Mourning becomes Electra d'Eugene O'Neill: Èsquil i Plató per a crear un drama fosc?

The fundamental debt of E. O'Neill's Mourning Becomes Electra to Aeschylus, and to a lesser degree to Sophocles and Euripides, has been always recognised but, according to the author's hypothesis, O'Neill might have taken advantage of the Platonic image of the cave in order to magnify his both Greek and American drama. It is certainly a risky hypothesis that stricto sensu cannot be proved, but it is also reader's right to evaluate the plausibility and the possible dramatic benefit derived from such a reading. Besides indicating to what degree some of the essential themes of Platonic philosophy concerning darkness, light or the flight from the prison of the material world are not extraneous to O'Neill's work, the author proves he was aware of the Platonic image of the cave thanks to its capital importance in the work of some of his intellectual mentors such as F. Nietzsche or Oscar Wilde. Nevertheless, the most significant aim of the author's article is to emphasize both the dramatic benefits and the logical reflections derived, as said before, from reading little by little O'Neill's drama bearing in mind the above mentioned Platonic parameter.

Mourning becomes Electra de Eugene O'Neill: ¿Esquilo y la caverna de Platón para crear un drama oscuro?

The fundamental debt of E. O'Neill's Mourning Becomes Electra to Aeschylus, and to a lesser degree to Sophocles and Euripides, has been always recognised but, according to the author's hypothesis, O'Neill might have taken advantage of the Platonic image of the cave in order to magnify his both Greek and American drama. It is certainly a risky hypothesis that stricto sensu cannot be proved, but it is also reader's right to evaluate the plausibility and the possible dramatic benefit derived from such a reading. Besides indicating to what degree some of the essential themes of Platonic philosophy concerning darkness, light or the flight from the prison of the material world are not extraneous to O'Neill's work, the author proves he was aware of the Platonic image of the cave thanks to its capital importance in the work of some of his intellectual mentors such as F. Nietzsche or Oscar Wilde. Nevertheless, the most significant aim of the author's article is to emphasize both the dramatic benefits and the logical reflections derived, as said before, from reading little by little O'Neill's drama bearing in mind the above mentioned Platonic parameter.

CLIL Materials in Chemistry and English: Iodometric Titrations

Content and Language Integrated Learning (CLIL)Materials in Chemistry and English following the principles of CLIL / Content-based Instruction and Task-based Learning

NLG Museum Connecting to Collections, Statewide Planning Grant, Developing a Statewide Disaster Preparedness and Response Plan for Iowa, Final report.

The Iowa Conservation and Preservation Consortium, Iowa Museum Association, the State Historical Society of Iowa and the State Library requested the IMLS CTC grant funds so we could develop a statewide plan to help the stewards of cultural property plan for protection and disaster recovery of collections. We are very pleased with the results of our grant activities. Thanks to the IMLS CTC grant over 200 Iowa collection care takers have received basic training in disaster preparedness and response, 24 care takers have signed up to become cultural collection first responders, a dozen disaster planning/response trainers are available upon request, and over 40 institutions have ReAct Paks. We have created a variety of training tools ranging from basic awareness to in-depth training, established a website of disaster resources, and geo-referenced hundreds of cultural collection sites around Iowa. In addition, the IMLS grant was just the motivator we needed to participate in other national/international efforts which in turn strengthened our IMLS grant project.

[Phot. d'un avion ayant atterri sur le Mont-Blanc, envoi dédicacé au prince Roland Bonaparte, 3 juillet 1921, des collections de ce dernier]

Donateur : Bonaparte, Roland (1858-1924)

[Album de 18 phot. au magnésium, s.d. (1857 ?), intérieur de l'hôtel du prince R. Bonaparte (?), des collections de ce dernier]

Donateur : Bonaparte, Roland (1858-1924)

[Album français. Souvenir de l'Exposition 1900, 51 vues phot. en dépliant, des collections du prince R. Bonaparte]

Donateur : Bonaparte, Roland (1858-1924)

[Phot. de la colonne Vendôme à Paris après sa destruction en 1871, des collections du prince R. Bonaparte]

Donateur : Bonaparte, Roland (1858-1924)

[2 phot. du masque mortuaire du roi de Rome, des collections du prince R. Bonaparte]

Donateur : Bonaparte, Roland (1858-1924)

[Notice sur la chapelle commémorative de l'incendie du Bazar de la Charité, rue Jean Goujon, 1897 (4 p. avec 2 phot.), des collections du prince R. Bonaparte]

Donateur : Bonaparte, Roland (1858-1924)

[41 phot. de Tchouktches prises lors du voyage de la Vega en 1879, expédition de A.E. Nordenskild le long des côtes de la Sibérie, des collections du prince Roland Bonaparte]

Donateur : Bonaparte, Roland (1858-1924)