60 resultados para boutique


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Propuestas pedagógicas de alfabetizacion y Educación básica de personas adultas, orientadas al conocimiento y comprensión de la sociedad europea y mundial. Se trata de propuestas de creación y transmisión de conocimientos sobre temas como, mitología, economía, religión, arte o sociología. Las opciones pedagógicas consisten en la afirmación del alumno, realización de un trabajo a partir de representaciones cognitivas, y socialización de los progresos individuales.

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Se comenta el modelo danés de las 'boutiques' del aprendizaje, destinadas a la educación no formal de adultos, en las que se pone un énfasis especial en la motivación de los estudiantes y en la individualización de los contenidos y métodos de aprendizaje. Tras la general explicación de lo que es una 'boutique' del aprendizaje, en relación con sus objetivos, bases, características, financiación y creación se utiliza la 'boutique' del aprendizaje de FOF-Horsens como ejemplo paradigmático como forma de ilustrar los puntos mencionados.

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Panzootics such as highly pathogenic avian influenza and Rift Valley fever have originated from the South, largely among poor communities. On a global level, approximately two-thirds of those individuals living on less than US$2 per day keep livestock. Consequently, there is a need to better target animal health interventions for poverty reduction using an evidence-based approach. Therefore, the paper offers a three-step prioritisation framework using calculations derived from standard poverty measures: the poverty gap and the head count ratio. Data from 265 poor livestock-keeping households in Kenya informed the study. The results demonstrate that, across a spectrum of producers, the dependence upon particular species varies. Furthermore, the same livestock disease has differing impacts on the depth and severity of poverty. Consequently, animal health interventions need to

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Murray cod are Australia's largest freshwater fish: endangered in the wild, but supporting a boutique industry. This project studied the blood cells of Murray cod and those affected by the disfiguring chronic erosive dermatopathy. This has provided insight into the factors affecting Murray cod health.

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The pub is one of Australia's most-loved institutions. The Australian Pub takes us on an intoxicating journey through the colourful history of this Australian icon: from its colonial origins along the waterfronts and roadways through to the mid-twentieth century and onto boutique bars.

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Exhibition of three works by Patrick Pound as part of the Spring 1883 exhibition. Art works entitled: 'Spring Street' a collection of vintage postcards each showing the street the exhibition hotel is located on, the 'Collector' a collection of John Fowles' novel the 'Collector' in numerous editions, and 'The Apartment' a collage of a derelict apartment block. These works were exhibited by Hamish McKay Gallery.The brainchild of Melbourne gallerists Vasili Kaliman (Station), Geoff Newton (Neon Parc), and Vikki McInnes (Sarah Scout Presents), SPRING 1883, the exhibition took place at Melbourne’s historic Hotel Windsor from August 14-17, 2014.The fair drew on the traditions of New York’s hotel-based Gramercy Park Fair and presented the best of contemporary art practice from Australia, New Zealand, Europe, and the United States.“Providing a boutique site for dialogue and interaction between galleries, artists and collectors, the fair will create a new energy for the contemporary art market in Australia”

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The Department of Public Policy Analysis of Getulio Vargas Foundation (DAPP-FGV) is a research boutique concerned with the innovation of state structures and the relations between these and Civil Society, based on an interdisciplinary approach of applied social science, together with Information and Communication Technologies.

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A Diretoria de Análise de Políticas Públicas da Fundação Getulio Vargas (DAPP-FGV) é uma research boutique voltada à inovação das estruturas de Estado e das relações dessa com a Sociedade Civil, a partir de uma abordagem interdisciplinar das Ciências Sociais aplicadas, conjugada com as Tecnologias da Informação e Comunicação.

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The Department of Public Policy Analysis of Getulio Vargas Foundation (DAPP-FGV) is a research boutique concerned with the innovation of state structures and the relations between these and Civil Society, based on an interdisciplinary approach of applied social science, together with Information and Communication Technologies.

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A Diretoria de Análise de Políticas Públicas da Fundação Getulio Vargas (DAPP-FGV) é uma research boutique voltada à inovação das estruturas de Estado e das relações dessa com a Sociedade Civil, a partir de uma abordagem interdisciplinar das Ciências Sociais aplicadas, conjugada com as Tecnologias da Informação e Comunicação. Criada em outubro de 2012, a DAPP tem como missão fomentar de forma inovadora a compreensão das políticas e seus efeitos no espaço público ou governamental, aprimorando a transparência e o diálogo entre Estado e sociedade e promovendo o desenvolvimento nacional.

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Globalisation trends and biorterrorism issues have led to new concerns relating to public health, animal health, international trade and food security. There is an imperative to internationalise and strengthen global public health capacity by renewed emphasis on veterinary public health in veterinary education and increasing opportunities for elective experiential learning in public practice programmes for veterinary students. Recent experience with a US-Brazil Higher Education Consortia Program is used as an example of potential ways in which veterinary students can gain an appreciation for global veterinary issues.

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Pós-graduação em Linguística e Língua Portuguesa - FCLAR

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How do prevailing narratives about Native Americans, particularly in the medium of film, conspire to promote the perspective of the dominant culture? What makes the appropriation of Indigenous images so metaphorically popular? In the past hundred years, little has changed in the forms of representation favored by Hollywood. The introductory chapter elucidates the problem and outlines the scope of this study. As each subsequent chapter makes clear, the problem is as relevant today as it has been throughout the entire course of filmic history. Chapter Two analyzes representational trends and defines each decade according to its favorite stereotype. The binary of the bloodthirsty savage is just as prevalent as it was during the 1920s and 30s. The same holds true for the drunken scapegoat and the exotic maiden, which made their cinematic debuts in the 1940s and 50s. But Hollywood has added new types as well. The visionary peacemaker and environmental activist have also made an appearance within the last forty years. What matters most is not the realism of these images, but rather the purposes to which they can be put toward validating whatever concerns the majority filmmakers wish to promote. Whether naïvely or not, such representations continue to evacuate Indigenous agency to the advantage of the majority. A brief historical overview confirms this legacy. Various disciplines have sought to interrogate this problem. Chapter three investigates the field of postcolonial studies, which makes inquiry into the various ways these narratives are produced, marketed, and consumed. It also raises the key questions of for whom, and by whom, these narratives are constructed. Additional consideration is given to their value as commodities in the mass marketplace. Typically the products of a boutique-multiculturalism, their storylines are apt to promote the prevailing point of view. Critical theory provides a foundational framework for chapter four. What is the blockbuster formula and how do the instruments of capital promote it? Concepts such as culture industry and repressive tolerance examine both the function and form of the master narrative, as well as its use to control the avenues of dissent. Moreover, the public sphere and its diminishment highlight the challenges inherent in the widespread promotion of an alternative set of narratives. Nonetheless, challenges to prevailing narratives do exist, particularly in the form of Trickster narratives. Often subject to persistent misrecognition, the Trickster demonstrates a potent form of agency that undeniably dismantles the hegemony of Western cinema. The final chapter examines some of the Trickster's more subtle and obscure productions. Usually subjugated to the realm of the mystical, rather than the mythical, these misinterpreted forms have the power to speak in circles around a majority audience. Intended for an Other audience, they are coded in a language that delivers a type of direction through indirection, promoting a poignant agency all their own.