Mineralogia e geoquímica de perfis de solo com Terra Preta Arqueológica de Bom Jesus do Tocantins, sudeste da Amazônia

A comparação de dados morfológicos, mineralógicos e químicos de solo com horizontes antrópicos - Terra Preta Arqueológica (TPA) com Argissolos adjacentes permitiu identificar os principais processos responsáveis pela formação da TPA em um sítio arqueológico no Município de Bom Jesus do Tocantins, sudeste do Estado do Pará. A similaridade entre os dados dos horizontes subsuperficiais do solo com TPA e solos adjacentes indica que o horizonte antrópico do solo TPA foi provavelmente desenvolvido a partir de um horizonte similar aos Argissolos adjacentes com posterior transformação pedogenética através da introdução de materiais orgânicos e inorgânicos por antigas colonizações humanas, resultando no espessamento do horizonte superficial e em concentrações maiores de CaO e P₂O₅ (teores totais), Zn (teor traço), P e Zn disponível (teores disponíveis), além de Ca e Mg trocáveis (teores trocáveis) em relação aos Argissolos adjacentes. Além disso, essa intervenção antrópica antiga também provocou modificações no horizonte subsuperficial do Argissolo com TPA, como concentrações altas de P₂O₅ e principalmente P disponível. O Soil Taxonomy e o Sistema Brasileiro de Classificação de Solos (SiBCS) são adequados para a identificação de solo com horizonte antrópico (p.exe. TPA), uma vez que priorizam nas ordens do solo os principais processos pedogenéticos atuantes na formação do solo, relacionados aos horizontes subsuperficiais, além das transformações pedogenéticas posteriores no horizonte superficial. Contudo, este trabalho recomenda o acréscimo de alguns atributos diagnósticos como quantidade de artefatos cerâmicos e líticos, P₂O₅, P e Zn disponíveis, C orgânico, Ca²++ Mg²⁺ (teores trocáveis), CTC e índice de saturação por bases no horizonte superficial para o agrupamento e distinção dos diversos tipos de solos antrópicos antigos da Amazônia.

Bauru: terra de cerrado ou floresta?

Bauru: region of cerrado ou forest? The city of Bauru is located in São Paulo State, where the maps showing native vegetation distribution does not clearly defi ne its nature. In order to clarify which types of native vegetation was found in this region, a bibliographic survey was performed, ranging from ancient documents prepared by naturalists describing this region and recent research results of floristic and phytosociological character. It is concluded that in Bauru, semideciduous seasonal forests overlays the northwestern and that cerrado comes over the southeast region. In riparian areas where the cerrado prevailed, there are still traces of swamp forests and swamp grasslands. In the border areas between forests and cerrado, the occurrence of vegetation transition is common, with two distinct types of it and other typical of these ecotone zones.

Des-re-territorialização e áreas protegidas na Amazônia: reflexões a partir do caso da Estação Ecológica da Terra do Meio-Pa-Brasil

A criação de espaços territoriais especialmente protegidos é uma estratégia utilizada pelo homem desde a antiguidade, objetivando a reserva de áreas com características naturais necessárias à manutenção ou à reprodução cultural de populações humanas específicas, regulando e limitando o acesso e a apropriação de certos recursos e/ou reservando-os para usos ou futuros. Os processos de criação dessas “áreas especialmente protegidas” foram contudo intensificados, no final do século XX, com a percepção da finitude dos recursos naturais, e acelerados pelo florescimento e a consolidação do capitalismo, agora “globalizado”. Quando tais processos, são orientados por interesses diversos de grupos sociais hegemônicos, são comuns não só a desestruturação do modo de vida dos usuários dos recursos naturais tradicionalmente relacionados aos “territórios especiais”, como também a expulsão de grupos não-hegemônicos neles já instalados, sempre que suas práticas culturais sejam consideradas como incompatíveis com os fins e os objetivos da área que se pretende proteger. Entre os tipos de área especialmente protegida estabelecidos pela legislação brasileira, encontram-se as Unidades de Conservação da Natureza (UC). Criadas por Lei com o objetivo de conservar a biodiversidade brasileira, as UC vem sendo palco de diversos conflitos ambientais envolvendo populações tradicionais em todos os biomas brasileiros, mas pode ser mais facilmente evidenciada na Amazônia, aonde a megabiodiversidade a proteger se sobrepõe a territórios ocupados por diversas etnias indígenas e outros povos tradicionais. Os conflitos são intensificados quando a categoria de manejo da UC criada restringe o acesso e altera os modos de apropriação e/ou dos usos tradicionais dos recursos naturais da área por parte dos residentes, inclusive impedindo a continuidade da permanência das populações no interior da UC, no caso o grupo das UC de Proteção Integral. À luz dos debates que vem sendo travados no campo da ecologia política, tais processos conflituosos estariam associados à desterritorialização dos grupos afetados pela criação da UC, nos quais o Estado brasileiro seria o responsável direto. Independentemente das diversas abordagens acadêmicas para o conceito de “território”, entende-se atualmente que a territorialização e a desterritorialização (com consequente reterritorialização) são processos interrelacionados e circularmente conectados, não podendo ser compreendidos separadamente. Assim, o objetivo do presente trabalho é contribuir para a compreensão desses processos de des-re-terrritorialização, avaliando como alguns mecanismos previstos na Lei do Sistema Nacional das Unidades de Conservação para o reassentamento das populações anteriormente residentes vem sendo aplicados, no sentido de promover processos de reterritorialização. As reflexões apresentadas se dão a partir do caso dos ribeirinhos e colonos residentes na Estação Ecológica da Terra do Meio, Pará, Brasil. A partir da avaliação, são propostas alternativas para minimizar a situação de injustiça ambiental na qual se encontram esses atores sociais específicos.

