16×16 SOI 热光波导开关阵列的研究

Submitted by zhangdi (zhangdi@red.semi.ac.cn) on 2009-04-13T11:45:31Z

MONITORAMENTO da fenologia vegetativa e reprodutiva de espécies nativas dos biomas brasileiros: miguel pintado.

2010

Gestão ambiental de estabelecimentos rurais no entorno da Reserva Particular do Patrimônio Natural (RPPN) Feliciano Miguel Abdala, Município de Caratinga, MG

2010

Cuaderno de diseño regional occidente : resguardo indígena de Guangüi, San Miguel de Infi, cestería en paja tetera.

31 hojas.

Chicana poetics: genre and style in Gloria Anzaldúa and Lorna Dee Cervantes

This thesis conducts a formal study of the poetry of Gloria Anzaldúa and Lorna Dee Cervantes, placing their work in dialogue with genre and style. These two Chicana poets are exemplary of politicised experimentation with poetics, underpinned by a keen awareness of the rich history of form, genre and style. In the work of each poet, two poetic modes are examined: one traditional, and one experimental. Anzaldúa’s uses of the dramatic monologue as a border genre, and her construction of [auto]poetics, stemming from her multi-genre, autobiographical approach to writing, are considered. Cervantes’s complex approach to the construction of docupoetics that achieves a depth of field in terms of merging a multidimensional approach to aesthetics with highly politicised transnational content, as well as her engagement with the longstanding poetic of elegy via various formal points of entry, is investigated. These poetic modes are primarily explored via close readings, supported by a multidisciplinary framework that includes Anzaldúa’s feminist theories of identity and writing, abjection theory, postcolonialism, and transnationalism. Overall, these four key areas demonstrate the ways in which aesthetics is a crucial consideration in the exploration of the broader issues of content and context in Chicana poetry.

Representaciones sociales sobre la producción doméstica de alimentos en el marco del Programa Pro-Huerta en el partido de San Miguel, Prov. de Bs. As.

El derecho a la alimentación es uno de los derechos humanos fundamentales. En relación a éste incribe la Seguridad Alimentaria que existe cuando todas las personas tienen en todo momento acceso material y económico a una alimentación saludable. El mercado es la principal vía siendo problemático cuando la población se encuentra debajo de la línea de pobreza por lo cual el Estado proporciona herramientas como la producción doméstica de alimentos, a través de programas como el Pro-Huerta. La presente investigación exploró la estructura de las representaciones sociales de la producción doméstica de alimentos de promotores y huerteros del Pro-Huerta, que son familias pobres urbanas del AMBA San Miguel) para indagar que elementos impulsan a las familias que efectivamente acceden a una alimentación saludable realizando producción doméstica de alimentos con las dificultades que presenta la situación de urbanidad. La metodología de investigación fue de tipo cualitativa y el análisis se realizó a partir de la teoría fundamentada, la cual utiliza como herramientas la codificación de datos y el método de comparación constante. Los resultados fueron que el núcleo de la representación social tiene dos componentes: uno socioeconómico: reserva de alimento y otro socio-cultural: la historia alimentaria rural. En la periferia, relacionados con la reserva de alimento, se encuentra reducir la situación de vulnerabilidad, proveer parte del consumo, reciprocidad en el intercambio en las redes primarias y la venta de excedentes. Concerniente a la historia alimentaria rural, los factores relacionados son la salud familiar, terapia y la producción de alimentos sanos. En la práctica de la actividad la cuestión de género constituye un elemento que puede afectar la actividad por ser las mujeres las únicas planificadoras en la organización social de la unidad doméstica. La entrega de semilla por el Pro-Huerta impulsa y fortalece y lo urbano no tiene influencia de significancia.

A couple of embroiled sheets of Miguel Barnades Manaider and Esteban de Prado in the Herbaria of Real Colegio Alfonso XII of San Lorenzo de El Escorial (Madrid)

In this paper we present a couple of sheets of Umbelliferae that are preserved in the RCAXII herbaria. One of them, Selinum carvifolia, where collected in the Gredos Mountains by Miguel Barnades Mainader and was identified by his son Miguel Barnades Clarís. The other, Tragium flabellifolium, was collected in Mieres (Asturias) by Esteban de Prado and identified by Mariano La Gasca.

The first chronicle of Miguel Hernandez: The New Journalism (1936-1939)

This paper presents and analyzes the first literary-journalistic chronicle writen and published by Miguel Hernández: “Defensa de Madrid. Madrid y las ciudades de Retaguardia”, during the Spanish Civil War (1936-1939). This chronicle is the first one of a series establishing a new and personal type of journalism: literary chronicles –poetical and political-. Miguel Hernandez published his masterpieces in different newspapers as a war reporter, with his own name and with a pen-name, playing roles of director and political commissar in different newspapers in the war-trenches. Thematically, this first article shows his personal and political engagement, as well as his desire and strategy to protect the capital city of Spain: Madrid. Methodologically, the analysis is an approached to linguistics in social sciences, which presents some of the personal characteristics and style of the chronist Miguel Hernández. Thus, it becomes patent that the so-called New Journalism (narrative and literary), which flourished in the 70s, had already been deeply and efficiently practiced by Miguel Hernández 40 years before. That is the reason why Miguel Hernández deserves to be added to the well-known collective of chronicle writers that have already been rescued to this moment. His literary style and quality are installing him in a outstanding position as well as pioneer of the genre nowadays known as New Journalism that in his case, it is politically engaged

La parroquia de San Miguel de Sagra y San Gil de Madrid en el siglo XVI. Aportaciones documentales

Una serie de documentos inéditos relativos a la antigua parroquia de San Miguel de Sagra y San Gil, localizada muy próxima a la entrada principal del Alcázar de Madrid, así como su posterior derribo y traslado en 1548 con nuevo edificio en el lado suroriental del Palacio, permite profundizar en un proyecto urbano largo tiempo madurado y culminado en la conformación de un espacio abierto y regularizado, emblemático y representativo, que resultó ser la plaza situada frente a la portada principal del Alcázar.

Politics and Literary Prizes:A Case Study of Spanish America and the Premio Cervantes

The Premio Cervantes, one of the most prestigious prizes awarded for literature in the Spanish language, was established in 1976 as Spain negotiated the Transition to democracy in the post-Franco era. This article examines the context in which the prize was created and subsequently used to negotiate inter-continental relations between Spain and Latin America. The article highlights the exchanges of economic, political and symbolic capital which took place between the Spanish State, its representative, the King of Spain, and winning Latin American authors. Significantly, the involvement of the Spanish State is shown to bring political capital into play in a way that commercial prizes do not. In so doing, the Premio Cervantes gives those formerly at the colonial periphery the opportunity to speak out and negotiate the terms of a new kind of relationship with the former colonial center.