[Sefer sharshim] : a Hebrew and English lexicon containing all the words of the Old Testament, with the Chaldee words in Daniel, Ezra, and the Targums, and also the Talmudical and Rabbinical words derived from them /

Spine title: Newman's Hebrew-English and English-Hebrew Lexicon.

A Hebrew chrestomathy designed as an introduction to a course of Hebrew study /

Mode of access: Internet.

Tirosh lo Yayin : or, The wine question considered in an entirely novel point of view ; with a scheme of Hebrew wines, and illustrations (philosophical and critical) of the principle passages of the Bible connected with the subject.

Includes index.

La satire à Arras au XIIIe siècle.

"Extrait du Moyen âge, années 1899 et 1900."

Measures, weights, & moneys of all nations, and an analysis of the Christian, Hebrew, and Mahometan calendars;

Mode of access: Internet.

Old things and new, or, Ancient fables and modern men : a satire.

In verse.

Ueber die rednerische Verwendung des Witzes und der Satire bei Cicero : eine aesthetisch-kritische Studie.

Thesis (doctoral)--Friedrich-Alexander-Universitaet Erlangen.

The Hebrew prophets for English readers, in the language of the Revised version of the English Bible, printed in their poetical form, with headings and brief annotation.

v. 1. Amos, Hosea, Isaiah (1-39) and Micah.-v.2. Zephaniah, Nahum, Habakkuk, and Jeremiah.-v.3. Obadiah, Ezekiel, and Isaiah (40-71)-v.4. Haggai, Zechariah, Malachi, Joel, Deutero-Zechariah, Jonah, and Daniel.

The holy mountain : a satire on tendencies /

Mode of access: Internet.

The law and the prophets, or, The Revelation of Jehovah in Hebrew history from the earliest times to the capture of Jerusalem by Titus: being the work entitled "Jéhovah" /

Translation of: Jéhovah.

Bottoms up, an application of the slapstick to satire,

Mode of access: Internet.

Graphic satire and public life in the age of terror

This paper investigates media representations of international insecurity through a selection of newspaper cartoons from some of the major daily Australian broadsheets. Since 2001, cartoonists such as Bruce Petty, John Spooner and Bill Leak (in The Age and The Australian) have provided an ongoing and vehement critique of the Australian government’s policies of ‘border protection’, the ‘war on terror’ and the words of mass distraction associated with Australia joining the war in Iraq. Cartoonists are often said to represent the ‘citizen’s perspective’ of public life through their graphic satire on the editorial pages of our daily newspapers. Increasingly, they can also be seen to be fulfilling the role of public intellectuals, defined by Richard A. Posner as ‘someone whose place it is publicly to raise embarrassing questions, to confront orthodoxy and dogma, to be someone who cannot easily be co-opted by governments and corporations’. Cartoonists enjoy an independence and freedom from censorship that is rarely extended to their journalistic colleagues in the print media and it is this independence that is the vital component in their being categorised as public intellectuals. Their role is to ‘question over and over again what is postulated as self-evident, to disturb people’s mental habits, to dissipate what is familiar and accepted, to re-examine rules and institutions’ (Posner, 2003: 31). With this useful — if generalised — definition in mind, the paper considers how cartoonists have contributed to debates concerning international insecurity in public life since 2001.

Television satire, decmocracy and the decay of public language: John Clarke's verbal caricature

This paper examines the contributions of John Clarke to the field of political satire through his interviews with straight-man Bryan Dawe on ABC TV’s The 7.30 Report. Clarke’s work represents one of the last vestiges of what was once a vigorous satiric tradition in TV comedy, specifically the practice of political caricature. There was The Mavis Bramston Show in the 1960s and The Naked Vicar Show in the 1970s, while The Gillies Report in the 1980s was probably the best example of sustained political caricature in television comedy. Even in later sketch-based shows such as Fast Forward and The Late Show in the early 1990s, political caricature was a significant component of the material, whereas it seems to have all but disappeared from current television comedy. The paper investigates the disappearance of this type of comedy from Australian television screens and also discusses why the longevity, consistency, not to mention accuracy, of Clarke’s satire is so important in the current political climate. Clarke’s political caricature is almost entirely language-based, expertly parodying the spin-doctored rhetoric of our elected representatives and business leaders. This leads to a secondary focus of the paper, which is a discussion of Clarke’s unique form of satire in the context of what an historian (and former satirist) identifies as ‘the decay of public language’.