Illustrations of a collection of ancient marbles, statues, tablets, etc. in the Firzwilliam museum, Cambridge : formerly in the possession of John Disney.

Mode of access: Internet.

A guide to classical learning, or, Polymetis abridged ... : being a work necessary not only for classical instruction, but for all those who wish to have a true taste for the beauties of poetry, sculpture and painting /

Plate engraved by P. Fourdrinier.

Tifones y gigantes en el mundo macedonio: el rey como símbolo del orden cósmico

Este artículo analiza la existencia de un posible ritual en la antigua Macedonia que fuese similar al Akîtu babilonio. Pensamos que la victoria de Zeus sobre sus enemigos en la gigantomaquia y tifonomaquia fue celebrada por los reyes macedonios para fortalecer su posición en el poder. Aunque no hay evidencias directas de ello, tenemos una serie de diferentes fuentes en las cuales los macedonios están relacionados directa o indirectamente con Tifón y los gigantes. Además, la estratégica importancia del monte Olimpo para los macedonios nos hace pensar que la victoria de Zeus sobre las fuerzas del mal fue conmemorada de alguna forma por ellos.

Pertencer à terra : resistência de saberes e diversidade da vida pelos Kaiowá-Guarani

Tese (doutorado)—Universidade de Brasília, Centro de Desenvolvimento Sustentável, Programa de Pós-Graduação em Desenvolvimento Sustentável, 2016.

3-D reconstruction of an ancient Egyptian mummy using X-ray computer tomography

Computer tomography has been used to image and reconstruct in 3-D an Egyptian mummy from the collection of the British Museum. This study of Tjentmutengebtiu, a priestess from the 22nd dynasty (945-715 BC) revealed invaluable information of a scientific, Egyptological and palaeopathological nature without mutilation and destruction of the painted cartonnage case or linen wrappings. Precise details on the removal of the brain through the nasal cavity and the viscera from the abdominal cavity were obtained. The nature and composition of the false eyes were investigated. The detailed analysis of the teeth provided a much closer approximation of age at death. The identification of materials used for the various amulets including that of the figures placed in the viscera was graphically demonstrated using this technique.

Three-dimensional reconstruction of an ancient Egyptian mummy

A complete series of cross-sectional computed tomography (CT) scans were obtained of a mummy of an Egyptian priestess, Tjenmutengebtiu, (Jeni), who lived in the twenty-second Dynasty (c. 945-715 BC). The purpose of this joint British Museum and St. Thomas’ Hospital project was effectively to ‘unwrap’ a mummy using cross-sectional X-rays. Jeni is encased in a beautifully decorated anthropomorphic cartonnage coffin. The head and neck were scanned with 2mm slices, the teeth with 1mm slices and the rest of the body with 4 mm slices, a 512 x 512 matrix was used. The 2D CT images, and 3D surface reconstruction’s, demonstrate many features of the embalming techniques and funerary customs of the XXII Dynasty. The presence of cloth protruding from the nasal cavities into the otherwise empty cranial cavity indicates that the brain was extracted via the nose. The remains of the heart can be seen as well as four organ packs corresponding to the mummified and repackaged lungs, intestines, stomach and liver. Each of the organ packs encloses a wax figurine representing one of the four sons of Horus. The teeth are in very good condition with little signs of wear, which, considering the gritty diet of the Egyptians, indicates that Jeni must have been very young when she died. A young age of death is also suggested by analysis of the shape of the molar teeth. The body is generally in very good condition demonstrating the consummate skill of the twenty-second Dynasty embalmers.

