Stories by American authors.

v. 6. The village convict, by C. H. White. The Denver express, by A. A. Hayes. The misfortunes of Bro' Thomas Wheatley, by Lina R. Fairfax. The heartbreak cameo, by L. W. Champney. Miss Eunice's glove, by A. Webster. Brother Sebastian's friendship, by H. Frederic.--v. 7. The bishop's vagabond, by Octave Thanet. Lost, by E. Bellamy. Kirby's coals of fire, by Louise Stockton. Passages from the journal of a social wreck, by Margaret Floyd. Stella Grayland, by J. T. McKay. The image of San Donato, by Virginia W. Johnson.--v. 8. The brigade commander, by J. W. De Forest. Split zephyr, by H. A. Beers. Zerviah Hope, by Elizabeth S. Phelps. The life-magnet, by A. A. Adee. Osgood's predicament, by Elizabeth D. B. Stoddard.--v. 9. Marse Chan, by T. N. Page. Mr. Bixby's Christmas visitor, by C. S. Gage. Eli, by C. H. White. Young Strong of "The Clarion," by Milicent W. Shinn. How old Wiggins wore ship, by Captain R. T. Coffin. "--mas has come," by L. Kip.--v. 10. Pancha, by T. A. Janvier. The ablest man in the world, by E. P. Mitchell. Young Moll's peevy, by C. A. Stephens. Manmat'ha, by C. De Kay. A daring fiction, by H. H. Boyesen. The story of two lives, by Julia Schayer.

The novels and stories.

v. 1. The late Mrs. Null.--v. 2. The Squirrel Inn. The Merry Chanter.--v. 3. Rudder Grange.--v. 4. The hundredth man.--v. 5. Ardis Claverden.--v. 6. The great war syndicate. The stories of the three burglars. The knife that killed Po Hancy. Dusky philosophy.--v. 7. The house of Martha.--v. 8. Pomona's travels. Euphemia among the pelican's. The Rudder Grangers in England. Pomona's daughter.--v. 9. The adventures of Captain Horn.--v. 10. Mrs. Cliff's yacht.--v. 11. The great stone of Sardis. The water-devil.--v. 12. The girl at Cobhurst.--v. 13. The casting away of Mrs. Lecks and Mrs. Aleshine. The vizier of the two-horned Alexander.--v. 14. The associate hermits.--v. 15. Stories. [v.]1: The lady or the tiger? The discourager of hesitancy. The transferred ghost. The spectral mortgage. Every man his own letter-writer. Thar same old coon. Our story. Derelict. On the training of parents. A borrowed month. The baker of Barnbury. The watchmaker's wife.--v. 16. Stories. [v.]2: A tale of negative gravity. Asaph. The remarkable page. The Cloverfield's carriage. A story of assisted fate. My bull-calf. As one woman to another. Our fire-screen. My terminal moraine. Plain fishing.--v. 17. Stories. [v.]3: The griffin and the minor canon. Old Pipes and the dryad. The bee-man of Orn. The queen's museum. The clocks of Rondaine. Christmas before last; or, the fruit of the fragile palm. Prince Hassak's march. The battle of the third cousins. The banished king. The philopena. Amos Kilbright: his adscititious experiences. The Christmas shadrach. The bishop's ghost and the printer's baby. The philosophy of relative existences.--v. 18. Stories. [v.]4: The magic egg. "His wife's deceased sister." The widow's cruise. Captain Eli's best ear. Love before breakfast. The staying power of Sir Rohan. A piece of red calico. The Christmas wreck. My well and what came out of it. Mr. Tolman. My unwilling neighbor. Our archery club.--v. 19. Afield and afloat: The Buller-Podington compact. The romance of a mule-car. The governor-general. Old Applejoy's ghost. Struck by a boomerang. The skipper and El Capitan. "Come in, new year." A sailor's knot. The great staircase at Landover Hall. The ghosts in my toewer. The landsman's tale.--v. 20. Kate Bonnet: the romance of a pirate's daughter.--v. 21. John Gayther's garden.--v. 22. The captain's toll-gate.--v. 23. A bicycle of Cathay. With a memorial sketch of Mr. Stockton and a bibliography of his works.

