988 resultados para Vicente, Gil, ca.1470-ca.1536. Auto da Índia
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Mode of access: Internet.
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Contiene: Teatro eclesiastico de la Santa Iglesia de Oviedo, p. 105. Teatro eclesiastico de la Santa Iglesia de Lugo, p. 169. Teatro eclesiastico de la Santa Iglesia de Salamanca, p. 199. Teatro eclesiastico de la Santa Iglesia de Orense, p. 371. Teatro eclesiastico de la Santa Iglesia de Mondoñedo, p. 406. Teatro eclesiastico de la Santa Iglesia de Tuy, p. 439.
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Mode of access: Internet.
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Mode of access: Internet.
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Contiene: Vol.1: Partis primae tomus primus. Vol.2 Partis primae tomus alter. Vol.3-4: Primae secundae partis tomus secundus. Primae secundae tomus primus ;. Vol.5-6: Primae secundae partis tomus tertius. Secundae secundae tomus primus vol.7: secundae secundae partis tomus secundus. Vol.8: secundae secundae partis tomus tertius. Vol. 9: secundae secundae partis tomus quartus. Vol. 10: pars tertia tomus primus. Vol. 11: partis tertiae tomus secundus. Vol. 12: partis tertia tomus tertius. Vol. 13: supplementi tertiae partis tomus primus. Vol. 14-15: supplementi tertiae partis tomus secundus. supplementum tertiae partis tomus tertius. vol.16: indices
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On resina elástica. Part III (p. 23-35) pertains to its medical uses.
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El título, Migraciones y desplazamientos poético-ideológicos en la literatura argentina de entre-siglos. De Vicente Gil Quesada, Eduardo Wilde y Lucio V. López a Enrique Loncán, adelanta sus dos hipótesis centrales: la permanencia o continuidad poética e ideológica de escritores de fines del siglo XIX en los trabajos de autores de principios de siglo XX y el intento de superación del mismo período por obras como las de Eduardo Wilde. El cruce de diversos escritores y momentos históricos con sus respectivas creaciones pone de relieve un doble movimiento, el regreso al pasado por parte de quienes desarrollaron su carrera literaria durante los primeros cuarenta años del siglo XX, y la evolución hacia el futuro de quienes se habían desarrollado literariamente entre los años ochenta y noventa del siglo anterior. Este doble movimiento mantiene una relación dialéctica con la historia social, política y cultural del país. Un trabajo de investigación como el planteado necesita de una metodología que no se circunscriba a un solo eje de estudio. Resulta imprescindible tener en cuenta la temporalidad propia de cada movimiento (la generación del ?80, por un lado, y la modernidad como concepción estético-cultural de principios del siglo XX, por el otro) e interrogarse tanto sobre la continuidad como la sincronicidad susceptibles de presentarse a la mirada del crítico. Nuestro corpus de estudio nos permite trabajar sobre una periodización definida y verificar durante la misma, la persistencia de ciertos procedimientos literarios, realizando a su vez cortes transversales que contrasten nuevas especificidades poético-literarias. Una serie de cortes sincrónicos ponen en perspectiva -como sostiene Ives Chevrel- acontecimientos literarios concernientes a estéticas y hasta tiempos diferentes.
