Design and Development of Geographical Information System (GIS) Map for Nuclear Waste Streams

A nuclear waste stream is the complete flow of waste material from origin to treatment facility to final disposal. The objective of this study was to design and develop a Geographic Information Systems (GIS) module using Google Application Programming Interface (API) for better visualization of nuclear waste streams that will identify and display various nuclear waste stream parameters. A proper display of parameters would enable managers at Department of Energy waste sites to visualize information for proper planning of waste transport. The study also developed an algorithm using quadratic Bézier curve to make the map more understandable and usable. Microsoft Visual Studio 2012 and Microsoft SQL Server 2012 were used for the implementation of the project. The study has shown that the combination of several technologies can successfully provide dynamic mapping functionality. Future work should explore various Google Maps API functionalities to further enhance the visualization of nuclear waste streams.

Utilizzo di Roslyn per l'analisi e il refactoring di codice C#

Microsoft ha introdotto nella versione 2015 di Visual Studio un nuovo compilatore per i linguaggi C# e Visual Basic chiamato Roslyn. Oltre che un compilatore, Roslyn è una piattaforma che mette a disposizione degli sviluppatori servizi per analizzare e modificare progetti .NET, interagire con le varie fasi della compilazione e creare applicazioni per l'analisi e generazione di codice sorgente. Obiettivo della tesi vuole essere lo studio della suddetta piattaforma ed il suo utilizzo nello sviluppo di estensioni per Visual Studio. La tesi si pone pertanto nel contesto delle tecniche di analisi e generazione di codice sorgente. Il lavoro di tesi ha previsto lo sviluppo di due applicazioni facenti uso delle API di Roslyn. La prima applicazione consiste in un analizzatore di codice C# che provvede alla segnalazione di warning riguardanti l'errato utilizzo del costrutto var e all'esplicitazione del tipo relativo. La seconda applicazione riguarda un generatore di codice C# che utilizza i servizi di Roslyn per semplificare e automatizzare la scrittura di codice nel contesto del framework Phoenix. I risultati ottenuti possono essere d'aiuto per un successivo studio della piattaforma Roslyn ed essere usati come punto di partenza per la creazione dei propri applicativi per l'analisi e generazione di codice sorgente.

Controlo e avaliação das características antropométricas e capacidades físicas: caracterização ao longo de uma época desportiva e desenvolvimento de uma plataforma para avaliação

Os objetivos do presente estudo foram: (i) analisar a evolução das características antropométricas e capacidades físicas ao longo de uma época desportiva (comparação entre sub-15, sub-17 e sub-19) e (ii) desenvolver uma plataforma informática para auxiliar o controlo e avaliação. No primeiro trabalho a amostra foi constituída por um total de 50 jogadores portugueses de elite Sub-15 (idade de 14.0 ± 0.1 anos; n=16), Sub-17 (idade de 15.6 ± 0.5 anos; n=14) e Sub-19 (idade de 17.2 ± 0.7 anos; n=20) e foram controlados em três (3) momentos de avaliação; após o período de preparação geral (avaliação pré época), após a 1ª fase do quadro competitivo (avaliação meio época) e após a 2ª fase do quadro competitivo (avaliação pós época). Para a análise antropométrica foi avaliada a altura, massa corporal, índice de massa corporal, massa muscular, massa gorda e perímetros do bicípite, tronco, abdómen, coxa e perna. Para a análise da capacidade física foi avaliada a resistência aeróbia, o trabalho desenvolvido pelos membros inferiores durante o salto vertical, a potência dos membros inferiores durante a corrida, a agilidade e a flexibilidade. Para as características antropométricas encontrou-se para os três (3) escalões um aumento na massa corporal e uma estabilização da massa gorda explicado pelo aumento da massa muscular. As capacidades físicas melhoraram para os três (3) escalões principalmente da avaliação da pré época para o meio da época existindo uma estagnação do meio da época para o final da época. Tendo por base o tempo despendido e a logística necessária aquando da recolha de dados para o primeiro trabalho, desenvolveu-se uma plataforma de forma a auxiliar e simplificar todo o processo. Utilizou-se o software Visual Studio 2013 da Microsoft® sendo usada a linguagem programática vb.net com auxílio a uma base de dados em SQL. Foi definido um diagrama lógico para agilização dos diferentes exercícios com a base de dados no qual se incluiu os testes de agilidade, resistência, flexibilidade, velocidade, altura de salto e análise antropométrica. O entendimento das variações existentes ao longo de uma época desportiva de acordo com o quadro competitivo de cada equipa, as suas idades de desenvolvimento e a inclusão das novas tecnologias para auxiliar o complexo processo de treino, podem contribuir como uma ferramenta fundamental na avaliação e controlo do treino desportivo.

