Relógios e óculos no barroco italiano

This essay aims to analyse the temporal dimension and the temporal instruments which the baroques poets utilized in Italy. We intend to demonstrate that the “minor poets” of that period made several references to the transitoriety of human life, and did not restrict their observations to a simple collectionism.

Tecidos gráficos da cultura e a expansão dos sistemas de escritas

Ensaio argumentativo sobre a concepção de escrita fora da perspectiva etnocêntrica que considera o sistema verbal alfabético ocidental como pólo da formulação conceitual e teórica. A hipótese fundamental em estudo encaminha a abordagem sistêmica a partir da qual a escrita é sistema ambiental de constituição semiótico-cognitiva fundado em possibilidades combinatórias e interpretativas de leitura. Examina-se, então, a perspectiva semiocêntrica fundada pela temporalidade da cultura e não apenas pela dominante espacial.

Aldo Rossi, autobiografia scientifica: scrittura come progetto. Indagine critica tra scrittura e progetto di architettura

«In altri termini mi sfuggiva e ancora oggi mi sfugge gran parte del significato dell’evoluzione del tempo; come se il tempo fosse una materia che osservo dall’esterno. Questa mancanza di evoluzione è fonte di alcune mie sventure ma anche mi appartiene con gioia.» Aldo Rossi, Autobiografia scientifica. The temporal dimension underpinning the draft of Autobiografia scientifica by Aldo Rossi may be referred to what Lucien Lévy-Bruhl, the well-known French anthropologist, defines as “primitive mentality” and “prelogical” conscience : the book of life has lost its page numbers, even punctuation. For Lévy-Bruhl, but certainly for Rossi, life or its summing up becomes a continuous account of ellipses, gaps, repetitions that may be read from left to right or viceversa, from head to foot or viceversa without distinction. Rossi’s autobiographical writing seems to accept and support the confusion with which memories have been collected, recording them after the order memory gives them in the mental distillation or simply according to the chronological order in which they have happened. For Rossi, the confusion reflects the melting of memory elements into a composite image which is the result of a fusion. He is aware that the same sap pervades all memories he is going to put in order: each of them has got a common denominator. Differences have diminished, almost faded; the quick glance is prevalent over the distinction of each episode. Rossi’s writing is beyond the categories dependent on time: past and present, before and now. For Rossi, the only repetition – the repetition the text will make possible for an indefinite number of times – gives peculiarity to the event. As Gilles Deleuze knows, “things” may only last as “singleness”: more frequent the repetition is, more singular is the memory phenomenon that recurs, because only what is singular magnifies itself and happens endlessly forever. Rossi understands that “to raise the first time to nth forever”, repetition becomes glorification . It may be an autobiography that, celebrating the originality, enhances the memory event in the repetition; in fact it greatly differs from the biographical reproduction, in which each repetition is but a weaker echo, a duller copy, provided with a smaller an smaller power in comparison with the original. Paradoxically, for Deleuze the repetition asserts the originality and singularity of what is repeated. Rossi seems to share the thought expressed by Kierkegaard in the essay Repetition: «The hope is a graceful maiden slipping through your fingers; the memory of an elderly woman, indeed pretty, but never satisfactory if necessary; the repetition is a loved friend you are never tired of, as it is only the new to make you bored. The old never bores you and its presence makes you happy [...] life is but a repetition [...] here is the beauty of life» . Rossi knows well that repetition hints at the lasting stability of cosmic time. Kierkegaard goes on: «The world exists, and it exists as a repetition» . Rossi devotes himself, on purpose and in all conscience, to collect, to inventory and «to review life», his own life, according to a recovery not from the past but of the past: a search work, the «recherche du temps perdu», as Proust entitled his masterpiece on memory. If you want the past time to be not wasted, you must give it presence. «Memoria e specifico come caratteristiche per riconoscere se stesso e ciò che è estraneo mi sembravano le più chiare condizioni e spiegazioni della realtà. Non esiste uno specifico senza memoria, e una memoria che non provenga da un momento specifico; e solo questa unione permette la conoscenza della propria individualità e del contrario (self e non-self)» . Rossi wants to understand himself, his own character; it is really his own character that requires to be understood, to increase its own introspective ability and intelligence. «Può sembrare strano che Planck e Dante associno la loro ricerca scientifica e autobiografica con la morte; una morte che è in qualche modo continuazione di energia. In realtà, in ogni artista o tecnico, il principio della continuazione dell’energia si mescola con la ricerca della felicità e della morte» . The eschatological incipit of Rossi’s autobiography refers to Freud’s thought in the exact circularity of Dante’s framework and in as much exact circularity of the statement of the principle of the conservation of energy: in fact it was Freud to connect repetition to death. For Freud, the desire of repetition is an instinct rooted in biology. The primary aim of such an instinct would be to restore a previous condition, so that the repeated history represents a part of the past (even if concealed) and, relieving the removal, reduces anguish and tension. So, Freud ask himself, what is the most remote state to which the instinct, through the repetition, wants to go back? It is a pre-vital condition, inorganic of the pure entropy, a not-to-be condition in which doesn’t exist any tension; in other words, Death. Rossi, with the theme of death, introduces the theme of circularity which further on refers to the sense of continuity in transformation or, in the opposite way, the transformation in continuity. «[...] la descrizione e il rilievo delle forme antiche permettevano una continuità altrimenti irripetibile, permettevano anche una trasformazione, una volta che la vita fosse fermata in forme precise» . Rossi’s attitude seems to hint at the reflection on time and – in a broad sense – at the thought on life and things expressed by T.S. Eliot in Four Quartets: «Time present and time past / Are both perhaps present in time future, / And time future is contained in time past. / I all time is eternally present / All time is unredeemable. / What might have been is an abstraction / Remaining perpetual possibility / Only in a word of speculation. / What might have been and what has been / Point to one end, which is always present. [...]» . Aldo Rossi’s autobiographical story coincides with the description of “things” and the description of himself through the things in the exact parallel with craft or art. He seems to get all things made by man to coincide with the personal or artistic story, with the consequent immediate necessity of formulating a new interpretation: the flow of things has never met a total stop; all that exists nowadays is but a repetition or a variant of something existing some time ago and so on, without any interruption until the early dawnings of human life. Nevertheless, Rossi must operate specific subdivisions inside the continuous connection in time – of his time – even if limited by a present beginning and end of his own existence. This artist, as an “historian” of himself and his own life – as an auto-biographer – enjoys the privilege to be able to decide if and how to operate the cutting in a certain point rather than in another one, without being compelled to justify his choice. In this sense, his story is a matter very ductile and flexible: a good story-teller can choose any moment to start a certain sequence of events. Yet, Rossi is aware that, beyond the mere narration, there is the problem to identify in history - his own personal story – those flakings where a clean cut enables the separation of events of different nature. In order to do it, he has to make not only an inventory of his own “things”, but also to appeal to authority of the Divina Commedia started by Dante when he was 30. «A trent’anni si deve compiere o iniziare qualcosa di definitivo e fare i conti con la propria formazione» . For Rossi, the poet performs his authority not only in the text, but also in his will of setting out on a mystical journey and handing it down through an exact descriptive will. Rossi turns not only to the authority of poetry, but also evokes the authority of science with Max Plank and his Scientific Autobiography, published, in Italian translation, by Einaudi, 1956. Concerning Planck, Rossi resumes an element seemingly secondary in hit account where the German physicist «[...] risale alle scoperte della fisica moderna ritrovando l’impressione che gli fece l’enunciazione del principio di conservazione dell’energia; [...]» . It is again the act of describing that links Rossi to Planck, it is the description of a circularity, the one of conservation of energy, which endorses Rossi’s autobiographical speech looking for both happiness and death. Rossi seems to agree perfectly to the thought of Planck at the opening of his own autobiography: «The decision to devote myself to science was a direct consequence of a discovery which was never ceased to arouse my enthusiasm since my early youth: the laws of human thought coincide with the ones governing the sequences of the impressions we receive from the world surrounding us, so that the mere logic can enable us to penetrate into the latter one’s mechanism. It is essential that the outer world is something independent of man, something absolute. The search of the laws dealing with this absolute seems to me the highest scientific aim in life» . For Rossi the survey of his own life represents a way to change the events into experiences, to concentrate the emotion and group them in meaningful plots: «It seems, as one becomes older. / That the past has another pattern, and ceases to be a mere sequence [...]» Eliot wrote in Four Quartet, which are a meditation on time, old age and memory . And he goes on: «We had the experience but missed the meaning, / And approach to the meaning restores the experience / In a different form, beyond any meaning [...]» . Rossi restores in his autobiography – but not only in it – the most ancient sense of memory, aware that for at least 15 centuries the Latin word memoria was used to show the activity of bringing back images to mind: the psychology of memory, which starts with Aristotele (De Anima), used to consider such a faculty totally essential to mind. Keith Basso writes: «The thought materializes in the form of “images”» . Rossi knows well – as Aristotele said – that if you do not have a collection of mental images to remember – imagination – there is no thought at all. According to this psychological tradition, what today we conventionally call “memory” is but a way of imagining created by time. Rossi, entering consciously this stream of thought, passing through the Renaissance ars memoriae to reach us gives a great importance to the word and assumes it as a real place, much more than a recollection, even more than a production and an emotional elaboration of images.

(Table 1) Annual gross and new primary production rates obtained for areas centered on the AWI-HAUSGARTEN mooring (2000-2005)

The lack of extended dataset has so far prevented an inclusive understanding of the long-term relationships between primary production (PP) and vertical export in the Arctic Ocean. It is urgent to investigate these connections as Arctic ecosystems are on the verge of climate-related shifts, which could be caused by the combined effects of increase in Pacific and Atlantic inflow, climate warming, and sea ice decline. For a period of 6 years we investigated the degree of coupling between PP and export by making use of modelled PP rates and vertical particle fluxes collected with sediment traps moored at ~300 m depth in the eastern Fram Strait. Our analyses indicate that total and new simulated PP averaged for different areas centered on the mooring location (5-200 km radius) explain at best 20-44% of the observed biogenic particle fluxes at 300 m, when applying extended time-lags (55-90 days) between PP and vertical fluxes. Based on this phasing, we define a conceptual framework that presents the temporal dimension as a prime determinant of the maximum strength of the PP-export coupling at a given depth. Our results support that planktonic food webs in the Fram Strait process heavily biogenic material in the epipelagic zone, but we further suggest that Atlantic-Arctic water interactions induce a particular ecological setting responsible for the extended turn-over. In conclusion, we hypothesize that global warming could promote a transition toward a more retentive ecosystem in the Fram Strait region despite the likely increase of pelagic PP in the Arctic Ocean.

