[Oral jewelry: a review]

Oral jewelry is popular. One of the most widely spread types are so-called tooth diamonds made of composite materials which are applied to the teeth with an adhesive. Note that parents are required to sign a release form for under-aged patients in Switzerland. Tooth cap grills and gold teeth are considered status symbols within the Hip-Hop fashion scene. However, tooth ornaments favour the accumulation of plaque and can diminish the ability to articulate. With respect to jewelry in oral soft tissue especially tongue and lip piercings are of significance to dentists. Besides the systemic complications, which are mostly caused by a lack of hygiene or the failure of noting medical contraindications by the piercer, local complications occur frequently. After surgery, pain, swelling, infections as well as hemorrhages or hematomas can be observed. Long-term effects can be problematic: gingival recession can be discernes mainly in the case of lip piercings the loss of hard tooth substance in the case of tongue piercings. Because of that, conservation therapies can become indespensable. Patients wearing dental jewelry have to be aware of risks of tooth damage, and they regularly have to undergo dental check-ups. Information campaigns--for dentists as well as patients--are necessary.

Flujo laminar: el cementerio de Igualada y los procesos elásticos en la arquitectura de Enric Miralles y Carme Pinós

La tesis Flujo Laminar, El cementerio de Igualada y los procesos elásticos en la arquitectura de Enric Miralles y Carme Pinós analiza la metodología que utilizan y desarrollan los arquitectos Miralles y Pinós en el proyecto del cementerio de Igualada. Enric Miralles y Carme Pinós comienzan a trabajar juntos en 1983, separándose siete años después. La producción arquitectónica que generan durante este periodo ha sido valorada y considerada por la crítica como una de las de mayor calidad en el último cuarto del siglo XX. Respecto a esta etapa de colaboración existen artículos dispersos que analizan de manera aislada algunos aspectos de sus proyectos. Sin embargo, no se han realizado estudios que analicen su metodología proyectual, sus herramientas, sus estrategias y sus diferentes conexiones y referencias. Tampoco se han analizado hasta el momento, cómo son sus procesos proyectuales, sus tiempos y sus objetivos. En este sentido, el proyecto del cementerio de Igualada será clave en la trayectoria del equipo. El tiempo extenso empleado en el proceso y la singularidad de la obra, además de otros factores del propio imaginario de Miralles y Pinós, marcarán a este proyecto como un punto de inflexión en su trabajo. La investigación plantea, en primer lugar, la descripción del contexto en el cual se comienzan a desarrollar los proyectos iniciales de Miralles y Pinós, además de los antecedentes que generarán la propuesta para el cementerio de Igualada. Seguidamente, se describen y analizan los apoyos y las referencias que los arquitectos utilizan en este proyecto, tanto las vinculadas a la cultura local como las atrapadas desde el imaginario universal. Por otro lado, el bloque central de la investigación aporta doce herramientas que construyen la metodología proyectual de Miralles y Pinós. Esta contribución se ha realizado desde el análisis y el cruce de los documentos originales del proyecto de Igualada y los escritos existentes de los arquitectos. Las herramientas aportadas son: deslizar, desplazar, repetir, enterrar, constreñir, oscilar, estirar, desenredar, desviar, rehacer, hendir y fluir. Todas ellas se describen, analizan e interpretan desde setenta y dos documentos esenciales extraídos del proceso de Igualada. Un último capítulo de conclusiones, define lo que se presenta en la investigación como una metodología propia de Enric Miralles y Carme Pinós, denominada procesos elásticos, en el que se describen sus cualidades y sus tiempos, a la vez que se presenta también una táctica empleada en el proyecto de Igualada denominada flujo laminar. ABSTRACT The thesis Laminar Flow, the Igualada cemetery and the elastic processes in the architecture of Enric Miralles and Carme Pinós analyses the methodology that the architects Miralles and Pinós used in the project for the Igualada cemetery park. Enric Miralles and Carme Pinós began to work together in 1983, and went their different ways seven years later. The architectural production they generated during that period has been valued and considered by critics to be among the greatest quality of production in the final quarter of the twentieth century. There is a scattering of articles about this period which give an independent analysis of some features of their products. However, there are no studies which analyse their project design methodology, their tools, their strategies and their different connections and references. Neither has there been analysis to date of the nature of their project design processes, nor of their times and their aims. Within this context, the Igualada cemetery project was key in the path to be trodden by the team. The great length of time used on the process and the singularity of the work, alongside other factors from Miralles and Pinós's personal imaginarium, were to mark this project as a turning point in their work. This research sets out, first of all, to describe the context in which the early projects by Miralles and Pinós began to be developed, as well as the background to the generation of their proposal for the Igualada cemetery. There follows a description and analysis of the resources and of the references that the architects used in this project, both those linked to local culture and those picked from the universal imaginarium. Furthermore, the central block of the research identifies twelve tools which make up Miralles and Pinós's project design methodology. This contribution has been performed on the basis of analysis and comparison of the original Igualada project documents and of writings extant by the architects. The tools identified are: slide, shift, repeat, bury, constrain, oscillate, stretch, untangle, divert, redo, groove and flow. They are all described, analysed and interpreted on the basis of seventy-two essential documents extracted from the Igualada process. A final chapter of conclusions defines what is presented in the research as a methodology which is specific to Enric Miralles and Carme Pinós, denominated elastic processes, describing their qualities and their times, along with the presentation of a tactic used in the Igualada project which is denominated laminar flow.

La arquitectura de Carme Pinós: un paisaje lorquiano

Presentación de la conferencia de Carme Pinós titulada "Desde el contexto: Cuatro paisajes urbanos construidos" en el marco del V Foro Crítica, "Otra arquitectura, otro paisaje", organizado conjuntamente por el Colegio Territorial de Arquitectos de Alicante y el área de conocimiento de Composición Arquitectónica de la Universidad de Alicante, en 2011.

The U.S. jewelry industry : federal interagency report on U.S. jewelry industry competitiveness issues.

"March 1997."

Jewelry, the art of the goldsmith in classical times as illustrated in the museum collection,

"Printed June, 1928, in an edition of 2,000 copies, E.L. Hildreth & Co., Brattleboro, Vermont."

Inquiries into trades for factory workers : sample mounting and sample case making, perfumery trade, paper box making, candy trade, case making for jewelry and silverware.

"Affiliated with settlements and other organizations"--T.p.

16th census of the United States: 1940. Census of business: 1939. Retail trade. Commodity sales. Jewelry stores, luggage stores, opticians, photographic supply and camera stores, sporting goods stores, bicycle shops.

At head of title: U.S. Dept. of Commerce. Jesse H. Jones, Secretary. Bureau of the Census. J.C. Capt, Director ..

Guidelines for ultrasonic inspection of hanger pins /

"July 2004."

How to enamel : being a treatise on the practical enameling of jewelry with hard enamels /

Mode of access: Internet.

A work manual for the study of nontextile apparel accessories; leather, shoes, gloves, handbags, luggage, furs, jewelry metals, jewelry stones, cosmetics, soaps.

Mode of access: Internet.

Mémoire sur la culture des pins, et sur leur et sur leur aménagement, leur exploitation, et les divers emplois de leur bois /

"Errata," after p. 274.

Operator, organizational, and direct support maintenance manual, including repair parts and special tools list : tent, vehicle maintenance; with cover, pins, and support, FSN 8340-889-3686.

"February 1971."

Operator, organizational, and direct support maintenance manual, including repair parts and special tools list : tent, vehicle maintenance, with cover, pins, and support, FSN 8340-889-3686.

"February 1971."