989 resultados para Amateur theater.


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Thesis (doctoral)--Kgl. Ludwigs-Maximilians-Universitat Munchen.

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Thesis (doctoral)--K. bayr. Ludwig-Maximilians-Universitat zu Munchen.

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Thesis (doctoral)--Kgl. Ludwig-Maximilians-Universitat Munchen.

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550 exemplaires in 8⁰ raisin sur papier vergé à la cuve (51 à 600) No. 566."

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Mode of access: Internet.

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"AFS-600."

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Mode of access: Internet.

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Thesis (Ph.D.)--University of Washington, 2016-03

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Center for Humanities in an Urban Environment presents a forum featuring several individuals from the areas of Academics, journalism and theater, on the subject of violence in the Theater. Event held at GableStage, Coral Gables on September 12, 2012.

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Nutrition is an important component in chronic disease prevention. Diet plays an important role in the athletic performance and the overall health of the amateur bicyclists; yet information concerning diet and amateur bicyclists is lacking. This was a cross-sectional, convenience sample of 125 amateur bicyclists ages 18-65 years from South Florida who consented to SurveyMonkey, web-designed survey on nutrition knowledge. The survey was validated for endurance runners. Less than one-quarter of the participants had adequate nutrition knowledge (score of 75% or higher). Female bicyclists scored higher on nutrition knowledge as compared to males. There were no differences in nutrition knowledge by race, marital status, education or income. Accessibility to nutrition information is abundant, yet the validity of this information is questionable. Amateur bicyclist may not have access to the health professionals available to professional athletes. There is a need for nutrition counseling targeting amateur athletes.

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Reproduktion

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General note: Title and date provided by Bettye Lane.

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This article revisits the official culture of the early khedivate through a microhistory of the first modern Egyptian theater in Arabic. Based on archival research, it aims at a recalibration of recent scholarship by showing khedivial culture as a complex framework of competing patriotisms. It analyzes the discourse about theater in the Arabic press, including the journalist Muhammad Unsi's call for performances in Arabic in 1870. It shows that the realization of this idea was the theater group led by James Sanua between 1871 and 1872, which also performed Ê¿Abd al-Fattah al-Misri's tragedy. But the troupe was not an expression of subversive nationalism, as has been claimed by scholars. My historical reconstruction and my analysis of the content of Sanua's comedies show loyalism toward the Khedive Ismail. Yet his form of contemporary satire was incompatible with elite cultural patriotism, which employed historicization as its dominant technique. This revision throws new light on a crucial moment of social change in the history of modern Egypt, when the ruler was expected to preside over the plural cultural bodies of the nation. © 2014 Cambridge University Press .