Selected stories;

v. 1. Ball-of-Suet ; A family affair ; The artist's model ; The letters ; Cemetery sirens ; The dying peasant ; A madman's journal ; Checkmate! ; The shepherd's leap ; A husband's confession ; Madame Parisse ; The wedding night ; Father and son ; The false jewels ; The umbrella! ; The clock ; The dowry ; The lancer's wife ; Prisoners of war ; Woman's love ; The devil's visit ; Was it a dream? ; Simon's papa ; The diamond necklace ; Duchoux ; Timbuctoo ; Denis -- v. 2. The horla ; Monsieur Parent ; Miss Harriet ; Mad! ; Mademoiselle Pearl ; The farmer's wife ; A coward ; Mount Olivet ; The flight of years ; The old maid ; The Tellier house ; The parricide ; The fortune of war ; Humble happiness ; The mysterious groom ; The open door ; Wife and mistress ; The fathers ; The mountain inn ; Madame Husson's rosier ; An unfortunate resemblance -- v. 3. The Sunday outings of a bourgeois ; Little Louise Rocque ; A voice from the deep ; The father ; Magnetism ; The wrong house ; Moiron ; Monsieur Bombard's little game ; Madame Baptiste ; The Parisian accent ; A fashionable woman ; Mademoiselle Cocotte ; Who knows? ; Boitelle ; Uncle Jules ; The hand ; A lock of hair ; On the river ; My Uncle Sosthenes ; An artist ; Father Toine ; The viaticum ; True forgiveness ; A twelfth-night supper ; Father Matthew's saints ; A bit of string ; The minuet ; The relics ; A farm girl's story -- v. 4. The legacy ; Two little soldiers ; A state affair ; Old Amable ; Mademoiselle Fifi ; The ghost ; Useless beauty ; The fishing-hole ; The Rondoli family ; Châli ; The odalisque ; The wicked Mohammed ; Marroca ; Allouma ; A strange meeting ; Feminine wiles ; A strange night in Paris ; All over!

Tales and stories of the Irish peasantry.

v. 1. Tubber Derg. Barney Brady's goose. Tom Gressley, the Irish senachie. The castel of Aughentain. The white horse of the peppers. Mickey M'Rorey, the Irish fiddler.--v. 2 The poor scholar. A peasant girl's love. Tablot and Gaynor, the Irish pipers. Frank Finnegan, the foster brother.

Stories by foreign authors.

Spanish: [v.10] The tall woman, by P.A. de Alarcón. -- The white butterfly, by J. Selgas. -- The organist, by G.A. Becquer. -- Moors and Christians, by P.A. de Alarcón. -- Bread cast upon the waters, by Fernan Caballero.

Holiday stories,

Paddy from Cork.--The sealskin sacque.--Summer boarders.--An American ghost.--The unfortunate heiress.--Love on instalments.--Ten to two.--A happy escape.--Over the ferry.

The magic egg and other stories.

The magic egg.--"His wife's deceased sister."--The widow's cruise.--Captain Eli's best ear.--Love before breakfast.--The staying power of Sir Rohan.--A piece of red calico.--The Christmas wreck.--My well and what came out of it.--Mr. Tolman.--My unwilling neighbor.--Our archery club.

True stories of the past,

I. How Rissio was avenged.--II. A rebellious love match.--III. Prince or pastry-cook?--IV. The revenge of John Hawkins.--V. The scapegoat.--VI. Sir Walter's home-coming.--VII. Cloth of gold and cloth of frieze.--VIII. The last stand of the O'Sullivans.

Hawaiian idylls of love and death,

"The following stories are concerned mainly with incidents bearing on the career of the first sovereign of the Hawaiian archipelago, Kamehameha I."--Introd.

The white shield : stories /

Partly reprinted from various periodicals.

Nothing Normal Happens to Me: True Stories of a Journey from Madness to Motherhood

Written in first person, NOTHING NORMAL HAPPENS TO ME is a memoir in essays that traces the narrator’s journey from self-destruction to creation. Part one encompasses the narrator’s lost years, after she breaks free from the tyranny of her mentally ill mother and goes to live on her own at 17. Part two provides context for those bad girl years, exploring her childhood when she identified with her histrionic mother. Part three comprises stories about the narrator’s years of awakening when she seeks out transcendence, faith, and a family of her own. The pieces vary tonally and stylistically as they attempt to trace the maturing voice of the narrator. Like SEEKING RAPTURE: SCENES FROM A WOMAN’S LIFE by Kathryn Harrison, this collection centers on a young girl, who without her mother’s love, struggles to love herself. It is both a cautionary tale and a story of redemption.

