The works of Shakespeare: in seven volumes. Collated with the oldest copies, and corrected;

v. 1. The tempest. The midsummer-night's dream. The two gentlemen of Verona. Merry wives of Windsor. Measure for measure. Much ado about nothing.--v. 2. The merchant of Venice. Love's labour's lost. As you like it. Taming the shrew. All's well that ends well. Twelfthnight; or, What you will.--v. 3. Comedy of errors. Winter's tale. King John. King Richard II. 1st part of K. Henry IV. 2d part of K. Henry IV.--v. 4. K. Henry V. 1st part of K. Henry VI. 2d part of K. Henry VI. 3d part of K. Henry VI. K. Richard III.--v. 5. K. Henry VIII. K. Lear. Macbeth. Timon of Athens. Titus Andronicus.--v. 6. Coriolanus Julius Cæsar. Antomy and Cleopatra. Cymbeline.--v. 7. Troilus and Cressida. Romeo and Juliet. Hamlet, Prince of Denmark. Othello. A table of the several editions of Shakespeare's plays, collected by the editor (p. [495]-[503])

Shakespeare's works, with glossarial notes, and a sketch of his life ...

v. 1. The tempest. Two gentlemen of Verona. Merry wives of Windsor. Twelfth night. Measure for measure.--v. 2. Much ado about nothing. Midsummer-night's dream. Love's labors lost. Merchant of Venice. As you like it.--v. 3. All's well that ends well. Taming of the shrew. Winter's tale. Comedy of errors. Macbeth.--v. 4. King John. King Richard II. King Henry IV, part I. King Henry IV, part II. King Henry V.--v. 5. King Henry VI, part I. King Henry VI, part II. King Henry VI, part III. King Richard III.--v.6. King Henry VIII. Troilus and Cressida. Timon of Athens. Coriolanus.--v. 7. Julius Caesar. Antony and Cleopatra. Cymbeline. Titus Andronicus. Pericles.--v. 8. King Lear. Romeo and Juliet. Hamlet. Othello.

The dramatic works of William Shakespeare; with a life of the poet, and notes, original and selected.

Edited by Oliver W. B. Peabody; based on Singer's edition, "carefully compared" with the folio of 1623; with the life by Dr. Symmons, revised, and "New facts" by Collier. The first critical American edition. cf. Preface and J. Sherzer, American editions of Shakespeare (Modern lang. assoc. Publ., v. 22, pp. 658-659)

The dramatic works of William Shakspeare : accurately printed from the text of the corrected copy left by the late George Steevens ..., with glossarial notes and a sketch of the life of Shakspeare ; in two volumes.

Added title-pages, engraved (with vignette) : The plays of William Shakspeare, illustrated with engravings by George B. Ellis, from the designs of R. Smirk, R. A.

The complete works of Shakespeare with life, compendium, and concordance ...

At head of title: The Dr. Johnson edition.

The comedies, histories, and tragedies of Mr. William Shakespeare as presented at the Globe and Blackfriars Theatres, circa 1591-1623 : being the text furnished the players, in parallel pages with the first revised folio text, with critical introductions : the Bankside Shakespeare /

"Five hundred copies only"--V. 1, p. [43].

Between the rose and the shoulders of giants

The following are thoughts on 2 of the most well-known phrases in the English language, recognized as universal academic icons. That of Juliet Capuleto’s in Act II, scene II, “The Balcony”, in the immortal work of William shakespeare’s Romeo and Juliet about “A rose by any other name”, and “On the shoulders of giants”, traditionally attributed to Isaac Newton, the discoverer of the Mechanical Universal Laws, including that of Universal Law of Gravitation, in the 17th Century, but in reality first said by the humanistic philosopher and theologist Bernard of Chartres in the 12th Century

Do teatro Elisabetano ao sertão do século XIX: a presença de Shakespeare em Inocência

The Shakespearean theater is a result of the genius of this playwright alongside the material provided by the period in which they came out the Elizabethan Age. Most of his works bring up themes and elements which keep them up-to-date, arousing an ongoing interest of readers and theatergoers, and also serving as inspiration for other writers to create their own works. Taking these ideas into account, this work aims to bring up questions concerning the presence of Shakespeare in a nineteenth-century Brazilian novel, Inocência, by Viscount of Taunay. In this novel, Taunay makes references to this playwright, using some epigraphs taken from Romeo and Juliet, from which we seek to understand how the novel dialogues with this Shakespearean drama. In order to develop such a study, we take into account some theoretical assumptions of hypertextuality, as proposed by the French scholar Gerard Genette, whose ideas about the dialogue between literary works support the analysis of the relationship between Taunay s novel and the above-referenced play of Shakespeare.

