C’est une fille! Inégalités de genre et stratégies d’adaptation des femmes d’un quartier du Nord de New Delhi

Ce mémoire porte sur la représentation des femmes de New Delhi et leurs perceptions d’elles-mêmes, comme filles et femmes dans la société indienne. Plus spécifiquement, les femmes rencontrées nous parlent de l’image des femmes en Inde, leur position et leur rôle dans la famille, en tant que filles, épouses et mères tout en étudiant leurs relations avec les autres (femmes et hommes). Dans l’objectif d’éclairer le phénomène de la sexo-sélection de l’enfant à naître et la discrimination basée sur le sexe, les rapports de genre pouvant être affectés par les pratiques et coutumes ont été analysés. Plus particulièrement, le discours et les expériences vécues des répondantes nous ont permis d’illustrer que les femmes rencontrées sont agentes de changement et qu’elles ont du pouvoir d’agir sur leurs vies.

La réception par les hommes de la campagne "My Strength" visant à les mobiliser contre les agressions sexuelles, étudiée au prisme du genre

Ce mémoire porte sur la réception par des hommes de publicités sociales développées dans le cadre de la campagne My Strength is Not for Hurting par l’organisme américain Men Can Stop Rape. Le but était de comprendre le sens qu’ils donnent à des messages publicitaires conçus pour les interpeller par une caractéristique traditionnellement associée au masculin afin qu’ils se mobilisent dans la prévention des agressions sexuelles. Le concept de genre, élaboré en référence au système normatif qui crée les sexes et les hiérarchise, les notions de masculinité hégémonique et de masculinités plurielles ont servi de cadre théorique à cette étude féministe, tout comme la réception médiatique. Les propos de sept hommes engagés politiquement ou socialement ont été analysés avec l’approche de la psychologie discursive en analyse de discours. L’analyse qualitative réalisée montre que les participants articulent une réception négociée du message publicitaire. Ils en captent le sens sans s’y identifier, critiquent le discours hégémonique sur la masculinité perçu dans le message publicitaire, et s’engagent dans un processus d’altérisation pour résoudre leur malaise à l’égard du viol en construisant une subjectivité masculine spécifique et opposée à celle d’hommes qu’ils considèrent à risque de commettre ce crime. Les rapports de pouvoir femmes-hommes sont évacués de la discussion, bien que les participants tiennent, hors de la discussion sur My Strength, un propos avisé sur la mobilisation des hommes pour prévenir les agressions sexuelles. Cette analyse qualitative met au jour le caractère pluriel et hiérarchique de la masculinité et l’obligation d’en tenir compte dans un processus de persuasion visant à mobiliser les hommes pour prévenir les agressions sexuelles. Elle souligne également la nécessité d’éviter la reconduction de la masculinité hégémonique dans les messages pour que soient mis au jour les rapports de pouvoir qui forgent l’agression sexuelle, enjeu dévoilé par le mouvement féministe.

The Legacy of Lolita: A Literary Genre of Pedophilia?

This thesis analyzes four works of fiction that portray a pedophilic relationship in order to establish whether we can identify what might be called a genre of pedophilia in literature. In the last decade, books about the topic have been published with great success, so it would seem that there is a need to classify and define the genre of pedophilia. To answer the question I started with the novel Lolita (1955), by Vladimir Nabokov, which is the most famous work of literary fiction on the topic of pedophilia. In my analysis of this text, I tried to show how this novel has laid the ground plan, as it were, for the genre. I then analyzed three contemporary novels: All the Ugly and Wonderful Things (2016) by Bryn Greenwood, My Absolute Darling (2017) by Gabriel Tallent and My Dark Vanessa (2020) by Kate Elizabeth Russell, and compared them with Lolita to find the essential elements that constitute the genre of pedophilia. The analysis showed that there were many elements, mostly themes, which the contemporary novels had in common with Lolita, which helped classify the genre of pedophilia as both transgressive and romantic fiction. But while the three contemporary novels share many aspects with Lolita, they also bring into play themes such as female desire, and a resistance to seeing the female as only victim, with little agency. While the most important aspect is that the work of fiction must show the evolution, from the beginning to the end, of a sentimental relationship and sexual acts between an adult and a child, the contemporary novels of this genre take this basic trait – particularly All the Ugly and Wonderful Things -- in surprisingly transgressive directions of their own.

