931 resultados para sociocultural


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Partindo-se do pressuposto que a cidade do Rio de Janeiro possui valores socioculturais muito parecidos com o das grandes metrópoles ocidentais, onde a mídia tem o poder de ditar regras e valores para a estimulação de um consumismo desenfreado, acreditamos que as adolescentes cariocas se encontram insatisfeitas com sua imagem corporal. Para analisar essa questão, fomos a campo investigar, por meio da aplicação do Body Shape Questionnaire (BSQ), a existência ou não de insatisfação com a imagem corporal nessas adolescentes, bem como quantificar essa insatisfação e verificar se existem fatores associados a ela. A coleta dos dados foi realizada no segundo semestre de 2009, em escolas municipais espalhadas por toda a cidade do Rio de Janeiro, tendo sido o questionário aplicado a 1083 adolescentes do sexo feminino que tinham entre 14 e 15 anos de idade. Foi verificado que a insatisfação com a auto-imagem pode surgir facilmente na adolescência e está associada a fatores como peso corporal, atividade física e uso de diurético. Sabendo-se que a mídia possui o poder de ditar as normas sobre a estética corporal e que, além disso, as adolescentes lêem as chamadas revistas teens para sanar suas dúvidas referentes às representações do corpo (Bertolli e Talamoni, 2007), outro escopo dessa investigação foi identificar, por meio da análise do discurso proposta por Orlandi (1996), quais as estratégias que essas revistas utilizam para persuadir as adolescentes a se tornarem ávidas consumidoras dos produtos contidos em suas páginas. A revista Todateen, por ser destinada predominantemente ao público feminino jovem e por apresentar quantidade crescente de exemplares efetivamente vendidos no mercado, sendo a segunda revista mais lida pelas adolescentes, foi a escolhida para ser analisada. Como direcionamento para a análise proposta, foi utilizada como base a grade analítica proposta por Serra e Santos (2003), que se propõe a identificar quem fala, ou seja, quem é o legitimador do discurso, quem intermedeia o discurso e quais são os modos do dizer desse discurso. O principal objetivo dessa investigação foi identificar as estratégias que são utilizadas explícita e implicitamente pela linha editorial da Todateen com a finalidade de persuadir as adolescentes ao consumo de suas mercadorias e serviços. Ao que parece, a revista está muito mais interessada nas questões mercadológicas e capitalistas da venda dos produtos de suas páginas do que no ensinamento às adolescentes das reais questões referentes à função social do corpo. Dessa forma, os trabalhos aqui presentes se complementam, por possibilitarem a identificação da insatisfação com a imagem corporal nas adolescentes cariocas, além de demonstrarem como essa insatisfação pode estar sendo causada pela desmedida maneira como a mídia divulga padrões estéticos estereotipados que devem ser seguidos e consumidos pelas adolescentes

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Este trabalho busca compreender as atuais configurações dos livros infantojuvenis no mercado editorial, com a entrada na chamada era digital e o aumento crescente na produção de e-books por parte das editoras, ao mesmo tempo em que livros impressos ainda continuam sendo produzidos em larga escala e reinventados constantemente. Partindo do conceito de remediação (BOLTER e GRUSIN, 2000), procura-se descobrir por quais mudanças os livros impressos passaram ao longo dos anos, quais são suas novas configurações gráficas face à atual realidade digital, e com quais critérios esses livros estão sendo transformados em e-books. Para tal, foi feito um estudo de caso dos livros infantojuvenis de Monteiro Lobato, importante autor para a literatura brasileira, com uma análise comparativa da coleção do Sítio do Picapau Amarelo, em quatro edições (três impressas e uma digital) e três épocas diferentes (anos 1940, 1980 e 2000). Focando na parte gráfica e estética dos livros (que foi a parte que se alterou) e com a observação dos protocolos de leitura (CHARTIER, 2011) presentes nas diferentes edições, procura-se compreender as transformações pelas quais esses livros passaram ao longo dos anos, em decorrência do contexto sociocultural em que foram produzidos, além de suas atuais configurações no contexto da cultura da convergência (JENKINS, 2009). Após a análise realizada pôde-se perceber que talvez o processo de remediação no mercado editorial ainda não esteja tão presente quanto se pensava inicialmente, apesar de estar caminhando lentamente nessa direção.