3D + t Morphological Processing: Applications to Embryogenesis Image Analysis

We propose to directly process 3D + t image sequences with mathematical morphology operators, using a new classi?cation of the 3D+t structuring elements. Several methods (?ltering, tracking, segmentation) dedicated to the analysis of 3D + t datasets of zebra?sh embryogenesis are introduced and validated through a synthetic dataset. Then, we illustrate the application of these methods to the analysis of datasets of zebra?sh early development acquired with various microscopy techniques. This processing paradigm produces spatio-temporal coherent results as it bene?ts from the intrinsic redundancy of the temporal dimension, and minimizes the needs for human intervention in semi-automatic algorithms.

Análisis de la geometría de Pablo Palazuelo desde la visión del arquitecto

Esta investigación indaga sobre la relación entre el método geométrico empleado por Pablo Palazuelo y el proceso del proyecto arquitectónico. La elección de este pintor y escultor madrileño como hilo conductor de esta tesis no es fortuita, puesto que la arquitectura desempeña una influencia esencial sobre su obra. Un influjo que le llega en parte a través de su formación académica, dado que cursó estudios de arquitectura en la School of Arts and Crafts de la ciudad de Oxford (1933-1936). Así mismo diseñó propuestas estrechamente vinculadas a un lugar construido, con el consiguiente condicionante de las trazas del mismo. La hipótesis de trabajo formulada a partir de textos elaborados por autores como Víctor Nieto Alcaide y Juan Daniel Fullaondo sugería una interconexión con la arquitectura orgánica. Como comprobación del grado de profundidad en otros análisis publicados, se han seleccionado los textos que indagan en el proceso que el artista desarrollaba durante la producción de su obra, y se adentran en cuestiones estructurales que trascienden el ámbito formal. Siguiendo esta pauta, además de una acotación temporal, se han escogido los realizados por Santiago Amón, Carme Bonell, Valerio Bozal, Manuel J. Borja-Villel, Francisco Calvo Serraller, Claude Esteban, Julián Gállego, Teresa Grandas, Max Hölzer, George Limbour, Kevin Power y Carlos Rodríguez-Spiteri. A estos autores se suman las fuentes orales consultadas dentro de un entorno intrínsecamente próximo a sus realizaciones, procedentes de Pere Casanovas y Soledad Lorenzo. Además de personas que en diferentes etapas de su vida coincidieron por distintos motivos con sus realizaciones, como son Ramón Ayerza, Mariano Bayón, José Antonio Corrales, Luis Gordillo, Rafael Moneo, José Rodríguez-Spiteri y Antonio Tornero. A partir del acceso obtenido a los escritos, libros, bocetos y abundante obra gráfica y escultórica que atesora la Fundación del pintor, se ha podido elaborar un andamiaje tanto teórico como geométrico que ha servido de base para confrontar estas premisas. Esta empresa se ha estructurado en una narración que, además de los estudios precedentes citados, comienza con los cimientos del pensamiento de Palazuelo. Elaborada a partir de sus escritos, donde defendía un sincretismo que concilia las visiones de las culturas occidental y oriental. En los siguientes apartados, se han analizado las principales obras gráficas y escultóricas del autor haciendo un especial hincapié en el método productivo. Una gestación que se resiste a una mera enumeración cronológica, por lo que la clasificación que se propone en este trabajo trata de ser lo más fiel posible al espíritu expresado por Palazuelo basado en linajes y coherencias, para desvelar las herramientas empleadas y poder compararlas con el proceso del proyectual. Este recorrido se completa con una última sección se reúnen por primera vez las dieciséis obras y los dieciséis proyectos más representativos que ilustran la aproximación más directa que obró Palazuelo entre sus investigaciones geométricas y un locus determinado. Durante casi cuatro años se desarrolló un inventariado y catalogación pormenorizada de la documentación y piezas sobre papel, lienzo y metal realizadas por Palazuelo. Esta