Annual message of his excellency Robert K. Scott, Governor of South Carolina, to the General Assembly, at the regular session, commencing November 28, 1871

This speech was delivered to by the Governor to give the general assembly information of the condition of the state and give them recommendations to consider measures that the Governor deems necessary or expedient. He provides the information regarding the state debt, taxes, and bonded debt. He describes the financial agent of the state as well as the expenditures of the state government.

Message of Robert K. Scott, Governor of South Carolina to the General Assembly, November 24, 1869

This speech was addressed to the people of the Senate and House of Representatives. It was delivered to inform them of the progress over the past year made to place the finances of the state on a firm and healthy basis. He gives a report on all departments and projects funded by the government in the past year.

Argyrosomus regius (Asso, 1801) fishery and ecology in portuguese waters, with reference to its relationships to other european and african populations

Tese de doutoramento, Biologia (Biologia Marinha e Aquacultura), Universidade de Lisboa, Faculdade de Ciências, 2014

Die Fledermaus, November 18, 19, 21, and 22, 1977

Concert program for Die Fledermaus, November 18, 19, 21, and 22, 1977

Robert Crawford, Baritone, August 16, 1937

Concert Program for Robert Crawford, Baritone, August 16, 1937

Technology transfer in Britain: the case of monoclonal antibodies

In 1975 two Cambridge scientists published a short article in Nature which announced the discovery of monoclonal antibodies. The article concluded ‘Such cultures could be valuable for medical and industrial use’. The interest which developed by the end of the decade in the industrial and financial possibilities of the new prospects opening up in biotechnology was to throw the apparent ‘failure’ to follow‐up the potentialities of this discovery into a public prominence rarely achieved by scientific discoveries. By the time Mrs Thatcher came to power it had become a scandal, another example of Britain's apparent inability to exploit effectively the brilliance of its scientific base. It was to explore both the process of scientific discovery and the conditions in Cambridge which nurtured it, and the issues which this particular discovery raised in the area of technology transfer (and the changes of policy that ensued), that the Wellcome Trust's History of Twentieth Century Medicine Group and the Institute of Contemporary British History organised this special witness seminar. It was held at the Wellcome Trust in London on 24 September 1993. The seminar was chaired by Sir Christopher Booth and introduced by Dr Robert Bud of the Science Museum. Those participating included the two authors of the Nature article, Dr César Milstein and Dr Georges Köhler, who received a Nobel Prize for their research, Dr Basil Bard (National Research Development Corporation [NRDC] 1950–74), Sir James Gowans (Secretary of the Medical Research Council [MRC] 1977–87), Sir John Gray (Secretary of the MRC 1968–77), John Newell (BBC World Service science correspondent 1969–79), Dr David Owen (MRC), and Dr David Secher (Laboratory of Molecular Biology [LMB], Cambridge). There were also contributions from Dr Ita Askonas (former head of immunology at the National Institute for Medical Research), Dr John Galloway (former member of MRC headquarters staff), Dr David Tyrrell (former Director, MRC Common Cold Unit), Professor Miles Weatherall (head of Therapeutic Research Division, Wellcome Research Laboratories 1967–75), Dr Guil Winchester (post‐doctoral fellow, Wellcome Institute for the History of Medicine), and Dr Peter Williams (former Director of the Wellcome Trust). The organisers would like to thank the Wellcome Trust for hosting and sponsoring the seminar. We would like to dedicate this publication to the memory of Georges Köhler, who sadly died in April 1995 before this could appear.

Beyond time and oblivion : Sir Robert Sidney’s autograph manuscript

Dealing with ancient manuscript or old printed texts often constitutes a difficult task, especially to philologists and editors, for two main reasons: the precarious state of preservation of the documents and the uncertainty regarding their origin, authenticity and authorship. These problems are aggravated by spurious versions, due to the publication of truncated works, poorly supervised miscellanies and non-authorised editions. Sir Robert Sidney’s literary text constitutes an exception amidst such vicissitudes, once the original corpus is wholly contained in a notebook exhibiting the organisation and unity conceived by the author himself. Today, there is no evidence that any loose poems, either autograph or copied by amanuenses, were in circulation among members of the Elizabethan court society. The notebook was kept in private collections for four centuries, which probably explains why it was so well preserved. In fact, only in 1984 would P.J. Croft’s fine edition bring the youngest Sidney’s Poems into light. In this work, I approach Croft’s perceptive, accurate philological study that eventually rescued from oblivion a remarkable piece both of the Elizabethan lyric poetry and of the English Renaissance, and, at the same time, look into Robert Sidney’s peculiar, careful and original formatting of his own autograph manuscript.