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Algae are the most abundant photosynthetic organisms in marine ecosystems and are essential components of marine food webs. Harmful algal bloom or “HAB” species are a small subset of algal species that negatively impact humans or the environment. HABs can pose health hazards for humans or animals through the production of toxins or bioactive compounds. They also can cause deterioration of water quality through the buildup of high biomass, which degrades aesthetic, ecological, and recreational values. Humans and animals can be exposed to marine algal toxins through their food, the water in which they swim, or sea spray. Symptoms from toxin exposure range from neurological impairment to gastrointestinal upset to respiratory irritation, in some cases resulting in severe illness and even death. HABs can also result in lost revenue for coastal economies dependent on seafood harvest or tourism, disruption of subsistence activities, loss of community identity tied to coastal resource use, and disruption of social and cultural practices. Although economic impact assessments to date have been limited in scope, it has been estimated that the economic effects of marine HABs in U.S. communities amount to at least $82 million per year including lost income for fisheries, lost recreational opportunities, decreased business in tourism industries, public health costs of illness, and expenses for monitoring and management. As reviewed in the report, Harmful Algal Research and Response: A Human Dimensions Strategy1, the sociocultural impacts of HABs may be significant, but remain mostly undocumented.

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Background: Infection with multiple types of human papillomavirus (HPV) is one of the main risk factors associated with the development of cervical lesions. In this study, cervical samples collected from 1, 810 women with diverse sociocultural backgrounds, who attended to their cervical screening program in different geographical regions of Colombia, were examined for the presence of cervical lesions and HPV by Papanicolau testing and DNA PCR detection, respectively. Principal Findings: The negative binomial distribution model used in this study showed differences between the observed and expected values within some risk factor categories analyzed. Particularly in the case of single infection and coinfection with more than 4 HPV types, observed frequencies were smaller than expected, while the number of women infected with 2 to 4 viral types were higher than expected. Data analysis according to a negative binomial regression showed an increase in the risk of acquiring more HPV types in women who were of indigenous ethnicity (+37.8%), while this risk decreased in women who had given birth more than 4 times (-31.1%), or were of mestizo (-24.6%) or black (-40.9%) ethnicity. Conclusions: According to a theoretical probability distribution, the observed number of women having either a single infection or more than 4 viral types was smaller than expected, while for those infected with 2-4 HPV types it was larger than expected. Taking into account that this study showed a higher HPV coinfection rate in the indigenous ethnicity, the role of underlying factors should be assessed in detail in future studies.

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A proposta realizada neste traballo fai de altovolante dalgunhas reflexións que creo fundamentais para seguir camiño na investigación da literatura oral. A miña perspectiva é a da antropoloxía sociocultural, pero afecta nun sentido máis amplo ao conxunto das disciplinas sociais e humanísticas que abordan o tema da literatura oral e da oralidade en xeral. É evidente que a literatura aporta datos sobre a organización social, o estilo de vida e a Cultura dunha sociedade no pasado e no presente (1). En particular a literatura oral, é dicir, a que se transmite oralmente aínda que ás veces a encontremos escrita, é un vector privilexiado para captar os imaxinarios colectivos do grupo humano que a crea, os seus valores, as súas moralidades e crenzas. The paper presents some lines of thought considered to be fundamental in the study of oral literature. The perspective followed is one marked by socio/cultural anthropology, but one that is also related to all of those Social Sciences and Humanities that analyse oral traditions. Literature gives us data on social organization, on the life style and culture of a social group, both past and present. Oral literature, in particular, is a extremely suitable vehicle for reaching the collective imaginary of the group that creates it. (1) Fribourg, J.(1995): "Literatura oral y antropología", en Lisón Tolosana, C. (comp.): Antropología y Literatura. Zaragoza: Gobierno de Aragón, p. 37.

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Dissertação apresentada à Universidade Fernando Pessoa como parte dos requisitos para obtenção do grau de Mestre em Arquitetura e Urbanismo

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55 hojas : ilustraciones.

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38 hojas : ilustraciones, fotografías.

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39 hojas : ilustraciones, fotografías.