O ensino de línguas para crianças no contexto educacional brasileiro: breves reflexões e possíveis provisões

This article aims at discussing about the foreign language teaching to young learners, taking the principles of the Sociocultural Theory (Vygotksy, 1978) and of the Communicative Approach (Almeida Filho, 1993, 2005) related to Primary English teaching (Cameron, 2001; Brewster, Ellis & Girard, 2002) as a theoretical references. Considerations about the importance of language learning in childhood will be made, as well as about the role of the grammar, oral language and mother tongue in the process. Likewise, the importance of Teacher Education will be briefly approached. This work is ended with the discussion about some possible procedures in the language teaching processes followed by a brief presentation of possible guidelines based on the bakhtinian notion of discourse genres.

O intertexto canônico em Avalovara

O intertexto canônico de Avalovara concretiza-se neste artigo a partir do diálogo desse romance de Osman Lins com A divina comédia, de Dante, Werther, de Goethe, Moby Dick, de Melville, e La modification, de Butor. Essas obras se unem em torno de uma experiência comum de seus protagonistas: a viagem e a busca de algo inapreensível, motivos nucleares do gênero épico.

Television and narratives: cultural identities in globalization age

This paper describes a current research integrated in an international and interdisciplinary project and developed in a global environment between two different tendencies: integration and desintegration. In this scenary, television narrative arises as an essential tool to create and consolidate new cultural identities in order to get a popular narrative on the concept of nation.

Altazor, de Vicente Huidobro: o gesto político numa das epopeias de XX

This article aims at presenting a reading of Vicente Huidobro's poem Altazor (1931,) assuming the epic genre postulations and the conditions of its development in the first half of the twentieth century. Important works were produced in that period, setting in motion a deployment of the epic genre as refashioned by the avant-garde movements and contesting the metaphysical formulations that had considered it impossible as a discursive space in modern times. Altazor is situated in this movement as a self-conscience of issues of language and its objective capacities. The work deals with the possible modes of enunciation of a great poet, Altazor, who lacks his former serenity of old and looks for a language able to transcend his mother tongue, because he does not accept its origin. His political revolution is performed on language, the artifice through which history is told.

Musical genres: beating to the rhythms of different drums

Online music databases have increased significantly as a consequence of the rapid growth of the Internet and digital audio, requiring the development of faster and more efficient tools for music content analysis. Musical genres are widely used to organize music collections. In this paper, the problem of automatic single and multi-label music genre classification is addressed by exploring rhythm-based features obtained from a respective complex network representation. A Markov model is built in order to analyse the temporal sequence of rhythmic notation events. Feature analysis is performed by using two multi-variate statistical approaches: principal components analysis (unsupervised) and linear discriminant analysis (supervised). Similarly, two classifiers are applied in order to identify the category of rhythms: parametric Bayesian classifier under the Gaussian hypothesis (supervised) and agglomerative hierarchical clustering (unsupervised). Qualitative results obtained by using the kappa coefficient and the obtained clusters corroborated the effectiveness of the proposed method.

Workgroup emotional intelligence: Scale development and relationship to team process effectiveness and goal focus

Over the last decade, ambitious claims have been made in the management literature about the contribution of emotional intelligence to success and performance. Writers in this genre have predicted that individuals with high emotional intelligence perform better in all aspects of management. This paper outlines the development of a new emotional intelligence measure, the Workgroup Emotional Intelligence Profile, Version 3 (WEIP-3), which was designed specifically to profile the emotional intelligence of individuals in work teams. We applied the scale in a study of the link between emotional intelligence and two measures of team performance: team process effectiveness and team goal focus. The results suggest that the average level of emotional intelligence of team members, as measured by the WEIP-3, is reflected in the initial performance of teams. In our study, low emotional intelligence teams initially performed at a lower level than the high emotional intelligence teams. Over time, however, teams with low average emotional intelligence raised their performance to match that of teams with high emotional intelligence.