Unwrapping an ancient Egyptian mummy using x-rays

This article describes a project to unwrap an ancient Egyptian mummy using X-ray computed tomography (CT). About 600 X-ray CT images were obtained through the mummified body of a female named Tjetmutjengebtiu (or Jeni for short), who was a singer in the great temple of Karnak in Egypt during the 22nd dynasty (c. 945-715 BC). The X-ray CT images reveal details of the remains of body organs, wrappings and jewellery. 3D reconstructions of Jeni’s teeth suggest that she was probably only around 20 years old when she died, although the cause of death cannot be ascertained from the CT scans. The CT images were used to build a 3D model of Jeni’s head which enabled an artist to paint a picture of what Jeni may have looked like during life. A PowerPoint presentation and movie clips are provided as supplementary material that may be useful for teaching.

The Sun gives without ever receiving

A small scale sculpture that contributes towards my ongoing explorations into how our collective ability to sustain (the future) is as much a cultural problematic as it is an economic or technological one. The curatorial brief of the project was a technical one - in that each curated artist was to design a piece in CAD suitable for 3D resin printing - The object should be entirely generated through 3D visualisation and modelling tools and should be machined and shipped within the dimensions of 6cm x 6cm x 6cm. My design for this brief was influenced by recent research I had conducted in Mildura in the Sunraysia irrigated region of NW Victoria. Each name set within the work is an Australian soldier/settler – who, on returning from the ‘Great War’ was duly awarded a ‘block’ in Australia’s new inland irrigated settlements - with the explicit task of clearing it to plant and reap. Through their concerted and well-intentioned efforts, these workers began to profoundly re-shape Australia’s marginal country - inadvertently presaging the bleak future faced today by many of Australia’s inland lands and river systems. Furthermore, through that time's predominant colonial conception of ‘terra nullius’ (this land is unoccupied and therefore free to be claimed) they each played a small but formative part in building the profound cultural divide between land and peoples that still haunts Australia today. THE EXHIBITION: Inside Out is a compelling international touring exhibition featuring forty-six miniature sculptures produced in resin using 3D printing technologies. Developments in virtual computer visualisation and integrated digital technologies are giving contemporary makers new insight and opportunities to create objects and forms which were previously impossible to produce or difficult to envisage. The exhibition is the result of collaboration between the Art Technology Coalition, the University of Technology Sydney and RMIT University in Australia along with De Montfort University, Manchester Metropolitan University and Dartington College of Arts at University College Falmouth in the United Kingdom.

The sun gives without ever receiving

YEAR: 2010 ROLE: Artist FORMAT: Miniature 3D Sculpture produced in resin using 3D printing technologies. WITH: International Touring Show ‘Inside Out’ WHAT: A miniature sculpture that contributes towards my ongoing explorations into how our collective ability to sustain (the future) is as much a cultural problematic as it is an economic or technological one. OVERVIEW: The curatorial brief was for each curated artist was to design a piece in CAD suitable for 3D resin printing - The object should be entirely generated through 3D visualisation and modelling tools and should be machined and shipped within the dimensions of 6cm x 6cm x 6cm. My design for this brief was influenced by recent research I had conducted in Mildura in the Sunraysia irrigated region of NW Victoria. Each name set within the work is an Australian soldier/settler – who, on returning from the ‘Great War’ was duly awarded a ‘block’ in Australia’s new inland irrigated settlements - with the explicit task of clearing it to plant and reap. Through their concerted and well-intentioned efforts, these workers began to profoundly re-shape Australia’s marginal country - inadvertently presaging the bleak future faced today by many of Australia’s inland lands and river systems. Furthermore, through that time's predominant colonial conception of ‘terra nullius’ (this land is unoccupied and therefore free to be claimed) they each played a small but formative part in building the profound cultural divide between land and peoples that still haunts Australia today. THE EXHIBITION: Inside Out is a compelling international touring exhibition featuring forty-six miniature sculptures produced in resin using 3D printing technologies. Developments in virtual computer visualisation and integrated digital technologies are giving contemporary makers new insight and opportunities to create objects and forms which were previously impossible to produce or difficult to envisage. The exhibition is the result of collaboration between the Art Technology Coalition, the University of Technology Sydney and RMIT University in Australia along with De Montfort University, Manchester Metropolitan University and Dartington College of Arts at University College Falmouth in the United Kingdom.