indagación saca a la luz un conjunto constituido por casi cuatro mil obras, en su mayoría inéditas, que constituyen el archivo de la citada institución. En definitiva, esta investigación construye un tejido gráfico y geométrico referido a uno de los artistas españoles más importantes del siglo XX, entreverado por su pensamiento teórico y realizaciones en dibujos, maquetas, esculturas y propuestas arquitectónicas. Las cuales permiten establecer los acuerdos y desacuerdos con el proceso de la arquitectura para proponer una nueva aproximación geométrica interdisciplinar. ABSTRACT This research investigates the relationship between the geometric method used by Palazuelo and the architectural design’s process. Choosing this Spanish painter and sculptor as thread of this thesis is not fortuitous, since the architecture has an essential influence on his work. An influx that arrives in part through his academic training, as he was an architecture student at the School of Arts and Crafts of the city of Oxford (1933-1936). Furthermore his proposals designed closely linked to a built place, therefore conditioned by its traces. The working hypothesis formulated from texts written by authors like Victor Nieto Alcaide and Juan Daniel Fullaondo suggested an interconnection with organic architecture. As a check on the degree of depth in other published reviews, articles that explore the process that the artist developed during the production of his work, and penetrate into structural issues beyond formal domain have been selected. Following this pattern, along with a temporal dimension, assays by Santiago Amón, Carme Bonell, Valerio Bozal, Manuel J. Borja-Villel, Francisco Calvo Serraller, Claude Esteban, Julián Gállego, Teresa Grandas, Max Hölzer, George Limbour, Kevin Power and Carlos Rodriguez-Spiteri have been selected. Oral sources within an inherently environment close to his achievements, as Pere Casanovas and Soledad Lorenzo, are also added. In addition to people coincided with his accomplishments, such as Ramón Ayerza, Mariano Bayón, José Antonio Corrales, Luis Gordillo, Rafael Moneo, José Rodríguez-Spiteri and Antonio Tornero. From obtained access to the writings, books, sketches and abundant graphic and sculptural work that holds the Foundation painter, it has been able to develop a theoretical and geometric framework that have served as the basis for confronting these premises. This dissertation has been structured in a narrative that ⎯in addition to the previously mentioned studies⎯, begins with the foundations of Palazuelo thought. A structure built from his writings, where he defended a syncretism that reconciles the views of Western and Eastern cultures. In the following sections, his main graphic and sculptural works have been analyzed with particular emphasis on the productive method. A process that resists mere chronological enumeration, so the classification proposed in this investigation tries to be as faithful as possible to the spirit expressed by Palazuelo, based on bloodlines and coherences, to uncover the tools he used and to compare them with the architectural design process. This tour is completed with a final chapter that gathers the sixteen proposals and sixteen works most representative projects that illustrate the more direct approach that Palazuelo worked between geometric investigations and a given locus. For nearly four years, a detailed inventory and cataloguing of documents and works on paper, canvas and metal made by Palazuelo was developed. This research brings to light a set consisting of nearly four thousand works, mostly unpublished, that constitute the current archive of the aforementioned institution. Ultimately, this research builds a graph and geometric fabric referred to one of the most important Spanish artists of the twentieth century, interspersed by his theoretical thinking and achievements in drawings, models, sculptures and architectural proposals. Which allow establishing agreements and disagreements with the process of architecture to propose a new geometric interdisciplinary approach.