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The issue, with international and national overtones, of direct relevance to the present study, relates to the shaping of beginning teachers’ identities in the workplace. As the shift from an initial teacher education programme into initial practice in schools is a period of identity change worthy of investigation, this study focuses on the transformative search by nine beginning primary teachers for their teaching identities, throughout the course of their initial year of occupational experience, post-graduation. The nine beginning teacher participants work in a variety of primary school settings, thus strengthening the representativeness of the research cohort. Privileging ‘insider’ perspectives, the research goal is to understand the complexities of lived experience from the viewpoints of the participating informants. The shaping of identity is conceived of in dimensional terms. Accordingly, a framework composed of three dimensions of beginning teacher experience is devised, namely: contextual; emotional; temporo-spatial. Data collection and analysis is informed by principles derived from sociocultural theories; activity theory; figured worlds theory; and, dialogical self theory. Individual, face-to-face semi-structured interviews, and the maintenance of solicited digital diaries, are the principal methods of data collection employed. The use of a dimensional model fragments the integrated learning experiences of beginning teachers into constituent parts for the purpose of analysis. While acknowledging that the actual journey articulated by each participant is a more complex whole than the sum of its parts, key empirically-based claims are presented as per the dimensional framework employed: contextuality; emotionality; temporo-spatiality. As a result of applying the foci of an international literature to an under-researched aspect of Irish education, this study is offered as a context-specific contribution to the knowledge base on beginning teaching. As the developmental needs of beginning teachers constitute an emerging area of intense policy focus in Ireland, this research undertaking is both relevant and timely.

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This thesis explores the psychosocial wellbeing of sub-Saharan African migrant children in Ireland. A sociocultural ecological (Psychosocial Working Group, 2003) and resilience lens (Masten & Obradovic, 2008; Ungar, 2011) is used to analyse the experiences of African migrant children in Ireland. The research strategy employs a mixed-methods design, combining both an etic and emic perspective. Grounded theory inquiry (Strauss and Corbin, 1994) explores the experiences of African migrant children in Ireland by drawing on multi-sited observations over a period of six months in 2009, and on interviews and focus group discussions conducted with African children (aged 13-18), mothers and fathers. An emically derived ‘African Migrant Child Psychosocial Well-being’ scale was developed by drawing on data gathered through rapid ethnographic (RAE) free listing exercises carried out in Cork, Dublin and Dundalk with sixty-one participants (N=21 adults, N=28 15-18-year-olds, N=12 12-14-year-olds) and three African community key informants to elicit local understandings of psychosocial well-being. This newly developed scale was used alongside standardised measures of well-being to quantitatively measure the psychosocial adjustment of 233 African migrant children in Cork, Dublin and Dundalk aged 11-18. Findings indicate that the psychosocial wellbeing of the study population is satisfactory when benchmarked against the psychosocial health profile of Irish youth (Dooley & Fitzgerald, 2012). These findings are similar to trends reported in international literature in this field (Georgiades et al., 2006; Gonneke, Stevens, Vollebergh, 2008; Sampson et al., 2005). Study findings have implications for advancing psychosocial research methods with non-Western populations and on informing the practice of Irish professionals, mainly in the areas of teaching, psychology and community work.

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This thesis focuses on two Western European cinematic cities, and two unique periods of their respective nations’ histories, in a bid to “locate” the transnational within a contemporary European milieu. I argue that my geo-cinematic case studies are emblematic of broader questions of the problematics of national identity in contemporary Europe in the face of cross-national flows yet, as a result of their representations as cities both “anchored” and “in flux”, they reject a European postnational identity. Through its engagement with cinematic Rome as the “Eternal City” of Europe and cinematic Dublin as the “newly Europeanised” city, my thesis traces how representations and aesthetics of the urban spaces of these two cities correspond with the tensions at the heart of the respective eras in question. Via the figures that inhabit it, navigate it and search for it, the city is utilised to highlight fixity and mobility, centrality and dislocation, in explicit and implicit ways, amid the rapidly changing landscape of its national terrain. It is through my analyses of the filmed places and sociopolitical, socioeconomic and sociocultural spaces of these capital cities under the rubric of the transnational that this research demonstrates the “pluralities” of the construct in its cinematic manifestations. It is also my aim to evaluate the concept of cinematic transnationalism when identifying and accounting for representations of a specific national, historical timeframe, when the momentousness of the changes that occur is not bound by the national, but rather is reflective of the influence of both domestic and external forces. To this end, my thesis draws attention to instances in which the nation is shown to persist and resist dilution, arguing that it is only against the backdrop and continuity of the nation (in its evershifting guises) that the transnational can be conceived in representative and aesthetic terms.