922 resultados para public engagement


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What potential do artists working with environmental data in public space have for producing new forms of engagement with local environmental conditions? Operating on the edge of heavy bureaucracy, these types of data-driven artistic experiments probe the politics of environmental metrics and explore methods of engaging audiences with issues of environmental health. This discussion considers a small collection of cases studies representative of this growing field of practice. These are works by Natalie Jeremijenko and The Living, Tega Brain and Keith Deverell. The case studies considered are examples of strategic design, works that soften, reveal and potentially shift existing regulations and bureaucratic norms. In doing so they open up new possibilities and questions as to what the smart city is and how it might be realised.

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This thesis articulates and examines public engagement programming in an emerging, non¬-traditional site. As a practice-led research project, the creative work proposes a site responsive, engagement centric, agile model for curatorial programming that developed out of the dynamic, new media/digital, curatorial practice at QUT's Creative Industries Precinct. The model and its accompanying exegetical framework, Curating in Uncharted Territories, offer a theoretically informed approach to programming, delivering and reporting for curatorial practices in a non¬-traditional sites of public engagement. The research provides the foundation for full development of the model and the basis for further research.

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Since the early years of the 21st century, and in particular since 2007, the U.S. has been awakening rapidly to the fact that climate change is underway and that even if stringent efforts are undertaken to mitigate greenhouse gas emissions, adaptation to the unavoidable impacts from the existing commitment to climate change is still needed and needs to be begun now. This report provides an historical overview of the public, political, and scientific concern with adaptation in the United States. It begins by briefly distinguishing ongoing, historical adaptation to environmental circumstances from deliberate adaptation to human‐induced climate change. It then describes the shift from the early concerns with climate change and adaptation to the more recent awakening to the need for a comprehensive approach to managing the risks from climate change. Ranging from the treatment of the topic in the news media to the drafting of bills in Congress, to state and local government activities with considerable engagement of NGOs, scientists and consultants, it is apparent that adaptation has finally, and explosively, emerged on the political agenda as a legitimate and needed subject for debate. At the same time, the current policy rush is not underlain by widespread public engagement and mobilization nor does it rest on a solid research foundation. Funding for vulnerability and adaptation research, establishing adequate decision support institutions, as well as the building of the necessary capacity in science, the consulting world, and in government agencies, lags far behind the need. (PDF contains 42 pages)

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This paper explores the social dimensions of an experimental release of carbon dioxide (CO2) carried out in Ardmucknish Bay, Argyll, United Kingdom. The experiment, which aimed to understand detectability and potential effects on the marine environment should there be any leakage from a CO2 storage site, provided a rare opportunity to study the social aspects of a carbon dioxide capture and storage-related event taking place in a lived-in environment. Qualitative research was carried out in the form of observation at public information events about the release, in-depth interviews with key project staff and local stakeholders/community members, and a review of online media coverage of the experiment. Focusing mainly on the observation and interview data, we discuss three key findings: the role of experience and analogues in learning about unfamiliar concepts like CO2 storage; the challenge of addressing questions of uncertainty in public engagement; and the issue of when to commence engagement and how to frame the discussion. We conclude that whilst there are clearly slippages between a small-scale experiment and full-scale CCS, the social research carried out for this project demonstrates that issues of public and stakeholder perception are as relevant for offshore CO2 storage as they are for onshore.

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The traditional planning process in the UK and elsewhere takes too long to develop, are demanding on resources that are scarce and most times tend to be unrelated to the needs and demands of society. It segregates the plan making from the decision making process with the consultants planning, the politicians deciding and the community receiving without being integrated into the planning and decision making process. The Scottish Planning system is undergoing radical changes as evidenced by the publication of the Planning Advice Note, PAN by the Scottish Executive in July 2006 with the aim of enabling Community Engagement that allow for openness and accountability in the decision making process. The Public Engagement is a process that is driven by the physical, social and economic systems research aimed at improving the process at the level of community through problem solving and of the city region through strategic planning. There are several methods available to engage the community in large scale projects. The two well known ones are the Enquiry be Design and the Charrette approaches used in the UK and US respectively. This paper is an independent and rigorous analysis of the Charrette process as observed in the proposed Tornagrain Settlement in the Highlands area of Scotland. It attempts to gauge and analyse the attitudes, perceptions of the participants the Charrette as well as the mechanics and structure of the Charrette. The study analyzes the Charrette approach as a method future public engagement in and its effectiveness within the Scottish Planning System in view of PAN 2005. The analysis revealed that the Charrette as a method of engagement could be effective in changing attitudes of the community to the design process under certain conditions as discussed in the paper.