Accumulation and Gaps in the Research on Argentine Rock

Based on a comprehensive study in research centers and libraries, a panorama of the critical response to Argentine rock in academic circles has been traced in various fields of knowledge. Research works including books, trade magazines, and academic papers on this musical movement spanning four decades have been consulted. The results show that the criticism has generated a ""developing tradition"" around the movement, mainly in the Social and Communication Sciences, and it has presented the following predominant traits: approaching rock essentially as a determinant of ""social identities""; periodization in the genre according to political regime: and analysis of the lyrics based solely on content. These traits contribute to a delimitation of rock as an exclusive phenomenon of the mass media, which relegates to secondary importance its aesthetic function and its relationship with other artistic series. Furthermore, we have observed a scarcity of approaches to rock lyrics as a linguistic-discursive surface.

The Gothic scene of international relations: ghosts, monsters, terror and the sublime after September 11

Accepting Furet’s claim that events acquire meaning and significance only in the context of narratives, this article argues that a particular type of international relations narrative has emerged with greater distinction after the traumatic experience of September 11: the gothic narrative. In a sense the political rhetoric of President Bush marks the latest example of America’s fine tradition in the gothic genre that began with Edgar Allan Poe and Nathaniel Hawthorne and extends through Henry James to Stephen King. His discourse of national security, it will be shown, assumes many of the predicates of gothic narratives. The gothic scenes evoked by Bush as much as Poe involve monsters and ghosts in tenebrous atmospheres that generate fear and anxiety, where terror is a pervasive tormentor of the senses. Poe’s narratives, for example, turn on encounters with dark, perverse, seemingly indomitable, forces often entombed in haunted houses. Similarly, Bush’s post-September 11 narratives play upon fears of terrorists and rogue states who are equally dark, perverse and indomitable forces. In both cases, ineffable and potently violent and cruel forces haunt and terrorise the civilised, human world.

Exploring a literary gender: the chivalry novels

Exploring a literary gender: the chivalry novels This article deals with a series of aspects related to the thematic universe of the chivalry novels, focusing on the production of the literary work from a historical perspective. The text analyzes the advent and evolution of the genre chivalry novels, presents some central elements of its internal structure, concluding with some of the social functions of this kind of literature.

Pharmacokinetic software for the health sciences - Choosing the right package for teaching purposes

Computer assisted learning has an important role in the teaching of pharmacokinetics to health sciences students because it transfers the emphasis from the purely mathematical domain to an 'experiential' domain in which graphical and symbolic representations of actions and their consequences form the major focus for learning. Basic pharmacokinetic concepts can be taught by experimenting with the interplay between dose and dosage interval with drug absorption (e.g. absorption rate, bioavailability), drug distribution (e.g. volume of distribution, protein binding) and drug elimination (e.g. clearance) on drug concentrations using library ('canned') pharmacokinetic models. Such 'what if' approaches are found in calculator-simulators such as PharmaCalc, Practical Pharmacokinetics and PK Solutions. Others such as SAAM II, ModelMaker, and Stella represent the 'systems dynamics' genre, which requires the user to conceptualise a problem and formulate the model on-screen using symbols, icons, and directional arrows. The choice of software should be determined by the aims of the subject/course, the experience and background of the students in pharmacokinetics, and institutional factors including price and networking capabilities of the package(s). Enhanced learning may result if the computer teaching of pharmacokinetics is supported by tutorials, especially where the techniques are applied to solving problems in which the link with healthcare practices is clearly established.

A formação pela trilha da clínica da atividade na vigilância em saúde do trabalhador

