965 resultados para cultural journalism


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Esta pesquisa investiga a presena da imagem na capa do suplemento cultural dominical da Folha de S. Paulo, a Ilustrssima, a partir de um estudo de caso. O foco foi a anlise das condies sociais e estticas de produo dessa imagem de origem artstica, levando em conta a mistura entre arte e jornalismo que o suplemento comporta e os conceitos de hibridao e de convergncia. Tcnicas da Anlise de Discurso auxiliaram na anlise da articulao entre as questes estticas (condies textuais) e extratextuais (condies sociais), onde os sentidos so renovados a partir das tenses e contradies entre texto e contexto. A metodologia baseia-se nos Estudos Visuais, campo que tem o pensamento de Edgar Morin como principal influncia, possibilitando-nos um olhar complexo sobre a produo da imagem presente na Ilustrssima.

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Revista Senhor: modernidade e cultura na imprensa brasileira tem como objetivo resgatar a histria de uma publicao que marcou poca. Produzida no perodo de 1959 a 1964, a revista demonstrou seu papel como um espao central de discusso de temas culturais. Fruto de uma conjuntura especfica, SENHOR portou-se como uma enciclopdia dos anos 50 e incio dos anos 60, divulgando, no conjunto de reportagens que produziu, crnicas, ensaios, crticas e artigos, os valores e os movimentos culturais vigentes, muitas vezes expressando novas formas de comportamento, consideradas avanadas ento. A metodologia usada na pesquisa a da anlise descritiva e qualitativa do contedo das matrias publicadas e o enfoque terico est baseado nos pressupostos da interdisciplinaridade da corrente dos Estudos Culturais. As concluses apontaram a caracterizao da revista como uma publicao que traduz o Jornalismo Cultural formativo, voltada a pessoas intelectualizadas ou chamadas multiplicadoras de opinio, revelando-se como uma das mais importantes revistas consideradas "cultas" do mercado brasileiro. Foi uma revista dirigida redominantemente para um pblico masculino elitizado culturalmente e/ou economicamente. Concebe-se ainda a idia de que SENHOR, por seu projeto grfico e editorial, esteve na vanguarda das publicaes brasileiras de todos os tempos.(AU)

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Entender o campo da moda como um universo que reflete atitudes e sentimentos da vida social do homem-comum se constitui a base desta pesquisa. Para compreender melhor de que forma a moda aparece assim configurada, faz-se necessrio desvendar os adornos com os quais a mdia da cultura de massa trabalha neste campo. Com a proposta de enxergar como os valores transformadores do campo esto atuantes na mdia, a partir de uma leitura interpretativa, optamos por analisar o enfoque dado pelo caderno Ilustrada da Folha de S. Paulo ao maior evento de moda do Brasil a So Paulo Fashion Week, na sua edio de julho de 2006. Desta forma, apresentamos os aspectos da cultura de massa que esto diretamente relacionados ao campo da moda e de que maneira estes aspectos foram enquadrados nos textos da Folha, no processo de celebrao do evento.(AU)

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O que caracteriza o jornalismo de variedades na imprensa brasileira? O que confere identidade aos cadernos e sees culturais que focalizam o lazer e cobrem o entretenimento? So os gneros e formatos jornalsticos? Ou so os contedos temticos? Quais os parmetros para compreender de que maneira as pautas de cultura e entretenimento tm sido apropriados por jornais editados no pas? Para dar respostas a essas questes, foram observados, sistematicamente, a forma e o contedo de cinco publicaes regionais Dirio do Nordeste, Correio do Povo, Valeparaibano, Agora So Paulo e Gazeta do Tatuap , alm de um peridico de prestgio nacional Folha de S.Paulo. Optando pelo mtodo misto de pesquisa quantitativa e qualitativa , a investigao mapeia, alm dos gneros, a geografia poltica, a cartografia cultural e as temticas das matrias vigentes nos espaos j mencionados, a fim de estabelecer comparaes. Os resultados sinalizam uma diversidade de produes, as quais respeitam as singularidades das regies em que se inserem. Em geral, pode-se dizer que, na editoria de variedades, figuram tanto assuntos comuns ao jornalismo cultural msica, artes visuais, artes cnicas, cinema, etc. quanto matrias a respeito de atraes televisivas, celebridades, tendncias comportamentais e outros assuntos ligados diverso, ocupando espao significativo nas pginas dos impressos. Como reflexo da preferncia dos veculos por uma produo jornalstica voltada indstria cultural e aos shows miditicos, a cultura massiva se mostrou predominante em todas as publicaes analisadas. Todavia, mesmo que a tnica do jornalismo de variedades esteja na diverso, essa especialidade no se caracteriza como um produto de entretenimento; o que ela faz orientar como e onde se divertir. No por acaso, constatou-se que os gneros jornalsticos do espao em questo, salvo raras excees, esto circunscritos ao informativo e ao utilitrio. Muito mais do que gerar cultura e entretenimento, as variedades cumprem o papel de guia do lazer.(AU)

