Memoria sobre os pesos e medidas de Portugal, Espanha, Inglaterra, França : que se empregäo nos trabalhos do corpo de engenheiros e da arma de artilheria.

The two folding tables are included in the pagination as p. 57 and 61.

A Surriada das gazetas d'inglaterra, e frança aos fidalgos rebeldes pelo attrevimento que tiverão de ir ao Porto, e repentina fuga.

Without title-page. Caption title.

Verdadeira noticia de hum horroroso caso, succedido no reino de França; que referido em huma carta se communicou a corte de Madrid, e daqui se remetteo a esta de Lisboa;

Mode of access: Internet.

Relaçam historica da enfermidade, morte, & enterro do christianissimo monarca Luis XIV, rey de França, e Navarra, chamado o Grande; com a copia do seu testamento, & outras circunstancias dignas de memoria.

Mode of access: Internet.

La Comďie Franȧise. Premir̈e sřie.

Mode of access: Internet.

Processos de imitação-criação como constituidores da práxis pedagógica: uma intervenção didático-formativa com o formador de professores

The research deals with the constitution of the pedagogical praxis of a teacher trainer, understood as objectification of theoretical and practical unity in the teaching field. It was achieved by means of a didactic-training intervention. The research problem: as a teacher trainer in a continuous training process is a pedagogical praxis, outlined to the overall objective: investigate the establishment of the pedagogical praxis of teacher trainer in a continuous formation process. The specific objectives were: 1) outline principles and foundations theoretical-methodological course of intervention research on appropriate teaching assumptions of historical-cultural theory; 2) systematic principles of constitution of the pedagogical praxis of a teacher trainer and 3) synthesize foundations of continued training of teacher trainers in view of the historical-cultural theory, to collaborate with design of institutional policies for continuing training of university teachers. The research was developed at the Federal University of Triângulo Mineiro University - UFTM, with teachers who work in their degree courses. It was developed in three stages: diagnosis, didactic-formative intervention and analysis of data. In the diagnostic step attended five teacher educators of degrees in: history, geography, physics, chemistry and letters. At this stage were used identification questionnaires, interviews, classroom observation and document analysis. In the next stage, with participation of a trainer, it was held educational-training intervention understood as the collective research-training process that is involved intervening in teaching with the development of interdependent and simultaneous actions trainings, planning and implementation of educational activities and study, classroom observation and evaluation from the perspective of dialectical unity in order to contribute to the integral development of teachers and students. The intervention were also held interviews and document analysis. The last stage of the research was the analysis of the data. In the diagnosis of education, among other analyzes, three references were found of the trainer's training-action: memorized references, empirical and praxis. It was the analysis of the references of the trainer's training-action that guided referrals ways of teaching-training intervention. As a result, it was concluded that the teacher educator is their pedagogical praxis in the dialectical units theoretical and practical appropriation of concepts and imitation-creation. Were the two principles analyzed in the research. It was also systematized some essential elements of the formation of the teacher educator: the needs of trainers are decisive in the choice of concepts that will be appropriate; the organization of the training process should take place hand in hand with planning and development classes; the theory need to be experienced in training so that appropriation/objectification of education come true, and also, participants must be strengthened as a collective studies, since we have not learned by linearity but connections. It is hoped that the research will create opportunities to deepen the debate on the continuing education of teacher educators and contribute to scientific production in the area.

Il dissesto idrogeologico in Emilia-Romagna: un esempio di mitigazione del rischio da frana

L’elaborato si concentra sull’analisi della geologia e della geomorfologia nell’area in cui è situata la località di Libiano, nel Comune di Novafeltria, in Provincia di Rimini e sull’analisi dell’intervento proposto dalla regione Emilia-Romagna a seguito di un evento franoso verificatosi nel febbraio 2015, che aveva evidenziato l’inefficienza dell’opera in gabbioni precedentemente costruita. Sono inoltre state proposte ed analizzate tre soluzioni alternative alla progettazione dell’opera muraria con funzione di sostegno, in quanto la morfologia e la situazione attuale del terreno suggerivano un possibile scenario di frana attiva o quiescente. Queste configurazioni sono poi state sottoposte a verifica seguendo le direttive presenti nelle Norme Tecniche per le Costruzioni del 2008 ed è risultato che solo una delle tre soddisfa le verifiche a flessione e a taglio. È stata inoltre effettuata tramite un software la verifica di stabilità del versante oggetto di studio, privo di opere di sostegno, che ne ha confermato l’instabilità.

