Svensk bok-katalog jemte musikförteckning.

Mode of access: Internet.

Die soziale Frage in der Poesie.

Mode of access: Internet.

Lieblingminne und freundesliebe in der weltlitteratur. Eine sammlung mit einer ethisch-politischen einleitung...

Bibliography: p.217-220.

Die Natur, ihre Auffassung und poetische Verwendung in der altergermanischen und mittelhochdeutschen Epik bis zum Abschluss der Blütezeit.

Mode of access: Internet.

School of Music Building (Maynard St.)

Wesley Howe, architect. Building built in 1893; purchased by School of Music in 1929. Sold by UM in 1965.

School of Music Building (Maynard St.)

Wesley Howe, architect. Building built in 1893; purchased by School of Music in 1929. Sold by UM in 1965.

Akademische voorlezingen, in den aanvang dezes jaars 1822 gehouden, over eenige paragrafen mijner Nederlandsche redekunst, welke handelen over de vinding in de welsprekendheid, naar de denkbeelden der ouden,

Mode of access: Internet.

Essays on some of the modern guides of English thought in matters of faith /

Microfiche (negative). Louisville, Ky. : Lost Cause Press, 1975. 7 cards : 11 x 15 cm. -- (No. 166)

The art of music; a comprehensive library of information for music lovers and musicians.

Each volume also has special title-page.

The rise & development of military music,

Relates chiefly to the history of military music in England.

Bijdrage tot de geschiedenis van het natuurgevoel in de middeleeuwsche nederlanden /

Includes bibliographical references (p. 146-153).

Who's who in Oz /

Mode of access: Internet.

Contemporary American literature and religion,

Mode of access: Internet.

English music (1604 to 1904) being the lectures given at the Music Loan Exhibition of the Worshipful Company of Musicians, held at Fishmongers' Hall, London Bridge, June-July, 1904.

The evolution of the pianoforte, by T.L. Southgate.- Our English songs, by W.H. Cummings.- The early English viols and their music, by H. Watson.- Madrigals, rounds, catches, glees, and part-songs, by E.M. Lee.- The recorder, flute, fife, and piccolo, by J. Finn.- Music in England in the year 1604, by Sir F. Bridge.- Our dances of bygone days, by A.S. Rose.- Masques and early operas, by A.H.D. Prendergast.- English opera after Purcell, by F.J. Sawyer.- Our cathedral composers and their works, by G.F. Huntley.- The single and double reed instruments, by D.J. Blaikley.- The water-organ of the ancients and the organ of to-day, by F.W. Galpin.- The regal and its successors: the harmonica, by T.L. Southgate.- The violin family and its music, by W.W. Cobbett.- The brass wind instruments, by J.E. Borland.- Some notes on early printed music, by A.H. Littleton.- Music of the country-side, by Sir E. Clarke.

“A Man After God’s Own Heart”: Biblical, Hegemonic and Toxic Masculinities in As Meat Loves Salt

Maria McCann paints a dark picture of masculinity and its effects in her novel As Meat Loves Salt (2001). The violent Jacob Cullen struggles with his masculinity as he faces the intricacies of religion, sexuality and politics in the midst of the English Civil War where he falls in love with fellow soldier Christopher Ferris. By using R.W. Connell and James Messerschmidt’s framework for the hierarchy of masculinities, I explore masculinities on local, regional and global levels and emphasized femininity in a close reading of McCann’s novel. My aim is not only to analyse the masculinities of the novel but also to use the framework to redefine toxic masculinity in order to make it a useable concept when analysing masculinities in literature. I redefine toxic masculinity because it lacks a clear definition anchored in an established framework used to study masculinity that does not see masculinity as inherently toxic. I believe that anchoring it to Connell and Messerschmidt’s framework will make it a useable concept. Due to the novel’s relationship to the Bible, I will use masculinity studies done on David and Jesus from the Bible to compare and reveal similarities with the masculinities in the novel, how they appear on the local, regional and global levels in the novel and its effects. I draw parallels between the love story in As Meat Loves Salt to the love story of David and Jonathan in the Bible by using queer readings of David and Jonathan in order to explore how masculinity affects the relationships and how the novel uses these two love stories as a study of toxic masculinity and how it relates it to hegemonic masculinity.