925 resultados para Physicians--Massachusetts--History--18th century


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A bust view of a man about 30 - 40 years, wearing a black coat and three-cornered hat, a wig, lace shirt front and cuffs. He is shown against a light blue sky with a suggestion of mountains on his right and cypress trees on the left. He is shaven and his attire modern, but his tricorn hat - no no longer fashionable among Christians in the late 18th century- is the mark of an observant Jew.

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This waist-length frontal representation shows an old lady with crossed arms wearing a lace bonnet and a white cape over a red dress against a plain greenish background. Her hands seem to be unfinished. The white gouache is applied so as to give the painting textural interest.

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Bust of Rabbi with luxuriant white beard wearing a plain black coat and tall black cap. The background is dark-gray. The hair and beard are exquisite, obtained with very fine brushes and textured use of white paint. The psychological study of the face is also unusually high quality.

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Contains business correspondence, accounts and documents relating to Jacob Franks of New York, his two sons, Moses and David, a nephew, Isaac, and a John Franks of Halifax, possibly a member of the family.

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Reverie I is a large-scale public art work commissioned by the Brisbane City Council for permanent installation on the Gardens Point Road Plinth adjacent to QUT Gardens Point campus in Brisbane. The work forms part of the artist's ongoing exploration of the methodology of self-portraiture and amorphous form. In this work, sculpted curls of hair have been assembled according to contours of its constituent cast panels - their capacity to nest with one another determined the final form of the work. The resulting mass of curls resembles both an oversized wig, a withered mulberry and a leaden cloud to invoke notions of movement, reflection and temporality. From the didactic panel: "The curls of Reverie I are derived from 18th century sculptural portraiture. The twisting forms of the highly styled wig known as a periwig were abstracted and inventive, while also bestowing an air of intellectual authority. Curls also evoke two aspects of this particular site: the erratic movement of water associated with the complex tidal movements of Brisbane River, and a state of mental reflection relevant to both the nearby university grounds (where intellectual work takes place) and the riverside pathway (a site for daydreaming)."

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This three-phase design research describes the modelling processes for DC-circuit phenomena. The first phase presents an analysis of the development of the DC-circuit historical models in the context of constructing Volta s pile at the turn of the 18th century. The second phase involves the designing of a teaching experiment for comprehensive school third graders. Among other considerations, the design work utilises the results of the first phase and research literature of pupils mental models for DC-circuit phenomena. The third phase of the research was concerned with the realisation of the planned teaching experiment. The aim of this phase was to study the development of the external representations of DC-circuit phenomena in a small group of third graders. The aim of the study has been to search for new ways to guide pupils to learn DC-circuit phenomena while emphasing understanding at the qualitative level. Thus, electricity, which has been perceived as a difficult and abstract subject, could be learnt more comprehensively. Especially, the research of younger pupils learning of electricity concepts has not been of great interest at the international level, although DC-circuit phenomena are also taught in the lower classes of comprehensive schools. The results of this study are important, because there has tended to be more teaching of natural sciences in the lower classes of comprehensive schools, and attempts are being made to develop this trend in Finland. In the theoretical part of the research an Experimental-centred representation approach, which emphasises the role of experimentalism in the development of pupil s representations, is created. According to this approach learning at the qualitative level consists of empirical operations like experimenting, observations, perception, and prequantification of nature phenomena, and modelling operations like explaining and reasoning. Besides planning teaching, the new approach can be used as an analysis tool in describing both historical modelling and the development of pupils representations. In the first phase of the study, the research question was: How did the historical models of DC-circuit phenomena develop in Volta s time? The analysis uncovered three qualitative historical models associated with the historical concept formation process. The models include conceptions of the electric circuit as a scene in the DC-circuit phenomena, the comparative electric-current phenomenon as a cause of different observable effect phenomena, and the strength of the battery as a cause of the electric-current phenomenon. These models describe the concept formation process and its phases in Volta s time. The models are portrayed in the analysis using fragments of the models, where observation-based fragments and theoretical fragements are distinguished from each other. The results emphasise the significance of the qualitative concept formation and the meaning of language in the historical modelling of DC-circuit phenomena. For this reason these viewpoints are stressed in planning the teaching experiment in the second phase of the research. In addition, the design process utilised the experimentation behind the historical models of DC-circuit phenomena In the third phase of the study the research question is as follows: How will the small group s external representations of DC-circuit phenomena develop during the teaching experiment? The main question is divided into the following two sub questions: What kind of talk exists in the small group s learning? What kinds of external representations for DC-circuit phenomena exist in the small group discourse during the teaching experiment? The analysis revealed that the teaching experiment of the small group succeeded in its aim to activate talk in the small group. The designed connection cards proved especially successful in activating talk. The connection cards are cards that represent the components of the electric circuit. In the teaching experiment the pupils constructed different connections with the connection cards and discussed, what kinds of DC-circuit phenomena would take place in the corresponding real connections. The talk of the small group was analysed by comparing two situations, firstly, when the small group discussed using connections made with the connection cards and secondly with the same connections using real components. According to the results the talk of the small group included more higher-order thinking when using the connection cards than with similar real components. In order to answer the second sub question concerning the small group s external representations that appeared in the talk during the teaching experiment; student talk was visualised by the fragment maps which incorporate the electric circuit, the electric current and the source voltage. The fragment maps represent the gradual development of the external representations of DC-circuit phenomena in the small group during the teaching experiment. The results of the study challenge the results of previous research into the abstractness and difficulty of electricity concepts. According to this research, the external representations of DC-circuit phenomena clearly developed in the small group of third graders. Furthermore, the fragment maps uncover that although the theoretical explanations of DC-circuit phenomena, which have been obtained as results of typical mental model studies, remain undeveloped, learning at the qualitative level of understanding does take place.