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Peter Mutschler and Ruth Morrow of PS2 profile '5 ways to say your prayers', which re-presented a selection of the belfast-based organisation's public engagement projects, facilitiated by Engage Studios at the Shed, Galway (26-21 July, 2013)

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Feminist strategising on abortion has been dominated by a “pro-choice” frame. Increasingly, however, pro-choice discourse is being viewed as inadequate to meet contemporary and complex feminist aims and analyses, in particular due to the individualising ontological framework upon which it appears to be based. The work of Judith Butler is one location where such concerns have been explored and an alternative approach based upon a renewed analysis of the concept of “life” has been asserted. Foregrounding the fundamental precariousness of intersubjective life and opening the socio-political conditions sustaining precarious life to democratic public engagement carries significant implications for feminist strategising for Butler, and envisages a reconceptualisation of debate on abortion. In this article Butler’s work on life will be combined with her theoretical tool of the frame to explore space which may exist within pro-choice strategising to potentially work towards such a renewed approach to life in social debate on abortion. This space may be used to rethink feminist strategising on abortion beyond pro-choice discourse, and presents an accessible starting point from which to do so. In carrying out this analysis insights will be drawn from feminist advocacy and activism in the contingent location of Northern Ireland where recent employment of a health frame and a rights frame demonstrate instances of pro-choice strategising which may be reiterated to shift feminist activism towards more radical engagement with life as a precarious social process demanding critical attention.

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Presentation as part of the Economics Panel at the annual conference of the Anchor Institutions Task Force. The presentation highlighted the economic contribution of Queen's University to the City of Belfast, the wider region and more globally. Impact was seen as covering direct and indirect financial factors, the social and economic impact of our research, and the social and civic contribution made through our teaching and the volunteering work of students.

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Making Ireland Modern is a cross-disciplinary, inter-institutional, inter-media design and research project which emerged from an open competition (won by Boyd and McLaughlin) to commission/curate the Irish pavilion for the Venice biennale 2014. It explores the relationship between architecture, infrastructure and technology in the building of a new nation. Constructed as a demountable, open matrix of drawings, photographs, models and other artefacts, the exhibition (12 x 5 x 6 metres) presents ten infrastructural episodes – Negation, Electricity, Health, Transportation, Television, Aviation, Education, Telecommunications, Motorways, Data – spanning a period of one hundred years from 1916-2016. Exploring a range of scales from the detail design of objects to entire landscapes and other territories, Making Ireland Modern describes architecture’s role in transforming the physical and cultural identity of the new state through its intersession in the everyday lives of its population. In 2015, we were commissioned by the Arts Council of Ireland to expand and develop the pavilion for a three cities tour of Ireland as one of the five major strands of the Arts Council’s Art2016 programme of Irish State’s 1916-2016 centennial celebrations (2016).

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It is thought that direct personal experience of extreme weather events could result in greater public engagement and policy response to climate change. Based on this premise, we present a set of future climate scenarios for Ireland communicated in the context of recent, observed extremes. Specifically, we examine the changing likelihood of extreme seasonal conditions in the long-term observational record, and explore how frequently such extremes might occur in a changed Irish climate according to the latest model projections. Over the period (1900-2014) records suggest a greater than 50-fold increase in the likelihood of the warmest recorded summer (1995), whilst the likelihood of the wettest winter (1994/95) and driest summer (1995) has respectively doubled since 1850. The most severe end-of-century climate model projections suggest that summers as cool as 1995 may only occur once every ∼7 years, whilst winters as wet as 1994/95 and summers as dry as 1995 may increase by factors of ∼8 and ∼10 respectively. Contrary to previous research, we find no evidence for increased wintertime storminess as the Irish climate warms, but caution that this conclusion may be an artefact of the metric employed. It is hoped that framing future climate scenarios in the context of extremes from living memory will help communicate the scale of the challenge climate change presents, and in so doing bridge the gap between climate scientists and wider society.

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Dans le cadre de son nouveau programme d'acquisition et de diffusion d'œuvres d'art, Loto-Québec s'est engagée à réaliser un legs culturel durable, ralliant l'art, l'environnement et la communauté en partenariat avec ses collaborateurs locaux et l'Université de Sherbrooke. Cela a donné lieu à une étroite collaboration entre l'étudiant mandaté et les diffuseurs participants en 2014 afin de réaliser quatre portfolios comptabilisant treize projets culturels durables. L'étudiant s'est occupé de la construction du processus d'évaluation des projets dans une perspective de développement durable, des outils d'animation pour la consultation des collaborateurs et de la finition des portfolios. Les diffuseurs de Loto-Québec ont formulé des propositions selon leurs expertises et leurs connaissances du milieu. Cependant, ce processus s'est annoncé demandant pour ces derniers et quelques incompréhensions se sont manifestées sur la portée de l'engagement. Le présent essai tente donc de répondre à cette problématique en se focalisant sur l'optimisation du processus de coproduction de l'engagement de Loto-Québec pour les prochaines années. L'analyse de la démarche de consultation a permis de déterminer les points d'incompréhension des diffuseurs et les points d'amélioration dans le processus. La grille d'analyse multicritères inspirée de l'Agenda 21 de la culture du Québec a été un outil de communication efficace pour engager les diffuseurs à formuler leurs propositions dans une perspective de développement durable. La majorité de leurs propositions vont faire l'objet d'un appel d'artistes. Par conséquent, les meilleures pratiques managériales d'une commission d'une œuvre d'art public au Canada et à l'international ont été étudiées afin de proposer un cadre de suivi et afin de relever les facteurs importants dans la gestion d'une telle démarche. Pour optimiser le processus de l'engagement, Loto-Québec est invitée à choisir un cadre de gestion parmi les quatre modèles suivant : une démarche de consultation pour engager les diffuseurs à rédiger un cadre de référence; une démarche de coproduction pour retenir une proposition conceptuelle inspirée des modalités de la Politique d'intégration des arts du gouvernement du Québec; une acquisition d'une œuvre d'art écoresponsable léguée au diffuseur par le biais du programme Repérage; ou un concours pour valoriser les artistes régionaux sur leur implication dans les enjeux de développement durable sur leur communauté. Selon son choix, la société d'État devrait rédiger un document pour standardiser le cycle de gestion de l'engagement et pour informer ses diffuseurs de la portée de celle-ci. Ainsi, elle pourrait efficacement soutenir des pratiques artistiques novatrices et renforcer la valeur intrinsèque de ses diffuseurs.

