Krise, Kritik, Kontingenz: Prolegomena zu einer neuen Poetik der Gemeinschaft

Contingency is the third term that inevitably accompanies crisis and critique. Traditionally, community has been conceived as one of the means to overcome contingency. Taking its cue from the recent work of Roberto Esposito on community and its strategies of immunization, and taking into account that globalization has led to new, contingent forms of community, the essay argues for a new poetics of community conceived as metonymic. The members of a community thus understood share nothing else but the sheer space of their coexistence. Such an approach, I argue, avoids the pitfalls of exclusion that any community conceived of as metaphoric – that is, as sharing a third element – necessarily implies.

Dramas of Recognition: Philosophy as Literary History

Offers a critique of the concept of recognition (Honneth, Fraser), arguing that, from a literary-historical perspective, it connstitutes a step back behing modernism toward the agenda of Realism.

A Critique of Authenticity and Recognition

While forms of ethics based upon authenticity and recognition are holding sway in contemporary philosophical debates (Ferrara, Honneth, Fraser, etc.), many of the implications of both processes – conceptual, moral, political – are still insufficiently reflected upon. The talk will offer a “critique” (in the Kantian sense) of both, based upon an analysis of the “semiotics” of authenticity and the resulting perpetuation of a regime of authority of experts, as well as commenting upon the striking absence of the realm of literature and the arts from this debate, except in some references to a rather abstract notion of Aesthetics. It will also critically revaluate the concept of agency implicit in an ethics of authenticity and recognition.