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Resumen: Descripción: galería de retratos de los concejales del partido Unión Republicana en el año 1906. Entre los retratados, y destacado respecto al resto, se encuentra la fotografía de D. Vicente Blasco Ibáñez, jefe del partido en Valencia. Los otros concejales que aparecen son: D. Joaquín García Rives, D. Coscollá Martí, D. Francisco Galán Sanclemente, D. Ramón Miralles Rodrigo, D. José Suay Bonora, D. Mariano Cuber Sagols, D. José María Marzal Pavía, D. Vicente Jiménez Taberner, D. Pascual Romaní Miquel, D. Rafael Mollá Rodrigo, D. José Aguilar Blanch, D. Vicente Gil Roca, D. Enrique Vicente Sancho, D. Guillermo Julián Mira, D. Tomás Fabregat Giner, D. Camilo Urios Celda, D. Manuel Ortega García, D. Vicente Pichó Báguena, D. Antonio Cortina Peiró, D. Julián Llopis Sanfelipe, D. José Mira Meseguer, D. Juan Bort Muedra, D. Luis Tomás Palau, D. Cayetano Fiol Ridaura, [...]tínez, D. Ramón Carbonell Fabra, D. Joaquín Alcaide Navarro, D. Francisco Gómez Cano, D. Joaquín Barberá Martí
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This study presents results on a developed methodology to characterize ground layers in Portuguese workshops. In this work a set of altarpieces of the 15th and 16th centuries, assigned to Coimbra painting workshop was studied, overall the masters Vicente Gil (doc. Coimbra 1498–1525), Manuel Vicente (doc. Coimbra 1521–1530) and Bernardo Manuel (act. c. 1559–94), father, son and grandson, encompassing from late gothic to mannerist periods. The aim of the study is to compare ground layers, fillers and binders of Coimbra workshop, and to correlate their characteristics to understand the technical evolution of this family of painters, using complementary microscopic techniques. The cross-sections from the groups of paintings were examined by optical microscopy and the results were integrated through the analysis obtained by μ-X–ray diffraction, scanning electron microscopy with energy dispersive X–ray Spectrometry, μ-confocal Raman and occasionally with μ-Fourier transform infrared spectroscopy imaging. Ground layers are of calcium sulfate, present as gesso grosso (mainly anhydrite with small amounts of gypsum) in the first and last phases of the workshop and gesso mate (mainly gypsum with small amounts of anhydrite) in an intermediate period. Binders have protein and oleic characteristics.
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Este é o primeiro texto crítico sobre a obra cenográfica de José Manuel Castanheira até 2001.
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pp. 297-312
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A Ca-stimulated ATPase activity (pH 9.5) associated with the tegumental membrane enriched (TME) fraction of Schistosoma mansoni adults was partially inhibited by NAP-taurine or by increasing concentrations of chlorpromazine; endogenous calmodulin was found associated with the TME fraction. A similar activity (pH 8.6) was histochemically visualized whithin the tegument of fixed worms on the cytoplasmic leaflet of both the doubel surface membrane and the basement membrane; this reaction was inhibited by 1 µM chloropromazine and it was also observed on the inner side of double membrane vesicles present in the TME fraction. No ATPase activity could be seen at alkaline pH with added Mg or Na/K ions. Without ATP, the addition of external Ca to the fixed worms induced the appearance of lead precipitates on the tegumental discoid bodies; this reaction was inhibited by molybdate and not by chlorpromazine. The intrategumentary regulation of calcium by the systems described and the possible use of phenothiazines against schistosimes are discussed.
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Candida albicans RCH1 (regulator of Ca(2+) homoeostasis 1) encodes a protein of ten TM (transmembrane) domains, homologous with human SLC10A7 (solute carrier family 10 member 7), and Rch1p localizes in the plasma membrane. Deletion of RCH1 confers hypersensitivity to high concentrations of extracellular Ca(2+) and tolerance to azoles and Li(+), which phenocopies the deletion of CaPMC1 (C. albicans PMC1) encoding the vacuolar Ca(2+) pump. Additive to CaPMC1 mutation, lack of RCH1 alone shows an increase in Ca(2+) sensitivity, Ca(2+) uptake and cytosolic Ca(2+) level. The Ca(2+) hypersensitivity is abolished by cyclosporin A and magnesium. In addition, deletion of RCH1 elevates the expression of CaUTR2 (C. albicans UTR2), a downstream target of the Ca(2+)/calcineurin signalling. Mutational and functional analysis indicates that the Rch1p TM8 domain, but not the TM9 and TM10 domains, are required for its protein stability, cellular functions and subcellular localization. Therefore Rch1p is a novel regulator of cytosolic Ca(2+) homoeostasis, which expands the functional spectrum of the vertebrate SLC10 family.