The short reign of Sultan Osman and other stories

A character discovering and testing the limits of his emotional or psychological range most interests me. What will he choose to do? Stay within his old boundaries? Or try and go beyond them? What does he learn about himself in the process? And, finally, what price will be exacted, either for his staying where he is, or for his choosing a new level of self-knowledge? "The Short Reign Of Sultan Osman and Other Stories" is a collection of short stories set in either the United States, Greece, or Brazil, and ranging in time from 1972 to today. Each story presents its protagonist with challenges unique to a specific time and place. In most of these stories, the protagonists are driven by an urge for love or for mastery, and these urges send them across landscapes of delusion or folly before they can arrive at some sense of self-knowledge.

Out of View: Stories

OUT OF VIEW is a collection of stories set in the American Southwest about people coping with loss—the death of parents, children, ideals, innocence. The characters in this collection reap or resist lessons of life as they struggle to find their place in the world. In “First Rain,” 15-year-old Tessie struggles with the loss of her father and the demands of her mother as she navigates the rocky terrain of adolescence. In “Monsters,” middle-aged Maury has to choose between a new relationship and protecting the well-being of his 4-year-old ‘daughter.’ The stories are influenced by the Western realism of Maile Meloy and the playful plotting of Ron Carlson. These stories are inspired both by the Sonoran Desert—expansive, sun-soaked, unrepentant—and by the people who live, love, and lose in the interstices between Manifest Destiny and the Reconquista.

‘Mo Rùn am Fearann’ – ‘My Love is the Land’: Gaelic landscapes of the 18th and 19th centuries

The period of the 18th and 19th centuries was one of great change in the Highlands and Islands of Scotland. Improvement, the Jacobite Rebellions, and the Clearances transformed its communities and landscapes. These events have rightly been a focus of research. However, archaeological approaches have often sought simply to illustrate these processes, rather than create new narratives about life in the past. The resulting picture of the period can over-emphasise economic change whilst failing to reflect the richness and variety of everyday life. This thesis aims to suggest a new approach to the place and period, one which addresses matters often ignored in previous work. Whilst it has an archaeological sensibility, it draws on ideas from outside archaeology, such as landscape theory and on Gaelic oral tradition, an underused resource, to create a novel and broad-based approach to the period. An important part of the method is a synchronic approach that seeks to reconstruct the experience of the landscape at very particular times, engaging fully with the everyday experience of landscape rather than grand historical narratives. Two Hebridean case studies are utilised: Hiort (St Kilda) and Loch Aoineart, South Uist. Thematic discussions drawn from these landscapes are intended as critical assessments of the efficacy of the approach, as well as new narratives about life in the past in themselves. The thesis concludes by comparing the two case studies, reflecting on the merits of the approach, discussing recurrent themes in the work, and considering its wider context and implications. It is concluded that taking a novel approach to the case study landscapes can create narratives that often contrast or expand upon those produced by previous scholars, allow for a more detailed consideration of everyday life in the period, and open up new areas for archaeological enquiry. The extensive and critical use of evidence from Gaelic oral tradition is highlighted as crucial in understanding life and society in the period. The thesis questions the utility of grand historical narratives as a framework for archaeological study of post-medieval Gaeldom and suggests that our understanding of the past is best served by approaching the evidence in ways which allows for many different voices and stories from the past to emerge.

Greater Miami: Stories

GREATER MIAMI: STORIES is a collection of short stories about the disparity between the hoped-for expectations of life in America—as seen through the prism of South Florida—and the reality of a life lived on the margins. The characters, ranging in age from early adulthood to the elderly, attempt to navigate the perils of a new and unfamiliar existence—physical and/or psychological—while seeking to recoup the losses of home and country, love and language. The collection uses Miami as its setting due to the wide demographic range of its inhabitants, and the stories address themes of memory, love, sex, opportunity and privilege, the mayhem born of disinformation, and the anxiety of displacement. Each story in the collection describes a pivotal moment when the characters encounter a truth that had previously eluded them and then must deal with the repercussions of that knowledge.