APIs de seguridad en .NET Framework

Este trabajo hace un estudio de algunas de las herramientas de seguridad disponibles en .Net Framework así como la forma de usarlas en un desarrollo web bajo la metodología de desarrollo de ASP.NET siguiendo el modelo Vista-Controlador y usando como entorno de desarrollo Visual Studio. Además de repasar las herramientas disponibles y la forma de uso se ha desarrollado también una aplicación de ejemplo: ItemCoteca-Web; en la que se demuestra cómo resolver el registro de usuarios, la autenticación y autorización de forma segura. En paralelo se ha implementado un cliente Android: Itemcoteca-app que realiza autenticación, registro y dispone de un chat seguro de incidencias para hablar con administradores OnlineEste trabajo no solo presenta las APIs disponibles sino también las buenas prácticas que define Microsoft para el uso de sus herramientas. En particular nos centramos en los tres tipos de controladores que podemos encontrar en una aplicación web Asp.net que son Controllers, WebApi y SignalR, comentando sus diferencias y su uso para clientes Web y móviles.

Documentos interactivos EXCEL para simuladores

La tecnología conocida como Microsoft Visual Studio Tools for Office (VSTO) ofrece la posibilidad de integrar Office con la plataforma .NET de forma que podamos implementar aplicaciones .NET con la apariencia de documentos de Microsoft Office. La utilización de la tecnología VSTO con hojas de cálculo para la creación de herramientas de simulación es un campo interesante por la familiaridad que las hojas de cálculo ofrecen a cualquier usuario. Cuando se desarrolla un complemento para un simulador, dicho complemento suele ser muy específico de un simulador concreto, por lo que los elementos desarrollados en estos proyectos no es posible reutilizarlos con otro simulador. Esta es la motivación que lleva a crear este proyecto: facilitar la creación de extensiones para Excel adaptables a distintos tipos de simulador, de manera que sea posible reutilizar las extensiones y sus elementos constituyentes.Para eso, se ha desarrollado un framework para la creación de extensiones Excel con VSTO que puedan ser fácilmente adaptables a diferentes tipos de simuladores. Los principales puntos que toca este framework son: - Elementos comunes a todo proyecto de simuladores. Se han ofrecido precargados un conjunto de elementos que son comunes en el desarrollo de estas aplicaciones, de manera que no sea necesario tener que implementarlos. - Definición de elementos de simulación, lo que se ha denominado en el framework controles. Se ha buscado reducir el coste de desarrollo y maximizar la reutilización. - Comunicación con los simuladores. Se ha definido e implementado una interfaz que permite la comunicación de las hojas Excel con los posibles motores de simulación. Se ha ofrecido esta interfaz en la interfaz ISimulatorService y se ha ofrecido también un cliente para comunicar con los simuladores de esta interfaz.

Business intelligence em sistemas de apoio à gestão de frotas: Análise de Tecnologias e metodologias

O objecto de estudo desta tese de mestrado surgiu da necessidade de dar resposta a uma proposta para uma solução de business intelligence a pedido de um cliente da empresa onde até à data me encontro a desempenhar funções de analista programador júnior. O projecto consistiu na realização de um sistema de monitorização de eventos e análise de operações, portanto um sistema integrado de gestão de frotas com módulo de business intelligence. Durante o decurso deste projecto foi necessário analisar metodologias de desenvolvimento, aprender novas linguagens, ferramentas, como C#, JasperReport, visual studio, Microsoft SQL Server entre outros. ABSTRACT: Business Intelligence applied to fleet management systems - Technologies and Methodologies Analysis. The object of study of this master's thesis was the necessity of responding to a proposal for a business intelligence solution at the request of a client company where so far I find the duties of junior programmer. The project consisted of a system event monitoring and analysis of operations, so an integrated fleet management with integrated business intelligence. During the course of this project was necessary to analyze development methodologies, learn new languages, tools such as C #, JasperReports, visual studio, Microsoft Sql Server and others.