Generalización de variables medioambientales mediante interpolación GIS

La investigación de esta tesis se centra en el estudio de técnicas geoestadísticas y su contribución a una mayor caracterización del binomio factores climáticos-rendimiento de un cultivo agrícola. El inexorable vínculo entre la variabilidad climática y la producción agrícola cobra especial relevancia en estudios sobre el cambio climático o en la modelización de cultivos para dar respuesta a escenarios futuros de producción mundial. Es información especialmente valiosa en sistemas operacionales de monitoreo y predicción de rendimientos de cultivos Los cuales son actualmente uno de los pilares operacionales en los que se sustenta la agricultura y seguridad alimentaria mundial; ya que su objetivo final es el de proporcionar información imparcial y fiable para la regularización de mercados. Es en este contexto, donde se quiso dar un enfoque alternativo a estudios, que con distintos planteamientos, analizan la relación inter-anual clima vs producción. Así, se sustituyó la dimensión tiempo por la espacio, re-orientando el análisis estadístico de correlación interanual entre rendimiento y factores climáticos, por el estudio de la correlación inter-regional entre ambas variables. Se utilizó para ello una técnica estadística relativamente nueva y no muy aplicada en investigaciones similares, llamada regresión ponderada geográficamente (GWR, siglas en inglés de “Geographically weighted regression”). Se obtuvieron superficies continuas de las variables climáticas acumuladas en determinados periodos fenológicos, que fueron seleccionados por ser factores clave en el desarrollo vegetativo de un cultivo. Por ello, la primera parte de la tesis, consistió en un análisis exploratorio sobre comparación de Métodos de Interpolación Espacial (MIE). Partiendo de la hipótesis de que existe la variabilidad espacial de la relación entre factores climáticos y rendimiento, el objetivo principal de esta tesis, fue el de establecer en qué medida los MIE y otros métodos geoestadísticos de regresión local, pueden ayudar por un lado, a alcanzar un mayor entendimiento del binomio clima-rendimiento del trigo blando (Triticum aestivum L.) al incorporar en dicha relación el componente espacial; y por otro, a caracterizar la variación de los principales factores climáticos limitantes en el crecimiento del trigo blando, acumulados éstos en cuatro periodos fenológicos. Para lleva a cabo esto, una gran carga operacional en la investigación de la tesis consistió en homogeneizar y hacer los datos fenológicos, climáticos y estadísticas agrícolas comparables tanto a escala espacial como a escala temporal. Para España y los Bálticos se recolectaron y calcularon datos diarios de precipitación, temperatura máxima y mínima, evapotranspiración y radiación solar en las estaciones meteorológicas disponibles. Se dispuso de una serie temporal que coincidía con los mismos años recolectados en las estadísticas agrícolas, es decir, 14 años contados desde 2000 a 2013 (hasta 2011 en los Bálticos). Se superpuso la malla de información fenológica de cuadrícula 25 km con la ubicación de las estaciones meteorológicas con el fin de conocer los valores fenológicos en cada una de las estaciones disponibles. Hecho esto, para cada año de la serie temporal disponible se calcularon los valores climáticos diarios acumulados en cada uno de los cuatro periodos fenológicos seleccionados P1 (ciclo completo), P2 (emergencia-madurez), P3 (floración) y P4 (floraciónmadurez). Se calculó la superficie interpolada por el conjunto de métodos seleccionados en la comparación: técnicas deterministas convencionales, kriging ordinario y cokriging ordinario ponderado por la altitud. Seleccionados los métodos más eficaces, se calculó a nivel de provincias las variables climatológicas interpoladas. Y se realizaron las regresiones locales GWR para cuantificar, explorar y modelar las relaciones espaciales entre el rendimiento del trigo y las variables climáticas acumuladas en los cuatro periodos fenológicos. Al comparar la eficiencia de los MIE no destaca una técnica por encima del resto como la que proporcione el menor error en su predicción. Ahora bien, considerando los tres indicadores de calidad de los MIE estudiados se han identificado los métodos más efectivos. En el caso de la precipitación, es la técnica geoestadística cokriging la más idónea en la mayoría de los casos. De manera unánime, la interpolación determinista en función radial (spline regularizado) fue la técnica que mejor describía la superficie de precipitación acumulada en los cuatro periodos fenológicos. Los resultados son más heterogéneos para la evapotranspiración y radiación. Los métodos idóneos para estas se reparten entre el Inverse Distance Weighting (IDW), IDW ponderado por la altitud y el Ordinary Kriging (OK). También, se identificó que para la mayoría de los casos en que el error del Ordinary CoKriging (COK) era mayor que el del OK su eficacia es comparable a la del OK en términos de error y el requerimiento computacional de este último es mucho menor. Se pudo confirmar que existe la variabilidad espacial inter-regional entre factores climáticos y el rendimiento del trigo blando tanto en España como en los Bálticos. La herramienta estadística GWR fue capaz de reproducir esta variabilidad con un rendimiento lo suficientemente significativo como para considerarla una herramienta válida en futuros estudios. No obstante, se identificaron ciertas limitaciones en la misma respecto a la información que devuelve el programa a nivel local y que no permite desgranar todo el detalle sobre la ejecución del mismo. Los indicadores y periodos fenológicos que mejor pudieron reproducir la variabilidad espacial del rendimiento en España y Bálticos, arrojaron aún, una mayor credibilidad a los resultados obtenidos y a la eficacia del GWR, ya que estaban en línea con el conocimiento agronómico sobre el cultivo del trigo blando en sistemas agrícolas mediterráneos y norteuropeos. Así, en España, el indicador más robusto fue el balance climático hídrico Climatic Water Balance) acumulado éste, durante el periodo de crecimiento (entre la emergencia y madurez). Aunque se identificó la etapa clave de la floración como el periodo en el que las variables climáticas acumuladas proporcionaban un mayor poder explicativo del modelo GWR. Sin embargo, en los Bálticos, países donde el principal factor limitante en su agricultura es el bajo número de días de crecimiento efectivo, el indicador más efectivo fue la radiación acumulada a lo largo de todo el ciclo de crecimiento (entre la emergencia y madurez). Para el trigo en regadío no existe ninguna combinación que pueda explicar más allá del 30% de la variación del rendimiento en España. Poder demostrar que existe un comportamiento heterogéneo en la relación inter-regional entre el rendimiento y principales variables climáticas, podría contribuir a uno de los mayores desafíos a los que se enfrentan, a día de hoy, los sistemas operacionales de monitoreo y predicción de rendimientos de cultivos, y éste es el de poder reducir la escala espacial de predicción, de un nivel nacional a otro regional. ABSTRACT This thesis