural landscapes, result of a traditional salt production process and marketing, organized through the construction of certain preindustrial buildings scattered and connected in strategic inland and seaside spots. This thesis deals with the plight today’s salt landscapes are facing, particularly those within the Andalucian Region, since the middle of the 20th century undergoing an avid process of abandonment and disappearance, meaning a great loss for society of a cultural and natural heritage constructed along centuries, almost since the beginning of mankind. Among the diverse typologies of saltworks, the selection made consists on those inland and seaside ones, which use or have originally used traditional production techniques based on evaporation. The interest in this particular saltwork typology is based on the dependency relationships these industries establish with the environment and climate where they are located, in order to be able to exist and function. The main goal of this research has pursued to establish and define a global and inclusive territorial framework for Andalucian cultural saltworks landscapes, through direct observation carried out during fieldwork, analysis of texts, images, documents, graphs, words and open interviews. All of it has allowed to identify, classify, analyze and evaluate their main characteristics and evolution over time, identifying the causes of deterioration and disappearance of the saltworks heritage, assessing the effectiveness of public and private initiatives, and protection projects, as well as analyzing the relationships with their surroundings, population centers and residents they serve, road networks connecting them and rivers and seas supplying the raw material. Finally, a comprehensive analysis systematic has been established, in order to be able to take action, with knowledge as starting point, for the management, preservation and survival of the unique cultural and natural values that define the character and identity of these singular landscapes.