The refractive folio : exegesis and assessment in the open studio

Folio submission is universally regarded as the most appropriate means for measuring a student’s performance in the studio. However, developing meaningful and defensible assessment criteria is persistent challenge for all tertiary art educators. In discipline-based studios, the parameters provided by medium and technique provide useful points of reference for assessing creative performance. But how can student performance be evaluated when there is no discipline-based framework to act as a point of reference? The ‘open’ studio approach to undergraduate teaching presents these and other pedagogical challenges. This paper discusses the innovative approaches to studio-based teaching and assessment at QUT. Vital to the QUT open studio model is the studio rationale – an exegetical document that establishes an individualised theoretical framework through which a student’s understandings can be, in part, evaluated. This paper argues that the exegetical folio effectively reconciles the frequently divergent imperatives of creative, professional and academic skills, while retaining the centrality of the studio as a site for the production of new material, processual and conceptual understandings.

The studio sans frontières : the open-studio as an answer to the challenges of teaching contemporary art

Since at least the 1960s, art has assumed a breadth of form and medium as diverse as social reality itself. Where once it was marginal and transgressive for artists to work across a spectrum of media, today it is common practice. In this ‘post-medium’ age, fidelity to a specific branch of media is a matter of preference, rather than a code of practice policed by gallerists, curators and critics. Despite the openness of contemporary art practice, the teaching of art at most universities remains steadfastly discipline-based. Discipline-based art teaching, while offering the promise of focussed ‘mastery’ of a particular set of technical skills and theoretical concerns, does so at the expense of a deeper and more complex understanding of the possibilities of creative experimentation in the artist’s studio. By maintaining an hermetic approach to medium, it does not prepare students sufficiently for the reality of art making in the twenty-first century. In fact, by pretending that there is a select range of techniques fundamental to the artist’s trade, discipline-based teaching can often appear to be more engaged with the notion of skills preservation than purposeful art training. If art schools are to survive and prosper in an increasingly vocationally-oriented university environment, they need to fully synthesise the professional reality of contemporary art practice into their approach to teaching and learning. This paper discusses the way in which the ‘open’ studio approach to visual art study at QUT endeavours to incorporate the diversity and complexity of contemporary art while preserving the sense of collective purpose that discipline-based teaching fosters. By allowing students to independently develop their own art practices while also applying collaborative models of learning and assessment, the QUT studio program aims to equip students with a strong sense of self-reliance, a broad awareness and appreciation of contemporary art, and a deep understanding of studio-based experimentation unfettered by the boundaries of traditional media: all skills fundamental to the practice of contemporary art.

Spatial stimulus : Model making in the architectural design studio

This action research examines the enhancement of visual communication within the architectural design studio through physical model making. „It is through physical model making that designers explore their conceptual ideas and develop the creation and understanding of space,‟ (Salama & Wilkinson 2007:126). This research supplements Crowther‟s findings extending the understanding of visual dialogue to include physical models. „Architecture Design 8‟ is the final core design unit at QUT in the fourth year of the Bachelor of Design Architecture. At this stage it is essential that students have the ability to communicate their ideas in a comprehensive manner, relying on a combination of skill sets including drawing, physical model making, and computer modeling. Observations within this research indicates that students did not integrate the combination of the skill sets in the design process through the first half of the semester by focusing primarily on drawing and computer modeling. The challenge was to promote deeper learning through physical model making. This research addresses one of the primary reasons for the lack of physical model making, which was the limited assessment emphasis on the physical models. The unit was modified midway through the semester to better correlate the lecture theory with studio activities by incorporating a series of model making exercises conducted during the studio time. The outcome of each exercise was assessed. Tutors were surveyed regarding the model making activities and a focus group was conducted to obtain formal feedback from students. Students and tutors recognised the added value in communicating design ideas through physical forms and model making. The studio environment was invigorated by the enhanced learning outcomes of the students who participated in the model making exercises. The conclusions of this research will guide the structure of the upcoming iteration of the fourth year design unit.

Contribution to the Pamela Croft Sandhills Studio Consultancy for the Yeppoon Public Art Project in 2000

A small collection of creative works developed to acompany some of the artistic images developed by visual artist Dr Pamela Croft for the Yeppoon Public Art Project in 2000.

Too many cooks? Co-creating and co-teaching studio courses in the creative media context : a career-focussed approach

This Case Study relates to the creation and implementation of career‐focussed courses in Creative Media for film, television, animation, broadcast and web contexts. The paper examines the advantages and disadvantages of co‐teaching, and how different professional and academic backgrounds and disciplines can productively inform curriculum design and delivery in the academic/professional context. The authors, as co‐creators and co‐lecturers, have developed a number of courses which represent current working models for intermediate to advanced level academic/professional study, and attract students from across the creative disciplines; including theatre, media, visual arts and music. These courses are structured to develop in students a wide range of aesthetic and technical skills, as well as their ability to apply those skills professionally within and across the creative media industries. Issues regarding the balance between academic rigour, practical hands‐on skill development, assessment, logistics, resources, teamwork and other issues, are examined in the paper.