explores geostatistical techniques and their contribution to a better characterization of the relationship between climate factors and agricultural crop yields. The crucial link between climate variability and crop production plays a key role in climate change research as well as in crops modelling towards the future global production scenarios. This information is particularly important for monitoring and forecasting operational crop systems. These geostatistical techniques are currently one of the most fundamental operational systems on which global agriculture and food security rely on; with the final aim of providing neutral and reliable information for food market controls, thus avoiding financial speculation of nourishments of primary necessity. Within this context the present thesis aims to provide an alternative approach to the existing body of research examining the relationship between inter-annual climate and production. Therefore, the temporal dimension was replaced for the spatial dimension, re-orienting the statistical analysis of the inter-annual relationship between crops yields and climate factors to an inter-regional correlation between these two variables. Geographically weighted regression, which is a relatively new statistical technique and which has rarely been used in previous research on this topic was used in the current study. Continuous surface values of the climate accumulated variables in specific phenological periods were obtained. These specific periods were selected because they are key factors in the development of vegetative crop. Therefore, the first part of this thesis presents an exploratory analysis regarding the comparability of spatial interpolation methods (SIM) among diverse SIMs and alternative geostatistical methodologies. Given the premise that spatial variability of the relationship between climate factors and crop production exists, the primary aim of this thesis was to examine the extent to which the SIM and other geostatistical methods of local regression (which are integrated tools of the GIS software) are useful in relating crop production and climate variables. The usefulness of these methods was examined in two ways; on one hand the way this information could help to achieve higher production of the white wheat binomial (Triticum aestivum L.) by incorporating the spatial component in the examination of the above-mentioned relationship. On the other hand, the way it helps with the characterization of the key limiting climate factors of soft wheat growth which were analysed in four phenological periods. To achieve this aim, an important operational workload of this thesis consisted in the homogenization and obtention of comparable phenological and climate data, as well as agricultural statistics, which made heavy operational demands. For Spain and the Baltic countries, data on precipitation, maximum and minimum temperature, evapotranspiration and solar radiation from the available meteorological stations were gathered and calculated. A temporal serial approach was taken. These temporal series aligned with the years that agriculture statistics had previously gathered, these being 14 years from 2000 to 2013 (until 2011 for the Baltic countries). This temporal series was mapped with a phenological 25 km grid that had the location of the meteorological stations with the objective of obtaining the phenological values in each of the available stations. Following this procedure, the daily accumulated climate values for each of the four selected phenological periods were calculated; namely P1 (complete cycle), P2 (emergency-maturity), P3 (flowering) and P4 (flowering- maturity). The interpolated surface was then calculated using the set of selected methodologies for the comparison: deterministic conventional techniques, ordinary kriging and ordinary cokriging weighted by height. Once the most effective methods had been selected, the level of the interpolated climate variables was calculated. Local GWR regressions were calculated to quantify, examine and model the spatial relationships between soft wheat production and the accumulated variables in each of the four selected phenological periods. Results from the comparison among the SIMs revealed that no particular technique seems more favourable in terms of accuracy of prediction. However, when the three quality indicators of the compared SIMs are considered, some methodologies appeared to be more efficient than others. Regarding precipitation results, cokriging was the most accurate geostatistical technique for the majority of the cases. Deterministic interpolation in its radial function (controlled spline) was the most accurate technique for describing the accumulated precipitation surface in all phenological periods. However, results are more heterogeneous for the evapotranspiration and radiation methodologies. The most appropriate technique for these forecasts are the Inverse Distance Weighting (IDW), weighted IDW by height and the Ordinary Kriging (OK). Furthermore, it was found that for the majority of the cases where the Ordinary CoKriging (COK) error was larger than that of the OK, its efficacy was comparable to that of the OK in terms of error while the computational demands of the latter was much lower. The existing spatial inter-regional variability between climate factors and soft wheat production was confirmed for both Spain and the Baltic countries. The GWR statistic tool reproduced this variability with an outcome significative enough as to be considered a valid tool for future studies. Nevertheless, this tool also had some limitations with regards to the information delivered by the programme because it did not allow for a detailed break-down of its procedure. The indicators and phenological periods that best reproduced the spatial variability of yields in Spain and the Baltic countries made the results and the efficiency of the GWR statistical tool even more reliable, despite the fact that these were already aligned with the agricultural knowledge about soft wheat crop under mediterranean and northeuropean agricultural systems. Thus, for Spain, the most robust indicator was the Climatic Water Balance outcome accumulated throughout the growing period (between emergency and maturity). Although the flowering period was the phase that best explained the accumulated climate variables in the GWR model. For the Baltic countries where the main limiting agricultural factor is the number of days of effective growth, the most effective indicator was the accumulated radiation throughout the entire growing cycle (between emergency and maturity). For the irrigated soft wheat there was no combination capable of explaining above the 30% of variation of the production in Spain. The fact that the pattern of the inter-regional relationship between the crop production and key climate variables is heterogeneous within a country could contribute to one is one of the greatest challenges that the monitoring and forecasting operational systems for crop production face nowadays. The present findings suggest that the solution may lay in downscaling the spatial target scale from a national to a regional level.

