892 resultados para Prison Foodservice
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A quarterly newsletter produced by Iowa Prison Industries
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A quarterly newsletter produced by Iowa Prison Industries
Resumo:
A quarterly newsletter produced by Iowa Prison Industries
Resumo:
A quarterly newsletter produced by Iowa Prison Industries
Resumo:
A quarterly newsletter produced by Iowa Prison Industries
Resumo:
A quarterly newsletter produced by Iowa Prison Industries
Resumo:
A quarterly newsletter produced by Iowa Prison Industries
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Annual report of the Department of Corrections, Iowa Prison Industries.
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Using a matched sample of 1091 inmates released between April 1,1999 and June 30, 2001, Prison Industries Enhancement Certification Program (PIECP) participants re-enter society more successfully than Traditional Industries (TI) or other than work (OTW) releasees in terms of employment. The primary findings of this research are that Iowa state prison inmates who worked in open-market jobs in PIECP were found to be significantly more successful in post-release employment. That is to say, they became tax-paying citizens quicker and remain in that status longer than TI and OTW releasees. Additionally, PIECP releasees were incarcerated post release at a slower rate than OTW releasees.
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Psychotherapists in the forensic field are in an uncomfortable position. The reluctance of patients to be subjected to such obligatory treatments and to face their own violence contributes to this difficult position. The mission of public safety assigned to these treatments, their assessment through risk of recidivism rather than therapeutic effectiveness as well as misconception by lawyers and authorities of what psychotherapy really is reinforce the difficulty of such a practice. However, a clarification of the nature of each type of interventions allows the establishment of viable psychotherapeutic framework adapted to penal constraints. The developments of approaches specifically tailored to prison settings as well as to sexual offenders are illustrations of this point.
[Illustrations de Faust] / J.P. Laurens, dess. ; Champollion, grav. ; J.W. von Goethe, aut. du texte
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Comprend : [Portrait en frontispice : portrait de l'auteur, Goethe.] Goethe, d'après le tableau de May (1779). [Cote : 4 ° Yh 6/Microfilm R 122282] ; [Vignette à la page de titre : marque d'imprimeur avec devise et initiales.] Pictoribus atque Poetis. Occupa Portum. D.J. [Cote : 4 ° Yh 6/Microfilm R 122282] ; [pl. en reg. du Prologue p.11 : dans le ciel, l'archange Gabriel et Méphistophélès.] Prologue. Faust. [Cote : 4 ° Yh 6/Microfilm R 122282] ; [pl. en reg. p.52. : Faust dans son cabinet d'étude avec son chien Barbet qui grandit et gonfle, habité par Méphistophélès.] Le barbet. Faust. [Cote : 4 ° Yh 6/Microfilm R 122282] ; [pl. en reg. p.102 : Faust dans la cuisine de la sorcière, devant un chaudron, ayant la vision d'une femme nue.] La vision. Faust. [Cote : 4 ° Yh 6/Microfilm R 122282] ; [pl. en reg. p.141 : Marguerite et Faust se promènent dans un jardin. Au loin, Marthe et Méphistophélès.] Le jardin. Faust. [Cote : 4 ° Yh 6/Microfilm R 122282] ; [pl. en reg. p.214 : Faust rejoint Marguerite dans son cachot.] La prison. Faust. [Cote : 4 ° Yh 6/Microfilm R 122282] ; [pl. en reg. p.222 : Marguerite, ayant sauvé son âme, est présentée par l'archange Gabriel à Dieu. Elle tient dans ses bras son fils mort, noyé.] Epilogue. Faust. [Cote : 4 ° Yh 6/Microfilm R 122282]
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The fundamental debt of E. O'Neill's Mourning Becomes Electra to Aeschylus, and to a lesser degree to Sophocles and Euripides, has been always recognised but, according to the author's hypothesis, O'Neill might have taken advantage of the Platonic image of the cave in order to magnify his both Greek and American drama. It is certainly a risky hypothesis that stricto sensu cannot be proved, but it is also reader's right to evaluate the plausibility and the possible dramatic benefit derived from such a reading. Besides indicating to what degree some of the essential themes of Platonic philosophy concerning darkness, light or the flight from the prison of the material world are not extraneous to O'Neill's work, the author proves he was aware of the Platonic image of the cave thanks to its capital importance in the work of some of his intellectual mentors such as F. Nietzsche or Oscar Wilde. Nevertheless, the most significant aim of the author's article is to emphasize both the dramatic benefits and the logical reflections derived, as said before, from reading little by little O'Neill's drama bearing in mind the above mentioned Platonic parameter.
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The fundamental debt of E. O'Neill's Mourning Becomes Electra to Aeschylus, and to a lesser degree to Sophocles and Euripides, has been always recognised but, according to the author's hypothesis, O'Neill might have taken advantage of the Platonic image of the cave in order to magnify his both Greek and American drama. It is certainly a risky hypothesis that stricto sensu cannot be proved, but it is also reader's right to evaluate the plausibility and the possible dramatic benefit derived from such a reading. Besides indicating to what degree some of the essential themes of Platonic philosophy concerning darkness, light or the flight from the prison of the material world are not extraneous to O'Neill's work, the author proves he was aware of the Platonic image of the cave thanks to its capital importance in the work of some of his intellectual mentors such as F. Nietzsche or Oscar Wilde. Nevertheless, the most significant aim of the author's article is to emphasize both the dramatic benefits and the logical reflections derived, as said before, from reading little by little O'Neill's drama bearing in mind the above mentioned Platonic parameter.
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A quarterly newsletter produced by Iowa Prison Industries
