1000 resultados para Toulouse-Lautrec, Henri de, 1864-1901.
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Electricity coined the nightlife in the European capital par excellence in the late nineteenth and early twentieth century: Paris. Under the artificial reflection dandies, elegant workers, and bohemians flocked to the new playground. Painters, converted to urban chroniclers, show pictorial modernity and vitality; in the canvas of Manet, Toulouse-Lautrec, Degas or Jean Béraud we see a common element: the glass of absinthe on the table. The absinthe took sacrosanct dyes in the daily living of Parisian habitants and became an indispensable ritual to Henri Albert Cornuty, a poet who was part of the Madrid bohemian and in the gallery of disinherited that Picasso painted in blue stage. A writer and a painter that bring us to the drink-image of the intelligentsia of the time; this elixir was attributed with hypnotic, aphrodisiac and hallucinogenic powers; the myth of absinthe was part of the imaginary Paris at end of the century, an iconography that continues shaping identity in the twenty-first century.
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Etat de collection : T. 1-2 (1896)
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Collection : Collection "Les Panathénées" ; I
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ser.2:t.2=t.12 (1884)
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ser.3:t.8=t.28 (1900)
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ser.3:t.1=t.21 (1893)
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v.1. Millet; Rousseau; Dupré; Jongkind.--v.2. Meryon.--v.3. Ingres; Delacroix.--4. Zorn.-- v.5. Corot.--v.6. Rude; Barye; Carpeaux; Rodin.--v.7. Huet.--v.8. Carrière.--v.9. Degas.--v.10-11. Toulouse-Lautrec.--v.14-15. Goya.--v.18. Gericault.--v.19. Leys; De Braekeleer; Ensor.--v.20-29. Daumier.--v.30. Besnard.--v.31 Frélaut.--v.32. Appendix and glossary, prepared under the supervision of Herman J. Wechsler.
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Mode of access: Internet.
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Caption title.
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Mode of access: Internet.
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Mode of access: Internet.
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Ouvrages du même auteur": p. 191-192.