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Science has remained in hegemonic position among the various forms of knowledge that enable us perceive our surroundings. After a growing movement of introversion of the scientific field, which enabled the empowerment of the academy, it is growing today the discussion about the need to spread knowledge of this area to society. Our study aims to observe the discourse of institutional science communication, taking into account the historical conditions that made possible the emergence of science as legitimate observation of nature and of man and also the credibility granted to the media. Therefore, we have as our study object the editorials of the Darcy magazine, for scientific and cultural journalism of the University of Brasilia. We focused on observing the discourse of knowledge sharing by the media, using the concepts of field, from Bourdieus work, and Agambens "profanation" together with notions from the organizational communication area. Also, the concepts of dispositive, discourse and knowledge-power used are based on the studies from the French school which associate them to the need of thinking power as a relation between what is and what is not said, having Michel Foucault as an important exponent of this area. The research, which uses as a method the Discourse Analysis, shows us a process of mutual validation of the scientific and journalistic discourses, which contribute to the strengthening of the institution itself as well as the scientific field, in texts which have as a backdrop the institutional image and reputation.

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Esta pesquisa investiga a presena da imagem na capa do suplemento cultural dominical da Folha de S. Paulo, a Ilustrssima, a partir de um estudo de caso. O foco foi a anlise das condies sociais e estticas de produo dessa imagem de origem artstica, levando em conta a mistura entre arte e jornalismo que o suplemento comporta e os conceitos de hibridao e de convergncia. Tcnicas da Anlise de Discurso auxiliaram na anlise da articulao entre as questes estticas (condies textuais) e extratextuais (condies sociais), onde os sentidos so renovados a partir das tenses e contradies entre texto e contexto. A metodologia baseia-se nos Estudos Visuais, campo que tem o pensamento de Edgar Morin como principal influncia, possibilitando-nos um olhar complexo sobre a produo da imagem presente na Ilustrssima.

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With examples drawn from media coverage of the War on Terror, the 2003 invasion of Iraq, Hurricane Katrina and the London underground bombings, Cultural Chaos explores the changing relationship between journalism and power in an increasingly globalised news culture. In this new text, Brian McNair examines the processes of cultural, geographic and political dissolution in the post-Cold War era and the rapid evolution of information and communication technologies. He investigates the impact of these trends on domestic and international journalism and on political processes in democratic and authoritarian societies across the world. Written in a lively and accessible style, Cultural Chaos provides students with an overview of the evolution of the sociology of journalism, a critical review of current thinking within media studies and an argument for a revision and renewal of the paradigms that have dominated the field since the early twentieth century. Separate chapters are devoted to new developments such as the rise of the blogosphere and satellite television news and their impact on journalism more generally. Cultural Chaos will be essential reading for all those interested in the emerging globalised news culture of the twenty-first century.

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A number of scholars in the Asia-Pacific region have in recent years pointed to the importance that cultural values play in influencing journalistic practices. The Asian values debate was followed up with empirical studies showing actual differences in news content when comparing Asian and Western journalism. At the same time, such studies have focused on national cultures only. This paper instead examines the issue against the background of an Indigenous culture in the Asia-Pacific region. It explores the way in which cultural values may have played a role in the journalistic practice of Mori journalists in Aotearoa New Zealand over the past nearly 200 years and finds numerous examples that demonstrate the significance of taking cultural values into account. The paper argues that the role played by cultural values is important to examine further, particularly in relation to journalistic practices amongst sub-national news cultures across the Asia-Pacific region.

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Social system-level analyses of journalism have tended to focus on political and economic influences, at the expense of other factors, such as the role that culture and cultural values play in shaping journalists' professional views and practices. This paper identifies cultural values as a particularly fruitful area for providing a more nuanced analysis of journalism culture. It examines this issue in the context of in-depth interviews with 20 M?ori journalists from Aotearoa New Zealand. The study finds that Indigenous journalism in that country is strongly influenced by M?ori cultural values, such as showing respect to others, following cultural protocols, and making use of culturally-specific language. Cultural limitations are also identified in the form of the social structures of M?ori society, and journalists' strategies in working around these are discussed. The paper highlights the implications a renewed focus on cultural values can have for the study of journalism culture more broadly.