Trata-se de uma pesquisa-intervenção com o objetivo principal de colocar em análise a atividade na vigilância em saúde do trabalhador ancorada nos pressupostos da formação pelo trabalho. Tem como aporte conceitual o referencial teórico-metodológico da clínica da atividade proposta por Yves Clot e colaboradores. A pesquisa foi realizada com a equipe multiprofissional que atua na vigilância em saúde do trabalhador do Centro de Referência Estadual em Saúde do Trabalhador do Espírito Santo (Cerest/ES). As rodas de conversa, a partir da clínica da atividade, foram a estratégia metodológica privilegiada. O gênero profissional vigilante em saúde do trabalhador, ao se confrontar com o estudo das diretrizes da clínica da atividade, foi produzindo deslocamentos que o levou a (re)pensar, analisar a sua atividade e o processo de trabalho no qual estava inserido. A cada encontro no diálogo com a clínica da atividade, eram experimentados os modos de como esses profissionais atuavam na vigilância, como também todo o atravessamento desse gênero na assistência aos trabalhadores, nas atividades educativas e gestão do trabalho. No desenvolvimento das rodas, ficou evidenciado o quanto esses encontros se tornaram equipamentos para esses profissionais. As atividades desenvolvidas produziram análise coletiva do trabalho e um processo de formação pelo trabalho. Buscaram incorporar os métodos utilizados pela clínica da atividade no cotidiano do Cerest dialogando com os efeitos desse processo. Nas rodas também emergiram propostas de mudanças na maneira como vinham ocorrendo as atividades realizadas, a gestão do trabalho nessa equipe e as estratégias de atuação na vigilância, ou seja, intervenção no processo de trabalho do grupo, produzindo potência para o poder de agir do gênero. O referencial teórico-metodológico da clínica da atividade foi um dispositivo de formação importante. Permitiu a experimentação e o desenvolvimento do gênero vigilantes em saúde do trabalhador na produção de análise da atividade, na constituição de uma clínica dialógica em transformação. Também possibilitou contemplar na análise as dimensões integrantes da atividade de trabalho, fazendo a interlocução para o encontro entre os saberes da experiência instituídos no cotidiano do serviço de saúde e o saber acadêmico na produção de conhecimento.

Os gêneros de discurso, cenografia e ethos em discursos da obra O templo e a forca de Luiz Guilherme Santos Neves

A pesquisa busca mostrar como o discurso religioso do gênero sermão, na voz do enunciador Frei Gregório José Maria de Bene, pode influir na estratégia de adesão e convencimento dos escravos da região de Serra, província do Espírito Santo, para a construção da igreja do Queimado. O sermão citado é o recorte fundamental do discurso literário O Templo e a Forca (1999), recriado por Luiz Guilherme Santos Neves, analisado a partir de cena englobante legitimadora. O trabalho insere-se nos estudos da Analise do Discurso (AD) de linha francesa, pelo referencial teórico de Dominique Maingueneau, que nos orientará quanto às cenografias do padre, sua imagem de enunciador, as condições de produção do sermão, ressaltando elementos que interagem no embate, visando à sociedade da época e às questões culturais dos envolvidos na eclosão da revolta. O principal objetivo é examinar as cenas de enunciação e como se constrói o ethos religioso em cada cena e suas variadas funções. É elementar dizer que o religioso se reconstrói a cada momento a partir do comprometimento com as situações de comunicação. Para maior entendi-mento, dizemos que essas diversas reconstruções apresentam nos discursos diferentes encenações desse tão fomentado religioso com suas estratégias de adesão, apresentando-se ora com a imagem daquele que fala em nome de Deus, preza a docilidade da vida do campo à sombra das andirobeiras gigantes onde se pode sentir o silêncio que convida à contemplação e à prece; ora aquele comprometido com seus propósitos interesseiros e pessoais. Fala para não ser entendido, e o que vale é erguer a casa de São José sem poupar a carne e o sangue das mortes que virão. Importa ressaltar que sempre há possibilidade de olhar ingênuo sobre texto religioso, que, conforme Main-gueneau (2010), só é legível relacionado a vasto intertexto que contribuirá para estruturar o discurso. Para enriquecer ainda mais este estudo, afora o gênero sermão usamos recortes que estruturam o discurso de Neves e sinalizam as variadas cenografias e a forma como se constituem enquanto gêneros: Diálogo interior – momentos solitários do frade – Visão do frade e Monólogo; Diálogo Compartilhado – segmenta diálogos entre o enunciador e seus vários co-enunciadores, que estruturam os acontecimentos do discurso; e o gênero exortação, do padre aos escravos. Os recortes são momentos de grandes embates recriados pelo autor, em discurso leve fazendo seu leitor transitar prazerosamente junto ao frade entre as suas variadas imagens nos discursos. Levando o leitor a acreditar tratar-se de cenas relacionadas ao gênero cômico. E talvez o fosse, se não terminasse em revolta.