980 resultados para Musical education


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Paper to be presented at the ESREA Conference Learning to Change? The Role of Identity and Learning Careers in Adult Education, 7-8 December, 2006, Université Catholique Louvain, Louvain–la-Neuve, Belgium

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Paper to be presented in ESREA 2007 ADC Network Seminar - Changing Relationships between the State, Civil Society and the Citizen: Implications for adult education and adult learning, 14 -16 June 2007 - University of Minho - Campus de Gualtar, Braga (Portugal).

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Int’l J. of Information and Communication Technology Education, 3(2), 1-14, April-June 2007

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Project LIHE: the Portuguese Case. ESREA Fourth Access Network Conference – “Equity, Access and Participation: Research, Policy and Practice”. Edinburgh (Scotland), 11 – 13 December, 2003.

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Artigo apresentado no V Congresso deGaliza e Norte de Portugal de Formação para o Trabalho – “Necessidades de Formação e Desenho Curricular por Competências”, Universidade de Compostela, 27-29 Novembro de 2003

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March 19 - 22, 2006, São Paulo, BRAZIL World Congress on Computer Science, Engineering and Technology Education

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Nowadays, with the use of technology and the Internet, education is undergoing significant changes, contemplating new ways of teaching and learning. One of the widely methods of teaching used to promote knowledge, consists in the use of virtual environments available in various formats, taking as example the teaching-learning platforms, which are available online. The Internet access and use of Laptops have created the technological conditions for teachers and students can benefit from the diversity of online information, communication, collaboration and sharing with others. The integration of Internet services in the teaching practices can provide thematic, social and digital enrichment for the agents involved. In this paper we will talk about the advantages of LMS (Learning Management Systems) such as Moodle, to support the presential lectures in higher education. We also will analyse its implications for student support and online interaction, leading educational agents to a mixing of different learning environments, where they can combine face-to-face instruction with computer-mediated instruction, blended-learning, and increases the options for better quality and quantity of human interaction in a learning environment. We also will present some tools traditionally used in online assessment and that are part of the functionalities of Moodle. These tools can provide interesting alternatives to promote a more significant learning and contribute to the development of flexible and customized models of an evaluation which we want to be more efficient.

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In this paper we will talk about a math project submitted to the Lifelong Learning Programme. European higher education needs a reform in order to play its full role in the Europe of Knowledge. Modernisation of higher education is necessary in the areas of curricula (Bologna process), funding and governance so that higher education institutions can face the challenges posed by globalisation and contribute more effectively to the training and retraining of the European workforce. On the other hand Mathematics is an essential component of all educational systems. Mathematical literacy is being scrutinized in assessment efforts such as the OCDE Programme for International Student Assessment (PISA). This showed a low level in Europe. Due to the Bologna Process, which brought several didactical implications for Higher Education (HE) institutions, there is the need of lifelong learning. This evolution is in conflict with the earlier mentioned lack of competencies on basic sciences, such as Mathematics. Forced by this duality, efforts are combined to share expertise in the Math field and the integration of pedagogical methodologies becomes a necessity. Thus, several European countries have proposed an International Project to the Lifelong Learning Programme, Action ERASMUS Modernisation of Higher Education, to make institutions more attractive and more responsive to the needs of the labour market, citizens and society at large. One of the main goals of the project is to attract students to math through high-quality instructional units in an understandable, exciting and attractive way.

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Os processos pelos quais o Acompanhador Musical de Dança (AMD) leva a cabo a sua tarefa são, a grande maioria das vezes, de carácter intuitivo, sendo que carece, tanto a nível nacional como internacional, de formação específica e fundamentada. De facto, é de salientar a falta de investigação sistematizada que identifique, de forma objectiva e clara, as estratégias perceptivas, cognitivas e expressivas subjacentes à sua prática. Esta situação repercute-se no estatuto menor, e mesmo subalterno, que este profissional tem no quadro da formação em dança. É no contexto dessa lacuna que esta investigação se inscreve, procurando através da análise de movimento (leitura rítmica corporal), da análise da relação entre frase de movimento e criação musical adequada, bem como através da identificação de estratégias de adaptabilidade, chegar a uma caracterização e fundamentação dessa prática musical.