Habitar al borde del agua : villas del siglo XX

Las casas del siglo XX construidas al borde del mar –escenario único y origen de su expresión- siguen la topografía del suelo que habitan en su descenso al agua, y organizan espacios que obtienen miradas al horizonte marino. El horizonte nos confronta a lo desconocido. La vista del mar incita al deseo de recorrerlo, al deseo de viajar. Con origen en el otium romano, la presencia del agua define un modo de vida apacible –epicúreo- que los viajeros de la arquitectura -que nos acompañan en la tesis- traducen en sus refugios más íntimos. Experimentan con los cambios en los conceptos y en las técnicas, que se trasladan fácilmente a la arquitectura de la casa al borde del agua desde los inicios del Movimiento Moderno. Sus espacios del habitar frente al mar nos permiten descubrir estrategias comunes en sus respuestas más modernas. El arquitecto ante el proyecto frente al mar llega a la ubicación elegida, mira hacia el horizonte, y desplazándose ladera arriba se coloca en un punto estratégico que elige; después, delante de su tablero, recorre el camino inverso, coloca el lugar y sobre él dibuja los elementos que configurarán los espacios de la casa buscando esa mirada al mar. Las situaciones y ubicaciones posibles son infinitas; se definen algunas consonancias espaciales comunes en los suelos que se ocupan debidas a la presencia del mar que asociamos entre sí. De la comparación entre todas las casas -emblemas del XX-, surgen múltiples variantes de la mirada y de espacios al abierto, y modos de fabricar entornos con criterios comunes para dominar la visión del mar. Interiores que se abren al panorama, espacios cuyas ventanas buscan su mirada en la extensión del horizonte, rescisiones y aperturas. Reconocemos condicionantes en el territorio a los que las villas responden, categorías arquitectónicas que dan respuesta frente al mar en la búsqueda del moderno, la topografía, la mirada y el espacio al abierto. Las casas comparten la idea del dominio del paisaje desde el punto más alto, y en algunos suelos se invierte la tipología por la topografía, confirmando así un criterio común basado en la lectura del suelo como consecuencia de la búsqueda del espacio de la mirada. Los espacios al abierto se significan en todas ellas, son espacios al -aire libre- abiertos, unos envueltos, otros porticados, puertas del horizonte que se abren al exterior, en el techo de la casa, otros cubiertos y abiertos, espacios entre interior y exterior, en plataformas con bancales o patios envolventes, recintos o habitaciones abiertas. Descubrimos un logro del XX en los espacios positivos o negativos que traducen o juegan con el entorno, que ocupan o sustraen de los contornos construidos y que obtienen espacios intermedios en la búsqueda de la relación con el mar. Las herramientas que se utilizan son los dibujos de los autores, de las casas visitadas, el elenco de viajeros y sus viajes, el conocimiento desde el estudio de los proyectos. A través de la comparación por aproximaciones parciales, los dibujos nos definen la mirada al mar, el modo de ocupación y la forma de relación con el paisaje. La arquitectura del habitar frente al mar en el XX, hecha para y por arquitectos, topografía el suelo y construye la mirada, fabricando espacios al abierto en la relación entre la casa y el entorno marítimo. ABSTRACT Houses of the 20th century built by the sea – a unique setting which gives rise to their expression – follow the topography of the land they occupy in its descent towards the sea, and they organize spaces which give views of the maritime horizon. The horizon brings us face to face with the unknown. The sea view provokes a desire to cross it, to travel. The presence of the sea defines a peaceful, epicurean way of life, with origins in the Roman otium, which architectural travellers – who accompany us through the thesis – translate into their most intimate retreats. They experiment with changes in concepts and techniques, which are easily transferred to the architecture of the seaside house since the beginnings of the Modern Movement. Their living spaces allow us to discover common strategies in the most modern responses. The architect with a seaside project arrives at the site, looks towards the horizon, then walks uphill and chooses a strategic point; then with his drawing board he retraces his steps, he sets the position and then draws in the elements that make up the house that seeks a sea view. The number of potential situations and locations is infinite; certain common spatial accordances are defined in land which is occupied due to the presence of the sea. Comparison of all the houses – 20th century emblems – throws up multiple variations of view and open spaces, and ways of creating settings with common criteria so as to command the vision of the sea. Interiors which open up to the panorama, spaces whose windows seek their view in the expanse of the horizon, openings and closures. We recognise determinant factors in the territory to which the villas respond, architectural categories which give a seaside solution to the search for the modern, the topography, the view, and the open space. The houses share the idea of dominating the landscape from the highest point, and in some areas typology and topography are inverted, thus confirming a common criteria based on the reading of the ground as a conse quence of the search for the view space. Open spaces stand out in all the villas – spaces open to the outdoor air - some are wrapped, some arcaded, doors to the horizon which open up to the exterior, on the roof of the house. There are open and covered spaces, spaces between the exterior and interior, on platforms with banks and surrounding patios, enclosures and open rooms. We discover an achievement of the 20th century in the positive and negative spaces which translate and play with the setting, which occupy or are extracted from built contours and which obtain intermediate spaces in the search for the relationship with the sea. The tools used are the author’s drawings of the houses visited, the cast of travelling companions and their travels, the knowledge gained from study of the projects. Through comparison by means of partial approaches, the drawings define the view of the sea, the occupation mode and the way of relating to the landscape. Architecture for living by the sea in the 20th century, carried out both by and for the architects, shapes the land and constructs the view, creating open spaces in the relationship between the house and the sea surroundings.

Isolation and one-step preparation of A2E and iso-A2E, fluorophores from human retinal pigment epithelium

Age-related macular degeneration, a major cause of blindness for which no satisfactory treatments exist, leads to a gradual decrease in central high acuity vision. The accumulation of fluorescent materials, called lipofuscin, in retinal pigment epithelial cells of the aging retina is most pronounced in the macula. One of the fluorophores of retinal pigment epithelial lipofuscin has been characterized as A2E, a pyridinium bis-retinoid, which is derived from two molecules of vitamin A aldehyde and one molecule of ethanolamine. An investigation aimed at optimizing the in vitro synthesis of A2E has resulted in the one-step biomimetic preparation of this pigment in 49% yield, readily producing more than 50 mg in one step. These results have allowed for the optimization of HPLC conditions so that nanogram quantities of A2E can be detected from extracts of tissue samples. By using 5% of the extract from individual aged human eyes, this protocol has led to the quantification of A2E and the characterization of iso-A2E, a new A2E double bond isomer; all-trans-retinol and 13-cis-retinol also have been identified in these HPLC chromatograms. Exposure of either A2E or iso-A2E to light gives rise to 4:1 A2E:iso-A2E equilibrium mixtures, similar to the composition of these two pigments in eye extracts. A2E and iso-A2E may exhibit surfactant properties arising from their unique wedge-shaped structures.