Embolada e outras coisas do folclore tulusano: a experiência da Associação Escambiar em Toulouse - França

Since the middle 80 s from the 20th century, some musical genres associated to the Brazilian Northeastern region notably the forró, coco de embolada and repente de viola have been gradually incorporated to the musical production of south France linked to the occitanista trend, currently linking many musicians and groups from those regions in both countries. This paper is engaged in reflecting on the particular experience of the groups formed by the Escambiar Association, located on the city of Toulouse, and specially the duet Fabulous Trobadors, whose compositions are mostly made in the coco de embolada form. Watching the motivations and the processes that led to the creation of the groups from this association and it s current operation, this study investigates the transcultural phenomenon, that allow to cross two symbolic universes through rationalizing speeches about music, considering the locality s production in the midst of a political debate that involve questions about cultural identity and tradition

Arte, prazer e bisturi: construção corporal através da body modification

In view of a field research carried out by a team connected to the universe of body modification, it is possible to discern some uses and meanings linked to these forms of body interventions. Body modification or body change is part of the circuit of piercings and tattoos, although they are socially less thinned and more extreme, like scarifications, subcutaneous implants, bifurcated tongues, surfaces and body suspensions. The aim of this paper is to cast an anthropological glance on these practices, joining at the same context all the subjects involved with these techniques, placing them inside the same relational focus and capturing their journeys and trajectories. The discussions are concentrated on the notion of body building and urban life style. Ideas as personal distinctness and prestige imitation are also present in this universe, as well as matters attached to genre, pleasure, art, and to the so-called alternative circuit . This way, the ethnography so far presented here, reveals the complex and contemporaneous character of these practices of body markings in which the body appears as the central element in the experiences of the subjects of this study

Embolada e outras coisas do folclore tulusano: a experiência da Associação Escambiar em Toulouse - França

Since the middle 80 s from the 20th century, some musical genres associated to the Brazilian Northeastern region notably the forró, coco de embolada and repente de viola have been gradually incorporated to the musical production of south France linked to the occitanista trend, currently linking many musicians and groups from those regions in both countries. This paper is engaged in reflecting on the particular experience of the groups formed by the Escambiar Association, located on the city of Toulouse, and specially the duet Fabulous Trobadors, whose compositions are mostly made in the coco de embolada form. Watching the motivations and the processes that led to the creation of the groups from this association and it s current operation, this study investigates the transcultural phenomenon, that allow to cross two symbolic universes through rationalizing speeches about music, considering the locality s production in the midst of a political debate that involve questions about cultural identity and tradition

Arte, prazer e bisturi: construção corporal através da body modification

In view of a field research carried out by a team connected to the universe of body modification, it is possible to discern some uses and meanings linked to these forms of body interventions. Body modification or body change is part of the circuit of piercings and tattoos, although they are socially less thinned and more extreme, like scarifications, subcutaneous implants, bifurcated tongues, surfaces and body suspensions. The aim of this paper is to cast an anthropological glance on these practices, joining at the same context all the subjects involved with these techniques, placing them inside the same relational focus and capturing their journeys and trajectories. The discussions are concentrated on the notion of body building and urban life style. Ideas as personal distinctness and prestige imitation are also present in this universe, as well as matters attached to genre, pleasure, art, and to the so-called alternative circuit . This way, the ethnography so far presented here, reveals the complex and contemporaneous character of these practices of body markings in which the body appears as the central element in the experiences of the subjects of this study

Relatório de viagem à França em missão da Embrapa.

1985

Tratamento de imagens MSS - LANDSAT nos laboratórios do ORSTOM - França - Atlelier ATOB.