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Resumen: Este trabajo considera algunos conceptos retóricos expuestos por los teóricos de la musica poetica y por otras fuentes, útiles para la formación de intérpretes dedicados a los repertorios de los siglos XVII y XVIII.

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Resumen: En este artículo se analiza la perspectiva historiográfi ca del personaje durante la Edad Media, época moderna y siglo XIX. En el siglo XIV se edita un pequeño estudio sobre la fi gura de Viriato, emparentándolo con el Cid Campeador o Ben Hasan. En los siglos XVI-XVIII, se publican importantes estudios de Florián de Ocampo, Ambrosio de Morales, etc., que ofrecen innovadoras ideas sobre el personaje y su tiempo, con ayuda de cierto apoyo literario. Finalmente en el siglo XIX, se construyen las primeras naciones europeas y con ello la idea nacionalista de Viriato.

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Résumé: Le défi vital que la Révélation pose à la philosophie légitime la question de leurs rapports possibles. La raison considère d’abord l’absence de rapport en distinguant radicalement ce qui relève de chacune. Mais l’élan fondamental orienté vers le divin qui anime cette faculté, la rend naturellement théologique. Pour éviter le scepticisme, incompatible avec son dynamisme naturel, la raison finit par dévaloriser la Révélation. Cette attitude signifie l’unicité de l’autorité théologique de la raison, alors naturellement divine. Développée à partir du XVIIIème siècle, elle culmine avec l’homme démiurgique des XIX et XXème siècles. Mais, ne pouvant justifier l’universalité de ses élaborations idéologiques, la raison hésite entre le scepticisme ou le totalitarisme, deux renoncements à l’exercice philosophique. L’acceptation du soutien lumineux de la Révélation, qui suppose l’humble reconnaissance des limites de la raison, ne nuit pas à cet exercice, mais le féconde, et, seule, en permet l’épanouissement. Eclairée par la Révélation, la philosophie contribue au bonheur suprême des hommes, qui demeure son intention fondamentale.

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Astarloa's Discursos filosóficos is the most extensive and detailed apology of the Basque language as the first language of mankind. The text was finished in 1805 but the first edition was published in 1883. In this paper I attempt to sketch the main linguistic and philosophic ideas that could have an influence in Astarloa's thought. Then I deal with Astarloa's characterization of the first language, and the three principles he used to verify that Basque was that first language of human beings.

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[ES] La documentación contenida en este registro ha servido de base para el siguiente proyecto fin de carrera:

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[EU] Gure diputazioetako artxiboetan gordetzen diren eskuizkribu anitzetarik bat ematen dut lan honetan argitara: Nafarroako Artxibo Nagusiko Bonaparte Ondarean B-118 signatura daraman "Doctrina Uscaraz", erronkarieraz idatzitako dotrina osatugabea. Testu honen edizioa paratzeaz gain, iruzkina ere eransten dut, hala testuko puntu ilunak hobeki ulertarazteko nola kontu askotan hain bitxi gertatzen zaigun erronkariera ezagutzeko aurrerapauso txiki bat egiteko asmoz.

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Smelt populations have been recorded since the 18th Century from at least 15 rivers in Scotland, but over the last Century the species has suffered a severe decline and has disappeared from all its former sites except the rivers Cree, Forth and Tay. These populations must now be regarded as having high conservation importance. There are probably several different reasons for this decline. In some rivers, such as the Clyde and the Stinchar, pollution in the lower reaches has prevented successful migration and reproduction. In other rivers, high weirs and barriers have completely cut off access to spawning grounds. In some estuaries and rivers, such as the Solway Firth, overfishing is believed to have been responsible for eliminating local stocks. A Species Action Plan for the smelt has been prepared and it is hoped that this will be the basis of a future conservation strategy for this species in Scotland.

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A presente dissertação tem como objetivo mostrar como a literatura gótica pode ser atemporal, subvertendo as mentes e conceitos de seus leitores. Partindo do contexto histórico e cultural em que The Monk se inseriu, esse trabalho visa levantar as questões e elementos tão fortemente reprimidos em nossa sociedade desde o final do século XVIII, como as idéias de mal, abjeção e expressão do eu, em um diálogo permanente com a teoria de Michel Foucault, David Punter, Julia Kristeva, entre outros. Desta forma, a análise do romance se dá paralelamente a uma crítica social, visto que a obra gótica tem por um de seus fins denunciar e deslocar a realidade social. Em última instância, será feita a análise algumas personagens do romance e sua respectiva importância na obra

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[ES] El retablo mayor de la localidad guipuzcoana de Lazkao fue realizado por Juan de Ursularre en 1683, siguiendo los parámetros de la retablística barroca. Queriendo engrandecer su aspecto, fue paulatinamente transformado durante el siglo XVIII. Por ello se concibió un nuevo cascarón con pinturas enviadas desde Madrid y más tarde se adecuó a los nuevos gustos neoclásicos mediante una radical reforma realizada en 1791 que consistió en eliminar todo atisbo de decoración barroca.