Acoustic and neural bases for innate recognition of song

In behavior reminiscent of the responsiveness of human infants to speech, young songbirds innately recognize and prefer to learn the songs of their own species. The acoustic and physiological bases for innate recognition were investigated in fledgling white-crowned sparrows lacking song experience. A behavioral test revealed that the complete conspecific song was not essential for innate recognition: songs composed of single white-crowned sparrow phrases and songs played in reverse elicited vocal responses as strongly as did normal song. In all cases, these responses surpassed those to other species’ songs. Although auditory neurons in the song nucleus HVc and the underlying neostriatum of fledglings did not prefer conspecific song over foreign song, some neurons responded strongly to particular phrase types characteristic of white-crowned sparrows and, thus, could contribute to innate song recognition.

A Tropomyosin-2 Mutation Suppresses a Troponin I Myopathy in Drosophila

A suppressor mutation, D53, of the held-up2 allele of the Drosophila melanogaster Troponin I (wupA) gene is described. D53, a missense mutation, S185F, of the tropomyosin-2, Tm2, gene fully suppresses all the phenotypic effects of held-up2, including the destructive hypercontraction of the indirect flight muscles (IFMs), a lack of jumping, the progressive myopathy of the walking muscles, and reductions in larval crawling and feeding behavior. The suppressor restores normal function of the IFMs, but flight ability decreases with age and correlates with an unusual, progressive structural collapse of the myofibrillar lattice starting at the center. The S185F substitution in Tm2 is close to a troponin T binding site on tropomyosin. Models to explain suppression by D53, derived from current knowledge of the vertebrate troponin-tropomyosin complex structure and functions, are discussed. The effects of S185F are compared with those of two mutations in residues 175 and 180 of human α-tropomyosin 1 which cause familial hypertrophic cardiomyopathy (HCM).

Nest predation by cowbirds and its consequences for passerine demography.

Brood parasitism by brown-headed cowbirds (Molothrus ater) reduces reproductive success in many passerines that nest in fragmented habitats and ecological edges, where nest predation is also common. We tested the hypothesis that parasitism and predation are often linked because cowbirds depredate nests discovered late in the host's nesting cycle to enhance future opportunities for parasitism. Over a 20-year study period, brood parasitism by cowbirds was a prerequisite to observing marked inter- and intraannual variation in the rate of nest failure in an insular song sparrow (Melospiza melodia) population. Nest failure increased with the arrival and laying rate of cowbirds and declined when cowbirds ceased laying. The absence or removal of cowbirds yielded the lowest nest failure rates recorded in the study. The absence of cowbirds also coincided with the absence of an otherwise strong positive correlation between host numbers and the annual rate of nest failure. Host numbers, cowbird parasitism, and nest failure may be correlated because cowbirds facilitate nest failure rather than cause it directly. However, an experiment mimicking egg ejection by cowbirds did not affect nest failure, and, contrary to the main prediction of the predation facilitation hypothesis, naturally parasitized nests failed less often than unparasitized nests. Higher survival of parasitized nests is expected under the cowbird predation hypothesis when female cowbirds defend access to hosts because cowbirds should often depredate unparasitized nests but should not depredate nests they have laid in. Where female cowbirds have overlapping laying areas, we expect parasitized nests to fail more often than others if different cowbirds often discover the same nests. We suggest that nest predation by cowbirds represents an adaptation for successful parasitism and that cowbirds influence host demography via nest predation.