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Many actors—including scientists, journalists, artists, and campaigning organizations—create visualizations of climate change. In doing so, they evoke climate change in particular ways, and make the issue meaningful in everyday discourse. While a diversity of climate change imagery exists, particular types of climate imagery appear to have gained dominance, promoting particular ways of knowing about climate change (and marginalizing others). This imagery, and public engagement with this imagery, helps to shape the cultural politics of climate change in important ways. This article critically reviews the nascent research area of the visual representations of climate change, and public engagement with visual imagery. It synthesizes a diverse body of research to explore visual representations and engagement across the news media, NGO communications, advertising, and marketing, climate science, art, and virtual reality systems. The discussion brings together three themes which occur throughout the review: time, truth, and power. The article concludes by suggesting fruitful directions for future research in the visual communication of climate change.

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A nutrição e a alimentação. Dois conceitos tão pessoais quanto públicos, que geram discussão e abrem espaço a mitos e crenças. O interesse coletivo nestes assuntos é causa e consequência da grande quantidade de informação, por vezes pouco rigorosa, outras contraditória, disponível online. Impõe-se portanto não só a transmissão de informação fidedigna, que reflita o estado atual da ciência, mas também a criação de espaços de diálogo, capazes de suscitar sentido crítico, num contexto de interação e comunicação online. Contextualiza-se assim a relevância do projeto QEAT, uma plataforma de comunicação de ciência, assente numa matriz de Envolvimento Público da Ciência ou Public Engagement with Science (PES), na sua expressão em inglês. O QEAT pretende ser um espaço de referência online, que promove o diálogo ao serviço da informação sobre alimentação e nutrição. Uma plataforma onde há espaço para o esclarecimento, a discussão e a participação, reunindo especialistas e não especialistas na mesma missão de comunicar nutrição. O modelo eleito seguirá um formato de rede social de pergunta e resposta (SQ&A), aproveitando a interatividade e a transversalidade destes canais de comunicação, abrindo aos diferentes públicos a possibilidade de participar na plataforma com perguntas, ideias, conteúdos. Desta forma, as ciências da nutrição e alimentação serão o tópico dominante das conversas, abertas a todos os interessados, instigadas e moderadas pelos gestores da plataforma. O canal QEAT será alimentado por conteúdos coproduzidos por nutricionistas, cientistas e diferentes profissionais da comunicação, no âmbito do projeto, a par de conteúdos produzidos pelos utilizadores (user generated contents), sujeitos a uma votação, ou seja, um controlo de qualidade. Todos os contribuidores vão construindo a sua reputação de acordo com a validade dos conteúdos que produzem. Uma gestão de conteúdos que permite por um lado monitorizar a qualidade e o rigor da informação, mas também perceber os tópicos que interessam aos utilizadores, bem como as suas dúvidas. A implementação deste projeto procura criar um espaço de referência online capaz de funcionar como um repositório dinâmico de informação sobre nutrição; e fomentar uma relação bidirecional entre os diferentes públicos do projeto. Da persecução destes objetivos, espera-se que resultem novas ideias, conhecimentos e direções dos caminhos a tomar no sentido de uma comunicação responsável na área da nutrição.

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Resources and info updates for the Spectra Roadshow. SPECTRA LOGO for use on posters, etc...

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The Transparency Agenda of the 2010/1 UK Coalition government promises to revolutionise government, public services and public engagement, by ‘holding politicians and public bodies to account, reducing the deficit and delivering better value for money in public spending, and realising significant economic benefits by enabling businesses and non-profit organisations to build innovative applications and websites using public data’, to quote the then Prime Minister. This is an ambitious programme with laudable aims, yet it naturally has limits.