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I argue that a divergence between popular culture as object and subject of journalism emerged during the nineteenth century in Britain. It accounts not only for different practices of journalism, but also for differences in the study of journalism, as manifested in journalism studies and cultural studies respectively. The chapter offers an historical account to show that popular culture was the source of the first mass circulation journalism, via the pauper press, but that it was later incorporated into the mechanisms of modern government for a very different purpose, the theorist of which was Walter Bagehot. Journalisms polarity was reversed it turned from subjective to objective. The paper concludes with a discussion of YouTube and the resurgence of self-made representation, using the resources of popular culture, in current election campaigns. Are we witnessing a further reversal of polarity, where popular culture and self-representation once again becomes the subject of journalism?

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This thesis examines the changing relationships between television, politics, audiences and the public sphere. Premised on the notion that mediated politics is now understood in new ways by new voices (Jones, 2005: 4), and appropriating what McNair (2003) calls a chaos theory of journalism sociology, this thesis explores how two different contemporary Australian political television programs (Sunrise and The Chasers War on Everything) are viewed, understood, and used by audiences. In analysing these programs from textual, industry and audience perspectives, this thesis argues that journalism has been largely thought about in overly simplistic binary terms which have failed to reflect the reality of audiences news consumption patterns. The findings of this thesis suggest that both soft infotainment (Sunrise) and frivolous satire (The Chasers War on Everything) are used by audiences in intricate ways as sources of political information, and thus these TV programs (and those like them) should be seen as legitimate and valuable forms of public knowledge production. It therefore might be more worthwhile for scholars to think about, research and teach journalism in the plural: as a series of complementary or antagonistic journalisms, rather than as a single coherent entity.

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Much recent research into citizen journalism has focussed on its role in political debate and deliberation. Such research examines important questions about citizen participation in democratic processes however, it perhaps places undue focus on only one area of journalistic coverage, and presents a challenge which only a small number of citizen journalism projects can realistically hope to meet. A greater opportunity for broad-based citizen involvement in journalistic activities may lie outside of politics, in the coverage of everyday community life. A leading exponent of this approach is the German-based citizen journalism Website myHeimat.de, which provides a nationwide platform for participants to contribute reports about events in their community. myHeimat takes a hyperlocal approach but also allows for content aggregation on specific topics across multiple local communities; Hannover-based newspaper publishing house Madsack has recently acquired a stake in the project. Drawing on extensive interviews with myHeimat CEO Martin Huber and Madsack newspaper editors Peter Taubald and Clemens Wlokas during October 2008, this paper analyses the myHeimat project and examines its applicability beyond rural and regional areas in Germany; it investigates the question of what role citizen journalism may play beyond the political realm.

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This article examines the BBC program Top Gear, discussing why it has become one of the worlds most-watched TV programs, and how it has very successfully captivated an audience who might otherwise not be particularly interested in cars. The analysis of the show is here framed in the form of three lessons for journalists, suggesting that some of the entertaining (and highly engaging) ways in which Top Gear presents information to its viewers could be usefully applied in the coverage of politics a domain of knowledge which, like cars, many citizens find abstract or boring.

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Proactive communication management instead of mortification in the glare of hostile media attention became the theme of a four-day training program for multi-cultural community leaders, the object of this research. The program in Brisbane from December 2009 through to February this year was conducted under auspices of a Community Media Link grant program shared by Griffith University and the Queensland Ethnic Communities Council, together with Journalism academics from the Queensland University of Technology. Twenty-eight participants from 23 organisations took part, with a team of nine facilitators from the host organisations, and guest presenters from the news media. This paper reviews the process, taking into account: its objectives, to empower participants by showing how Australian media operate and introducing participants to journalists; pedagogical thrust, where overview talks, with role play seminars with guest presenters from the media, were combined with practice in interviews and writing for media; and outcomes, assessed on the basis of participants responses. The research methodology is qualitative, in that the study is based on discussions to review the planning and experience of sessions, and anonymous, informal feed-back questionnaires distributed to the participants. Background literature on multiculturalism and community media was referred to in the study. The findings indicate positive outcomes for participants from this approach to protection of persons unversed in living in the Australian mediatised environment. Most affirmed that the production side perspective of the exercise had informed and motivated them effectively, such that henceforth they would venture far more into media management, in their community leadership roles.

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This paper considers the scope to develop an approach to the spatial dimensions of media and culture that is informed by cultural-economic geography. I refer to cultural-economic geography as that strand of research in the field of geography that has been informed on the one hand by the cultural turn in both geographical and economic thought, and which focuses on the relationship between, space, knowledge and identity in the spheres of production and consumption, and on the other to work by geographers that has sought to map the scale and significance of the cultural or creative industries as new drivers of the global economy. The paper considers the extent to which this work enables those engaged with urban cultural policy to get beyond some of the impasses that have arisen with the development of creative cities policies derived from the work of authors such as Richard Florida as well as the business management literature on clusters. It will frame these debates in the context of recent work by Michael Curtin on media capitals, and the question of whether cities in East Asia can emerge as media capitals from outside of the US-Europe-dominated transnational cultural axis.