EIA-RIMA insuficiente como avaliação de impactos ambientais enquanto busca de sustentabilidade urbana: o caso de São Sebastião

O presente trabalho comprova que o atual instrumento EIA-RIMA - Estudo de Impacto Ambiental e seu respectivo Relatório de Impacto Ambiental, é insuficiente enquanto busca de sustentabilidade urbana no Litoral Norte do Estado de São Paulo, especificamente no município de São Sebastião. O método de analise dos EIA-RIMA sempre enfatizam os ganhos econômicos e atenuam os impactos negativos, apesar das fragilidades naturais, estruturais e restrições legais incidentes. A tese comprova que os instrumentos utilizados no âmbito do processo de licenciamento ambiental dos empreendimentos, como a ampliação do porto comercial de São Sebastião, estão pouco comprometidos com o real desenvolvimento sustentável da cidade e região. As especificidades geográficas, sobretudo as facilidades de interface do território terrestre com o marítimo, proporcionadas pelas características naturais do Canal de São Sebastião, sempre ofereceram condições privilegiadas para o abrigo de embarcações, característica decisiva na escolha do lugar como cidade portuária, vinculada aos mais importantes ciclos econômicos do país. Agora, em 2015, está prestes a entrar em um novo ciclo, principalmente com a ampliação do porto comercial, duplicação da rodovia dos Tamoios e da SP-055 e a exploração da camada pré-sal na Bacia de Santos. A região já apresenta todos os problemas de uma ocupação acelerada em um território ambientalmente frágil, localizado em estreita faixa litorânea, composta de um lado pela Serra do Mar e do outro pelo Oceano Atlântico. Se não houver um planejamento urbano e regional que considere as características e capacidade de suporte deste território, a zona costeira entrará em colapso. Saber dosar o uso de suas potencialidades sem esgotá-las será o desafio de nossa geração. Os Estudos de Impactos Ambientais precisam ser aperfeiçoados para que ações mitigadoras alcancem muito mais do que o mínimo, alinhadas a investimentos, tecnologias inovadoras, infraestruturas necessárias e obrigatórias que sejam pensadas de maneira conjunta e cumulativa nas diversas esferas do poder, com efetiva participação pública, caso contrário, o crescente interesse econômico e político tenderá à destruição irreversível do patrimônio histórico e natural deste território. O EIA está se transformando em um poderoso instrumento político de ordenamento territorial que acaba por definir critérios e parâmetros de uso e ocupação, desempenhando uma função que não lhe compete, além de aprofundar o desencontro entre uma vida urbana de qualidade e um ambiente equilibrado em nome do desenvolvimento econômico e a serviço dos interesses privados.

(Table 1) Sea surface temperature reconstruction for eastern equatorial Pacific surface sediment samples

Significant uncertainties persist in the reconstruction of past sea surface temperatures in the eastern equatorial Pacific, especially regarding the amplitude of the glacial cooling and the details of the post-glacial warming. Here we present the first regional calibration of alkenone unsaturation in surface sediments versus mean annual sea surface temperatures (maSST). Based on 81 new and 48 previously published data points, it is shown that open ocean samples conform to established global regressions of Uk'37 versus maSST and that there is no systematic bias from seasonality in the production or export of alkenones, or from surface ocean nutrient concentrations or salinity. The flattening of the regression at the highest maSSTs is found to be statistically insignificant. For the near-coastal Peru upwelling zone between 11-15°S and 76-79°W, however, we corroborate earlier observations that Uk'37 SST estimates significantly over-estimate maSSTs at many sites. We posit that this is caused either by uncertainties in the determination of maSSTs in this highly dynamic environment, or by biasing of the alkenone paleothermometer toward El Niño events as postulated by Rein et al. (2005).

The popular cook book : a collection of tested recipes /

Includes recipes for English and German dishes. Sample recipes: Pea soup, Liebe kuchen, Sparrow pie.

The gospels in art; the life of Christ by great painters from Fra Angelico to Holman Hunt, the text by Léonce Bénédite, Henry Van Dyke, R. F. Horton and the Bishop of Derry & Raphoe;

On cover : The Bible in art: The New Testament.