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Um acompanhador compreende o gesto dançado quando consegue extrair do bailarino imagens que assinalam aspectos do estado do seu corpo. O processo de visualização dum movimento resulta da criação de imagens, que surgem da transformação de um estímulo visual, numa imagem mental. Na perspectiva do nosso corpo, tudo o que está “fora” e tudo o que está “dentro” tem um correlato numa imagem, que pode ser explicada como um conjunto de padrões mentais que estão consistentemente relacionados com alguma coisa. O armazenamento destas imagens na nossa memória permite-nos criar um fluxo de imagens a cada momento do nosso pensamento.

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El acompañante musical de danza (AMD) traduce a sonido secuencias de movimiento, basando su práctica en la observación de las acciones motoras del bailarín. ¿Cómo es que el AMD llega a comprender las calidades motoras en términos musicales? ¿Qué es lo que el AMD identifica a partir de su observación? ¿Cuáles son las diferencias y semejanzas de timing de las representaciones motoras en el planeamiento de una acción cuando se trabaja con estímulos auditivos y visuales en simultáneo? Con el objeto de comenzar a responder algunas de esos interrogantes se diseñó un estudio en el que se indagan diferentes aspectos de la habilidad para sincronizar con la imagen y el sonido de una secuencia de danza de las personas habitualmente involucradas en la realización de este tipo de secuencias (Profesores, Estudiantes Bailarines y AMD).

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En este estudio se presenta un modelo de trabajo dentro de una clase de danza, basado en la interacción entre el Acompañante Musical de Danza (AMD), el Bailarín (en su condición de estudiante) y el Profesor de danza. El trabajo tiene un carácter introspectivo y se basa en el análisis crítico de la perspectiva del autor, como sujeto implicado en el proceso de la enseñanza del movimiento, desde la posición de acompañante musical en las clases de técnica de danza. El estudio tiene por marco el trabajo realizado en la Escuela Superior de Danza de Lisboa (ESD). Durante este ensayo nos referiremos al AMD, como aquél que construye, ejecuta y ajusta su performance musical, buscando una correspondencia acentual y de frase, con el movimiento que observa. El problema que abordaremos es el desajuste o ruido en la comunicación que sucede durante las diferentes fases del proceso de aprendizaje y ejecución de la frase de movimiento, entre el AMD, el Bailarín y el Profesor. Será analizada la cuestión de porque los 3 sujetos de este modelo no siempre compatibilizan de manera más adecuada, especulándose que se deba a una serie de problemas o causas en el nivel de la información sensorial y la perspectiva de las interacciones entre ellos. Son propuestas algunas estrategias que (i) optimizan el trabajo del AMD; (ii) hacen posible una mejor comunicación con el alumno; y (iii) permiten ampliar el campo pedagógico al aprendizaje musical del movimiento.

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Paper presented at the Conference “The Reflective Conservatoire – 2nd International Conference: Building Connections”. Guildhall School of Music and Drama and Barbican Conference Centre, London. 28 February – 3 March 2009

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Electrical activity is extremely broad and distinct, requiring by one hand, a deep knowledge on rules, regulations, materials, equipments, technical solutions and technologies and assistance in several areas, as electrical equipment, telecommunications, security and efficiency and rational use of energy, on the other hand, also requires other skills, depending on the specific projects to be implemented, being this knowledge a characteristic that belongs to the professionals with relevant experience, in terms of complexity and specific projects that were made.

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Clinical education is recognized as being crucial for the training of health professionals. This subject is debated amongst teachers, students and professionals. Besides the clinical and research skills, we look for other competencies such as oratory, creative thinking or leadership. We present the results of a study with 4th graders. It’s a exploratory study; the main purpose was to evaluate the outcomes of a unit of clinical education prepared according a new set of competencies and methodologies. The competencies were seen as valuable. Organization, leading or supporting a colleague, rethinking a program to serve client and family are equally important.