Scientific research on the health of Vietnam veterans [microform] : hearing before the Subcommittee on Hospitals and Health Care of the Committee on Veterans' Affairs, House of Representatives, One Hundredth Congress, second session, June 8, 1988.

"Serial no. 100-51."

Postservice mortality among Vietnam veterans /

Item 494-L-6

Estimative products on Vietnam, 1948-1975.

Accompanying CD-ROM contains full text of the 38 papers included in the printed text and 138 other declassified documents.

Data on Vietnam era veterans.

Description based on: Sept. 1977; title from cover.

Selected bibliography : post-traumatic stress disorder with special attention to Vietnam veterans /

Item 983-A

Adjudication of claims against Vietnam [microform] : hearing and markup before the Subcommittees on Asian and Pacific Affairs and on International Economic Policy and Trade of the Committee on Foreign Affairs, House of Representatives, Ninety-sixth Congress, first session, on H.R. 2200, July 27 and October 25, 1979.

Reuse of record except for individual research requires license from Congressional Information Service, Inc.

Vietnam from cease-fire to capitulation /

Mode of access: Internet.

Impact of the war in Southeast Asia on the U.S. economy. Hearings, Ninety-first Congress, second session ...

Hearings held Apr. 15-Aug. 13, 1970.

The unknown serviceman of the Vietnam era /

Mode of access: Internet.

Hell-vetica

Helvetica (connotes Swiss typeface) has been used the most widely from street signs to government campaign posters since 1957. Helvetica represents a great leap forward for modernity: clean, sans-serif, optimistic. However in history, there was a movement against Helvetica among American artists and designers since David Carson and Paula Scher indicted Helvetica as the cause of Vietnam war. Paradoxically, we celebrated its 50th birthday in 2007. Helvetica’s message it this: “you are going to get to your destination on time; your plan will not crash; your money is safe in our vault; we will not break the package; the paperwork has been filled in; everything is going to be OK” (Finlo Rohrer, Helvetica At 50, BBC News Magazine 9 May 2007). The artwork, Hell-vetica describes its characteristic of double agent for modernism and postmodernism in this contemporary era by combination of a stylised graphical form of a heart shape in red and a typographical manipulation - Hell-vetica.

Sex trafficking : the global market in women and children

This book is one of a series on contemporary social issues. It provides a painstakingly researched analysis of the contemporary phenomenon of sex trafficking. As the author Kathryn Farr points out, the phenomenon is not all that contemporary, as women and children have historically been trafficked and enslaved for the purposes of prostitution, particularly during war: in World War II on the southern islands of Okinawa, the Philippines, Hawaii, Liberia, Japan, the Korean war, the Vietnam war, and more recently in Bosnia and Rwanda. Farr links the phenomenon to military socialization, especially to its patriarchal culture which celebrates hyper-masculinity, eroticizes violence, desensitizes soldiers to suffering and brutality and treats women as sex objects.

The Orchid House

Poem

Relocating the American Dream : The America of the 1960s as Portrayed by the New Journalists Norman Mailer, Hunter S. Thompson, and Tom Wolfe

The concept of the American Dream was subject to a strong re-evaluation process in the 1960s, as counterculture became a prominent force in American society. A massive generation of young people, moved by the Vietnam War, the hippie movement, and psychedelic experimentation, created substantial social turbulence in their efforts to break out of conventional patterns and to create a new kind of society. This thesis outlines and analyses the concept of the American Dream in popular imagination through three works of new journalism. My primary data consists of Tom Wolfe’s The Electric Kool-Aid Acid Test (1967), Hunter S. Thompson’s Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream (1971), and Norman Mailer’s Armies of the Night: History as a Novel, the Novel as History (1968). In defining the American Dream, I discuss the history of the concept as well as its manifestations in popular culture. Because of its elusive and amorphous nature, the concept of the American Dream can only be examined in cultural texts that portray the values, sentiments, and customs of a certain era. I have divided the analytical section of my thesis into three parts. In the first part I examine how the authors discuss the American society of their time in relation to ideology, capitalism, and the media. In the second part I focus on the Vietnam War and the controversy it creates in relation to the notions of freedom and patriotism. In the third part I discuss how the authors portray the countercultural visions of a better America that challenged the traditional interpretations of the American Dream. I also discuss the dark side of the new dream: the problems and disillusions that came with the effort to change the world. This thesis is an effort to trace the relocation of the American Dream in the context of the 1960s counterculture and new journalism. It hopes to provide a valuable addition to the cultural history of the sixties and to the effort of conceptualizing the American Dream.

Baile dos Horrores: A presença do grotesco e do horror num baile de carnaval do Rio de Janeiro

O trabalho aborda o baile dos Horrores, que acontecia no período pré-carnavalesco do Clube Magnatas de Futebol de Salão localizado na Rua General Belford no bairro do Rocha, subúrbio do Rio de Janeiro, de 1960 a 1988. Sua característica marcante foi o horror levado às últimas conseqüências, chamando a atenção da imprensa e provocavam mal estar em pessoas mais sensíveis. A dissertação busca discutir os motivos da presença desses elementos numa festa onde a alegria predomina. Procuramos, desse modo, associar o baile a um período do século XX em que as tensões ocasionadas por uma série de fatores (como a Segunda Guerra Mundial, a Guerra Fria e a Guerra do Vietnã, por exemplo) causavam os mais diversos temores com elementos nunca antes visto, como a bomba atômica, iniciando assim novo período onde as metamorfoses seguiam o caminho do terror. A ciência, por sua vez, aceleraria processos que teriam influencia em todos os campos da produção humana, inclusive, ou principalmente, nas artes