1985

O Emprego de Solípedes nas Forças Militares Portuguesas durante a 1.ª Guerra Mundial em França

O seguinte Trabalho de Investigação Aplicada tem como objetivo descrever de que forma foram integrados e como foram empregues os solípedes nas forças militares portuguesas durante a 1.ª Guerra Mundial em França, nomeadamente no Corpo Expedicionário Português, acompanhando a evolução doutrinária relativa aos quadros orgânicos e aos quantitativos de solípedes previstos e empregues, desde o momento em que foi sugerida a participação de Portugal no conflito até às forças portuguesas se encontrarem em França. O período em análise está inserido na 1.ª Guerra Mundial, decorrida entre 1914 e 1918, que provocou uma profunda alteração na forma de combater que até então se fazia. Este período é caracterizado por um contraste entre as táticas e técnicas que tinham sido utilizadas no passado e que não se ajustavam à nova realidade do armamento, levando a que as diferentes unidades e formações necessitassem de se adaptar, surgindo dessa forma alterações na forma como os solípedes eram empregues. Para a realização desta investigação teve-se como referência o método de investigação histórica, sendo analisada, numa abordagem diacrónica, a evolução da orgânica das unidades mobilizadas e a sua atividade operacional, e através de uma abordagem sincrónica, as variáveis atuantes como a falta de recursos ou as adaptações à organização britânica e as respostas que os portugueses encontraram no desenvolvimento da sua missão no Corpo Expedicionário Português.

Estudo e análise técnica e interpretativa do papel principal de tenor nas óperas Lucia di Lammermoor (Edgardo) e L' Elisir d' Amore (Nemorino) de Gaetano Donizetti

Nesta dissertação pretendemos analisar a interpretação do papel do tenor nas óperas Lucia di Lammermoor e L´Elisir d´Amore de Gaetano Donizetti, estudando os principais fatores que influenciaram a interpretação do papel do tenor e como esta mudou ao longo dos anos, por comparação de gravações destas óperas com 50 anos de intervalo entre si. O período do bel canto está associado à linha de canto ornamentada para exprimir emoções, o que, em conjunto com outros aspetos, fez com que a voz de tenor passasse a ter uma emissão distinta, especialmente no registo agudo. O contexto histórico e musical desta época, bem como os desenvolvimentos técnicos que se verificaram, influenciaram a forma de cantar e introduziram o tenor como papel principal nas óperas, com todos os desafios de cantar na zona de passagem, de domínio da respiração e de respeito pelas diversas formas de expressão musical que os compositores do período do bel canto usavam como veículos de interpretação e expressão dos sentimentos. A escolha destas duas óperas de Donizetti assenta num gosto pessoal e no meu interesse em estudar os contrastes dos personagens Edgardo e Nemorino, que são apresentados nesta dissertação sob o ponto de vista interpretativo, analisando a problemática de cada papel e a forma como o percurso tonal destas obras influencia as performances dos intérpretes; Abstract: STUDY AND ANALYSIS TECHNICAL-INTERPRETATION OF THE LEADING ROLE OF THE TENOR IN THE OPERAS LUCIA DI LAMMERMOOR (EDGARDO) AND L´ELISIR D´AMORE (NEMORINO) OF GAETANO DONIZETTI In this dissertation we analyze the interpretation of the tenor role in the operas Lucia di Lammermoor and L´Elisir d´Amore by Gaetano Donizetti, studying the major factors that influenced the tenor role interpretation and how it developed along the years, by comparing two recordings of these operas recorded 50 years apart from each other. The period of the bel canto is associated with the vocal ornamentation to express emotions which, as a consequence and together with other aspects, required technical changes to the tenor voice, in particular the high register. The historic and musical context of this time, as well as the technical developments that happened then, influenced the way of singing and introduced the tenor as the main role in operas, with all the challenges to sing in the passagio, to master the breathing process and to use all the forms of musical expression that the bel canto composers used as vehicles to interpret and express feelings. The choice of these two operas by Donizetti is based on personal taste and also on the interpretative contrasts between the roles of Edgardo and Nemorino, studied in this dissertation in terms of their interpretation, their problematic and how the harmony of these operas influences the interpretation of the singers.