On the Nash-Williams′ Lemma in Graph Reconstruction Theory

A generalization of Nash-Williams′ lemma is proved for the Structure of m-uniform null (m − k)-designs. It is then applied to various graph reconstruction problems. A short combinatorial proof of the edge reconstructibility of digraphs having regular underlying undirected graphs (e.g., tournaments) is given. A type of Nash-Williams′ lemma is conjectured for the vertex reconstruction problem.

Eredu narratiboen manipulazioa Harry Potter-en saileko liburuetan

[Es] Una vez dada por finalizada la serie de siete entregas de Harry Potter, de J. K. Rowling, este artículo analiza la hábil integración de diferentes modelos narrativos previos para obtener un producto más complejo que la literatura popular, que es capaz de apelar a públicos lectores diversos, desde los lectores jóvenes hasta lectores adultos altamente competentes. Para este trabajo se ha partido de los estudios polisistémicos de Itamar Even-Zohar y Zohar Shavit.

香蕉“威廉斯（Williams）”品种引种栽培结果

香蕉“威廉斯”品种是华南植物研究所的科技人员1985年以试管苗形成从澳洲引入我国，后来用组织培养技术加速繁殖种苗。1987年开始大田种植，逐步在南方六省市示范推广种植，均表现出丰产且优质性能。到1992年止，种植面积达1.0万公顷，新增产值约4亿元，引种栽培获得了成功，1993年8月广东省科委主持的鉴定会上，专家组意见是：这一结果（引种栽培结果）在国内属首次报导，达到国内领先水平。该品种在我国蕉区种植每公顷产量达30000-45000公斤，比当地蕉产量高30-50％，销售价也高10-15％，种植面积不断扩大，每年新种或改种2000公顷，新增产值近1亿元。

Tradição e Inovação: uma análise da popularidade das fanfictions de Harry Potter

O objetivo do presente estudo é analisar o processo de criação e manutenção de fanfics escritas em língua portuguesa da saga Harry Potter e identificar razões pelas quais os usuários leitores e colaboradores optam, ou preferem, certas fics em detrimento de outras. O trabalho agrega, em seu corpo, um apanhado sobre a saga, desde sua autora, passando por seus personagens e enredo, até uma contextualização da relação de sucesso dessas Obras com a prática de publicações e manutenções de fanfictions, sendo abordados e registrados aspectos relevantes sobre essa atividade. São trazidos à tona os principais entendimentos teóricos relacionados ao universo das fics, tais como a preservação do tradicional sobre o novo (seguir o cânone), assim como à presença de alguns padrões comunicacionais e textuais (periodicidade e qualidade no texto), como fatores de relevância para a popularidade de uma história. Finalmente, são analisados dados de questionários encaminhados à parte mais significativa da amostra escolhida, com o objetivo de investigar quais fatores são preponderantes para que uma fanfiction se torne popular, uma vez que esta atividade está inserida num espaço tecnológico, no qual a inovação é força motriz

The Great Albatross Philippine Expedition and Its Fishes

The Philippine Expedition of 1907-10 was the longest and most extensive assignment of the Albatross's 39-year career. It came about because the United States had acquired the Philippines following the Spanish-American War of 1898 and the bloody Philippine Insurection of 1899-1902. The purpose of the expedition was to surbey and assess the aquatic resources of the Philippine Islands. Dr. Hugh M. Smith, the Deputy Commissioner of the U.S. Bureau of Fisheries, was the Director of the Expedition. Other scientific participants were Frederick M. Chamberlain, Lewis Radcliffe, Paul Bartsch, Harry C. Fasset, Clarence Wells, Albert Burrows, Alvin Seale, and Roy Chapman Andrews. The expedition consisted of a series of cruises, each beginning and ending in Manila and exploring a different part of the island group. In addition to the Philippines proper, the ship also explored parts of the Dutch East Indies and areas around Hong Kong and Taiwan. The expedition returned great quantities of fish and invertebrate speciments as well as hydrographic and fisheries data; most of the material was eventually deposited in the Smithsonian Institution's National Museum of Natural History. The fisehs were formally accessioned into the museum in 1922 and fell under the car of Barton A. Bean, Assistant Curator of Fishes, who then recruited Henry W. Fowler to work up the material. Fowler completed his studies of the entire collection, but only part of it was ever published, due in part to the economic constraints caused by the Depression. The material from the Philippine Expedition constituted the largest single accession of fishes ever received by the museum. These speciments are in good condition today and are still being used in scientific research.

Harry Hess and sea-floor spreading

Harry Hess's hypothesis of sea-floor spreading brought together his long-standing interests in island arcs, oceanic topography, and the oceanic crust. The one unique feature of Hess's hypothesis was the origin of the oceanic crust as a hydration rind on the top of the mantle -- an idea that was not well received, even by the early converts to sea-floor spreading. Hess never changed his mind on this issue, and his stubbornness illuminates the logic of his discovery. Published and archival records show that 1) Hess became convinced the oceanic crust was a hydration rind as early as mid 1958, when he was still a fixist, 2) he devised sea-floor spreading in 1960 to reconcile the hydration-rind model with the newly discovered, high heat flow at oceanic ridge crests, and 3) Hess's new mobilist solution did the least amount of violence to his older fixist solution.

Waldo Williams:? 'Holi'n Hir yn y Tir Tywyll'

Bryant-Quinn, M. (2006). Waldo Williams: 'Holi'n Hir yn y Tir Tywyll'. In D. Walford Davies and J. Walford Davies(Eds.), Cof ac Arwydd: Ysgrifau Newydd ar Waldo Williams (pp.143-162). Abertawe: Cyhoeddiadau Barddas.

Old Spain in new America , by Robert McLean ... and Grace Petrie Williams ... Issued by the Council of women for home mission.

http://www.archive.org/details/oldspaininnewame00mcleiala

PIANO AS A PARTNER IN TWENTIETH­ CENTURY ART SONG REPERTOIRE: A RECORDING PROJECT

The piano's role in art song repertoire has evolved from a modest one during its formative years to the versatility, complexity and creativity found in the twentieth-century. The art song repertoire of the twentieth century is vast and has secured the reputation for being the most diverse, innovative, illustrative, atmospheric and colorful in all of art song literature. Within this time period, there are compositions that reach back to the romantic works of nineteenth century, others which combine old and new traditions, and finally those which adopt new means and new ends. In choosing the material for this project, I have focused on compositions with uniquely challenging and unusual piano accompaniments in order to achieve a balance between well- known and rarely performed works, as well as those pieces that combine various languages and styles. Selections range from Claude Debussy, Richard Strauss, Sergey Rachmaninoff, Ralph Vaughan Williams, Roger Quilter, Francis Poulenc, Fernando Obradors, and Joaquin Rodrigo to composers such as Samuel Barber, Marc Blitzstein, Dominick Argento, William Bolcom, and John Duke, including arrangements of traditional spirituals by Harry T. Burleigh and Florence B. Price, all of which helped to establish the American Art Song. My objective is to trace the development of the twentieth-century art song from the late Romantic Period through nationalistitrends to works which show the influences of jazz and folk elements. The two CD's for this dissertation recording project are available on compact discs which can be found in the Digital Repository at the University of Maryland (DRUM). The performers were Daniel Armstrong, baritone, Giles Herman, baritone, Thomas Glenn, tenor, Valerie Yinzant, soprano, Aaron Odom, tenor, Jennifer Royal, soprano, Kenneth Harmon, tenor, Karen Sorenson, soprano and Maxim Ivanov, baritone.