A Queda de Ícaro, de Brueghel e Schimmernde Inselchen im Meer, de Robert Walser – uma viagem ao mundo da tradução intersemiótica

O tema sobre o qual me proponho escrever insere-se no âmbito da 'tradução intersemiótica', já que se trata de uma análise comparativa da obra Der Sturz des Ikarus, de Pieter Brueghel, e do poema Schimmernde Inselchen im Meer, de Robert Walser, em que estamos perante um exemplo flagrante de transposição de uma obra pictórica para a escrita. No artigo, darei, ainda, especial enfoque à questão de aquele quadro representar, também ele, um exemplo de 'tradução intersemiótica' (neste caso, uma passagem da palavra às artes plásticas), uma vez que Brueghel faz, nele, uma recontextualização do mito de Ícaro, ao transpor para a tela um poema de Ovídio (estamos, assim, mais uma vez, perante um exemplo de mudança de medium). Dado que a questão da 'tradução intersemiótica' se inscreve numa outra, mais vasta ainda, que éa da intertextualidade, tentarei enquadrar uma na outra, tecendo, na introdução do artigo e, sempre que oportuno, ao longo do mesmo, algumas considerações breves sobre a função significante do mitema, as metamorfoses do mito e o papel do mito no 'diálogo intermedial das artes' ao longo dos tempos. Nesta análise comparativa, parto do pressuposto de estarmos, em qualquer tradução, face a um acto de re-escrita, pelo que há que reflectir, particularmente no caso da 'tradução intersemiótica', sobre a (nova) dimensão interpretativa conferida pelo processo de transposição mediática

Wissen um Stimmung : zu einem vagen Begriff in Robert Musils Frühwerk

Diese Studie untersucht die Poetik und Wirkungsästhetik von Robert Musils Die Verwirrungen des Zöglings Törleß (1906) und Die Vereinigungen (1911) anhand des Schlüsselbegriffs >Stimmung<. Wegen der Vagheit des Begriffs und seiner Relevanz in Psychologie, Philosophie und Ästhetik um 1900 wird das Wissen um >Stimmung< im ersten Teil der Studie diskursgeschichtlich beschrieben. Es kann dabei anhand von Robert Mayer, Gustav Theodor Fechner, Hermann von Helmholtz und Wilhelm Wundt gezeigt werden, dass >Stimmungen< als psychologische Zustände wie ästhetische Phänomene in einem engen Verhältnis mit der thermodynamischen Theorie und der Denkfigur des psychophysischen Parallelismus standen. >Stimmungen< galten zum Ende des 19. Jh. einerseits als gleichermaßen experimentell unzugängliche wie grundlegende psychologische Dispositionen, die Körper, Emotion und Intellekt umfassen können, und andererseits als energetisch konzipiertes Verhältnis des Einzelnen zur Außenwelt, das sich in Schwingungen und Strahlen äußert. Im zweiten und dritten Teil wurden die Wissensübertragungen und die genuin literarischen Ausdifferenzierungen von >Stimmungen< in einer dezidiert textnahen Lektüre von Musils Frühwerk entwickelt. Die Textanalyse zeigte, dass in Musils Frühwerk auf thematischer, metaphorologischer, poetologischer und wirkungsästhetischer Ebene von Stimmungen konstituiert wird. Von herausragender Bedeutung sind dabei immaterielle Phänomene. In Auseinandersetzung mit der Ästhetik des Fin de Siècle und dem >Psychophysischen< formuliert der Roman Die Verwirrungen des Zöglings Törleß eine Poetik des Duftes, mit der das dichtungstheoretische Ideal einer gleichsam emotional wie rational wirksamen Literatur umgesetzt werden soll. Die Novellen Die Vollendung der Liebe und Die Versuchung der stillen Veronika übertragen psychologisches Stimmungswissen in den literarischen Text und differenzieren es zu ästhetischen Strukturen aus. Zwei verschiedene Leitkonzepte konnten in Die Vereinigungen identifiziert werden: Während Die Versuchung der stillen Veronika eine Poetik bzw. eine Wirkungsästhetik der Wellen entwirft, formuliert Die Vollendung der Liebe eine literarische Anthropologie anhand musikalischen Metaphern und Texturen aus.