Undulating matter : a topology of the studio

With specific reference to the writing of Dan Graham and the experiences of creative practice, this paper will elaborate an account of studio practice as a topology - a theory drawn from mathematics in which space is understood not as a static field but in terms of properties of connectedness, movement and differentiation. This paper will trace a brief sequence of topological formulations to draw together the expression of topology as form and its structural dimension as a methodology in the specific context of the author’s studio practice. In so doing, this paper seeks to expand the notion of topology in art beyond its association with Conceptual Art of the 1960s and 70s to propose that topology provides a dynamic theoretical model for apprehending the generative ‘logic’ that gives direction and continuity to the art-making process.

Bombs Away: visual thinking and students’ engagement in design studios contexts

In design studio, sketching or visual thinking is part of processes that assist students to achieve final design solutions. At QUT’s First and Third Year industrial design studio classes we engage in a variety of teaching pedagogies from which we identify ‘Concept Bombs’ as an instrumental in the development of students’ visual thinking and reflective design process, and also as a vehicle to foster positive student engagement. Our ‘formula’: Concept Bombs are 20 minute design tasks focusing on rapid development of initial concept designs and free-hand sketching. Our experience and surveys tell us that students value intensive studio activities especially when combined with timely assessment and feedback. While conventional longer-duration design projects are essential for allowing students to engage with the full depth and complexity of the design process, short and intensive design activities introduce variety to the learning experience and enhance student engagement. This paper presents a comparative analysis of First and Third Year students’ Concept Bomb sketches to describe the types of design knowledge embedded in them, a discussion of limitations and opportunities of this pedagogical technique, as well as considerations for future development of studio based tasks of this kind as design pedagogies in the midst of current university education trends.

Negotiating indeterminacy in studio teaching: Using the zones of material and immaterial play to shape pedagogies and practices in art

The processes of studio-based teaching in visual art are often still tied to traditional models of discrete disciplines and largely immersed in skill-based learning. These approaches to training artists are also tied to an individual model of art practice that is clearly defined by the boundaries of those disciplines. This paper will explain how the open studio program at QUT can be broadly understood as an action research model of learning that ‘plays’ with the post-medium, post-studio genealogies and zones of contemporary art. This emphasises developing conceptual, contextual and formal skills as essential for engaging with and practicing in the often-indeterminate spatio-temporal sites of studio teaching. It will explore how this approach looks to Sutton-Smith’s observations on the role of play and Vygotsky’s zone of proximal development in early childhood learning as a way to develop strategies for promoting creative learning environments that are collaborative and self sustainable. Social, cultural, political and philosophical dialogues are examined as they relate to art practice with the aim of forming the shared interests, aims, and ambitions of graduating students into self initiated collectives or ARIs.

A different kind of studio: Reflecting on the open studio and the artist-teacher

For more than 15 years, QUT’s Visual Arts discipline has employed a teaching model known as the ‘open studio’ in their undergraduate BFA program. Distinct from the other models of studio degrees in Australia, the open studio approach emphasizes individual practice by focusing on experimentation, collaboration and cross-disciplinary activities. However, while this activity proves to be highly relevant to exploring and participating in the ‘post medium’ nature of much contemporary art, the open studio also presents a complex of affecting challenges to the artist-teacher. The open studio, it can be argued, produces a different type of student than traditional, discipline-specific art programs – but it also produces a different kind of artist-teacher. In this paper, the authors will provide a reflection on their own experiences as artists and studio lecturers involved with the two ‘bookends’ of the QUT studio program – first year and third year. Using these separate contexts as case studies, the authors will discuss the transformative qualities of the open studio as it is adapted to the particularities of each cohort and the curricular needs of each year level. In particular, the authors will explore the way the teaching experience has influenced and positively challenged their individual (and paradoxically) discipline-focussed, studio practices. It is generally accepted that the teaching of art needs to be continually reconceptualised in response to the changing conditions of contemporary art, culture and technology. This paper will articulate how the authors have worked at that reconceptualisation within both their teaching and studio practices and so practically demonstrate the complex dialogic processes inherent to the teaching of the visual arts studio.