El ecosistema de dehesa como reservorio de diversidad de insectos saproxílicos (Coleoptera y Diptera: Syrphidae) y factores que determinan sus ensambles

The “dehesa” (grassland with scattered oak trees) is a typical Mediterranean ecosystem from west Iberian Peninsula that has resulted from the transformation of the forest by clearing and brushwood removing and the landscape is maintained mainly bulls and/or Iberian pigs. This ecosystem is characterized by the presence of old scattered trees that are considered as “keystone-structures”, which favor the presence of a wide range of biodiversity, especially those species that are wood-dependent (saproxylic insects). Saproxylics are a diversified group involved in the recycling process of nutrients in forest, and thus they are considered as a bioindicator group of the quality and conservation status of habitats, including a wide number of species under some categories of threat according the IUCN criteria. It is widely recognized the importance of studying the main factors that determine the structure and distribution of species assemblages at both spatial and temporal scales, nevertheless, the saproxylic assemblages has been poorly studied from the temporal dimension. With this study we provide knowledge about the effect of the “dehesa” heterogeneity, species seasonality and distribution on this habitat and we highlight the importance of the maintaining of traditional practices as a tool for saproxylic insect diversity and conservation.

Asymptotic theory of time varying networks with memory and heterogeneous activation pattern

In this thesis work we develop a new generative model of social networks belonging to the family of Time Varying Networks. The importance of correctly modelling the mechanisms shaping the growth of a network and the dynamics of the edges activation and inactivation are of central importance in network science. Indeed, by means of generative models that mimic the real-world dynamics of contacts in social networks it is possible to forecast the outcome of an epidemic process, optimize the immunization campaign or optimally spread an information among individuals. This task can now be tackled taking advantage of the recent availability of large-scale, high-quality and time-resolved datasets. This wealth of digital data has allowed to deepen our understanding of the structure and properties of many real-world networks. Moreover, the empirical evidence of a temporal dimension in networks prompted the switch of paradigm from a static representation of graphs to a time varying one. In this work we exploit the Activity-Driven paradigm (a modeling tool belonging to the family of Time-Varying-Networks) to develop a general dynamical model that encodes fundamental mechanism shaping the social networks' topology and its temporal structure: social capital allocation and burstiness. The former accounts for the fact that individuals does not randomly invest their time and social interactions but they rather allocate it toward already known nodes of the network. The latter accounts for the heavy-tailed distributions of the inter-event time in social networks. We then empirically measure the properties of these two mechanisms from seven real-world datasets and develop a data-driven model, analytically solving it. We then check the results against numerical simulations and test our predictions with real-world datasets, finding a good agreement between the two. Moreover, we find and characterize a non-trivial interplay between burstiness and social capital allocation in the parameters phase space. Finally, we present a novel approach to the development of a complete generative model of Time-Varying-Networks. This model is inspired by the Kaufman's adjacent possible theory and is based on a generalized version of the Polya's urn. Remarkably, most of the complex and heterogeneous feature of real-world social networks are naturally reproduced by this dynamical model, together with many high-order topological properties (clustering coefficient, community structure etc.).

A spatiotemporal Data Envelopment Analysis (S-T DEA) approach:the need to assess evolving units

One of the major challenges in measuring efficiency in terms of resources and outcomes is the assessment of the evolution of units over time. Although Data Envelopment Analysis (DEA) has been applied for time series datasets, DEA models, by construction, form the reference set for inefficient units (lambda values) based on their distance from the efficient frontier, that is, in a spatial manner. However, when dealing with temporal datasets, the proximity in time between units should also be taken into account, since it reflects the structural resemblance among time periods of a unit that evolves. In this paper, we propose a two-stage spatiotemporal DEA approach, which captures both the spatial and temporal dimension through a multi-objective programming model. In the first stage, DEA is solved iteratively extracting for each unit only previous DMUs as peers in its reference set. In the second stage, the lambda values derived from the first stage are fed to a Multiobjective Mixed Integer Linear Programming model, which filters peers in the reference set based on weights assigned to the spatial and temporal dimension. The approach is demonstrated on a real-world example drawn from software development.

An epistemic event -based correlation scheme for pervasive network management

Computer networks produce tremendous amounts of event-based data that can be collected and managed to support an increasing number of new classes of pervasive applications. Examples of such applications are network monitoring and crisis management. Although the problem of distributed event-based management has been addressed in the non-pervasive settings such as the Internet, the domain of pervasive networks has its own characteristics that make these results non-applicable. Many of these applications are based on time-series data that possess the form of time-ordered series of events. Such applications also embody the need to handle large volumes of unexpected events, often modified on-the-fly, containing conflicting information, and dealing with rapidly changing contexts while producing results with low-latency. Correlating events across contextual dimensions holds the key to expanding the capabilities and improving the performance of these applications. This dissertation addresses this critical challenge. It establishes an effective scheme for complex-event semantic correlation. The scheme examines epistemic uncertainty in computer networks by fusing event synchronization concepts with belief theory. Because of the distributed nature of the event detection, time-delays are considered. Events are no longer instantaneous, but duration is associated with them. Existing algorithms for synchronizing time are split into two classes, one of which is asserted to provide a faster means for converging time and hence better suited for pervasive network management. Besides the temporal dimension, the scheme considers imprecision and uncertainty when an event is detected. A belief value is therefore associated with the semantics and the detection of composite events. This belief value is generated by a consensus among participating entities in a computer network. The scheme taps into in-network processing capabilities of pervasive computer networks and can withstand missing or conflicting information gathered from multiple participating entities. Thus, this dissertation advances knowledge in the field of network management by facilitating the full utilization of characteristics offered by pervasive, distributed and wireless technologies in contemporary and future computer networks.

An Epistemic Event-based Correlation Scheme for Pervasive Network Management

Computer networks produce tremendous amounts of event-based data that can be collected and managed to support an increasing number of new classes of pervasive applications. Examples of such applications are network monitoring and crisis management. Although the problem of distributed event-based management has been addressed in the non-pervasive settings such as the Internet, the domain of pervasive networks has its own characteristics that make these results non-applicable. Many of these applications are based on time-series data that possess the form of time-ordered series of events. Such applications also embody the need to handle large volumes of unexpected events, often modified on-the-fly, containing conflicting information, and dealing with rapidly changing contexts while producing results with low-latency. Correlating events across contextual dimensions holds the key to expanding the capabilities and improving the performance of these applications. This dissertation addresses this critical challenge. It establishes an effective scheme for complex-event semantic correlation. The scheme examines epistemic uncertainty in computer networks by fusing event synchronization concepts with belief theory. Because of the distributed nature of the event detection, time-delays are considered. Events are no longer instantaneous, but duration is associated with them. Existing algorithms for synchronizing time are split into two classes, one of which is asserted to provide a faster means for converging time and hence better suited for pervasive network management. Besides the temporal dimension, the scheme considers imprecision and uncertainty when an event is detected. A belief value is therefore associated with the semantics and the detection of composite events. This belief value is generated by a consensus among participating entities in a computer network. The scheme taps into in-network processing capabilities of pervasive computer networks and can withstand missing or conflicting information gathered from multiple participating entities. Thus, this dissertation advances knowledge in the field of network management by facilitating the full utilization of characteristics offered by pervasive, distributed and wireless technologies in contemporary and future computer networks.

Skolad blick på blommor : Formandet av yrkeskunnande i floristutbildning

This article-based thesis focuses on the formation of vocational knowing within adult and upper secondary floristry education in Sweden. Three articles explore classroom interaction and assessment actions; a fourth considers changes in vocational subject matter during the period 1990–2015. While the first three articles draw on empirical data in the form of video and audio recordings in combination with participant observation, the fourth is based primarily on material-based interview data. All four articles share a sociocultural perspective on educational practice (Wertsch, 1998; Säljö, 2011, 2013) and a relational view of knowing (e.g., Carlgren, 2015; Molander, 1996), in combination with the use of conversation analysis (Goodwin & Heritage, 1990; Sahlström & Melander, 2010) as a tool to illuminate the formation of vocational knowing. The interaction between teacher, student, and floral arrangement is foregrounded to facilitate analysis of the formation of vocational knowing. The results contribute to our understanding of the schooling of the gaze (Goodwin, 1994; Grasseni, 2009, 2011) as appropriated by participants in the interaction. Floristry vocational knowing is shown to evolve in the temporal dimension, encompassing (a) financial and aesthetic values, (b) verbal and non–verbal communication, (c) botanical material and tools, and (d) making. The respective roles and interrelations of these four components of vocational knowing in floristry are discussed. The contribution of the thesis is twofold. First, these articles contribute to the understanding of vocational education through close appraisal of the formation of vocational knowing. Second, in exploring the previously under-researched field of Swedish floristry vocational education, the thesis bridges a gap in existing knowledge of the evolution of Swedish vocational education. As floristry education is little researched internationally, the thesis also contributes to the wider body of international research. 

The Path between Pedagogy and Technology: Establishing a Theoretical Basis for the Development of Educational Game Environments

The power of computer game technology is currently being harnessed to produce “serious games”. These “games” are targeted at the education and training marketplace, and employ various key game-engine components such as the graphics and physics engines to produce realistic “digital-world” simulations of the real “physical world”. Many approaches are driven by the technology and often lack a consideration of a firm pedagogical underpinning. The authors believe that an analysis and deployment of both the technological and pedagogical dimensions should occur together, with the pedagogical dimension providing the lead. This chapter explores the relationship between these two dimensions, and explores how “pedagogy may inform the use of technology”, how various learning theories may be mapped onto the use of the affordances of computer game engines. Autonomous and collaborative learning approaches are discussed. The design of a serious game is broken down into spatial and temporal elements. The spatial dimension is related to the theories of knowledge structures, especially “concept maps”. The temporal dimension is related to “experiential learning”, especially the approach of Kolb. The multi-player aspect of serious games is related to theories of “collaborative learning” which is broken down into a discussion of “discourse” versus “dialogue”. Several general guiding principles are explored, such as the use of “metaphor” (including metaphors of space, embodiment, systems thinking, the internet and emergence). The topological design of a serious game is also highlighted. The discussion of pedagogy is related to various serious games we have recently produced and researched, and is presented in the hope of informing the “serious game community”.

Unreal PowerPoint™: Immersing PowerPoint Presentations in a Virtual Computer Game Engine World

At a recent conference on games in education, we made a radical decision to transform our standard presentation of PowerPoint slides and computer game demonstrations into a unified whole, inserting the PowerPoint presentation to the computer game. This opened up various questions relating to learning and teaching theories, which were debated by the conference delegates. In this paper, we reflect on these discussions, we present our initial experiment, and relate this to various theories of learning and teaching. In particular, we consider the applicability of “concept maps” to inform the construction of educational materials, especially their topological, geometrical and pedagogical significance. We supplement this “spatial” dimension with a theory of the dynamic, temporal dimension, grounded in a context of learning processes, such as Kolb’s learning cycle. Finally, we address the multi-player aspects of computer games, and relate this to the theories of social and collaborative learning. This paper attempts to explore various theoretical bases, and so support the development of a new learning and teaching virtual reality approach.