Inês de Castro no romance contemporâneo português

Ines de Castro is a theme in literature from the fourteenth century. The historical fact of his death, in 1355, became a landmark in the history of Portugal and, since then, several literary texts from various genres, have dealt with this theme, this made the couple Pedro and Ines a myth of love passion, of love beyond the barriers of death, like Tristan and Isolde, Romeo and Juliet, Abelard and Heloise. The literary myth - or any picture that mythologize literature - is always prepared before culturally and works in the same way that so many others, this is, as an element of cultural identity, either collectively or individually, making it also a feature poetic. Thereby, is an archetype confirmed through time and eventually reveals a series of webs of the human psyche. Ines de Castro became the Portuguese myth of eternal love: she became queen after your dead. The persistence of the myth makes the love story of Pedro and Ines continue to produce texts of various literary genres. This study examines six contemporary historical novels, to show that the way actually this kind o novel does a new formulacion of Pedro e Ines mythical, because now it s different view likes the victim in Os lusiadas and other texts from the past. Collaborate to this news relacions between history and literature and a novelist's new stance in relation to historical facts that relate like reffering to novel. The intention is to show, through the novels chosen now Ines de Castro have different profiles than it had before in tradicional historic novels from the period of Romanticism and New Romanticism. Authored by Agustina Bessa-Luís, João Aguiar, António Cândido Franco, Seomara da Veiga Ferreira and Luis Rosa, the six novels studied show the circularity cultural of inesian myth showing this new character of the new person Ines in the contemporany historical novel

Ser ou não ser (de santo)?: aspectos do campo religioso afro-brasileiro na peça teatral Balbina de Iansã, de Plínio Marcos

To be or not to be (of candomblé)? – aspects of Afro-Brazilian religious field in the theater play Balbina de Iansã, by Plínio Marcos. In 1970, the playwright born in Santos-SP Plínio Marcos writes and directs the spectacle Balbina de Iansã, an adaptation (in form of a musical) from Romeo and Juliet, by Shakespeare. The action happens in a candomblé yard, managed authoritatively by a Mãe-de Santo, who tries to prevent the young protagonist couple’s love. This study analyzes the representation of some rites and principles of Afro-Brazilian religion in the play, especially concerning the critique of the relations of power that exist in the yards of São Paulo.

Rolfe's Shakespeare /

Another ed. issued simultaneously, with flexible cloth binding (12mo), in series: English classics.

Shakspere quarto facsimiles /

--v. 25 Romeo and Juliet; the 1st quarto, 1597.--v. 26 Romeo and Juliet; the 2nd quarto, 1599.--v. 27 King Henry V; the 1st quarto, 1600.--v. 28 King Henry V; the 3rd quarto, 1608.--v. 29 Titus Andronicus; the 1st quarto, 1600.--v. 30 Sonnets; the 1st quarto, 1609.--v. 31 Othello; the 1st quarto, 1622.--v. 32 Othello, the 2nd quarto, 1630.--v. 33 King Lear; the 1st quarto, 1608.--v. 34 King Lear; the 2nd quarto, 1608.--v. 35 Lucrece; the 1st quarto, 1594.--v. 36 Romeo and Juliet; the undated quarto.--v. 37 First part of the Contention; the 1st quarto, 1594.--v. 38 True tragedy; the 1st quarto, 1595.--v. 39 Famous victories of Henry the fifth; the earliest known quarto, 1598.--v. 40-41 The troublesome raigne of John, king of England; the 1st quarto, 1591.--v. 42 Richard the third; the 3rd quarto 1602.--v. 43 Richard the third; the 6th quarto, 1622.

The Gallery of Shakspeare, or, Illustrations of his dramatic works.

Series 2, 5 have imprint: London, Ackermann.

The century Shakespeare.

T.p. in green and black; illustrated lining papers.

Pieces that have won prizes; also many encore pieces.

Encore pieces: An old man's soliloquy / Roswell Field -- A n old sweetheart of mine / James Whitcomb Riley -- And the band played / Maurice E. McLaoughlin -- The ballad of the colors ; Ben Bolt / Thomas Dunn English -- A brave little girl ; Casey at the bat / Anon -- The cataract of Lodore / Robert Southey -- The countersign was Mary / Margaret Eytinge -- Dinnis Kilboo's sanatarium / Chas. T. Catlin -- A dude in a horse-car / G.W. Kyle -- Elsinore / Lucy H. Hooper -- Entertaining sister's beau / Bret Harte -- Family financiering ; Farmer John ; Father's voice ; A fly's cogitations / Anon -- Foreign views of the statue / Fred. Emerson Brooks -- Going to school / Anon -- Grandma -- The granger and the gambler / W.H. -- A great tune / John Habberton -- Hail fellow, well met / Albert Hardy -- Hans and Fritz -- How girls study / Belle McDonald -- Jack the evangelist / N.Y. Evangelist -- The kitchen clock / J.V. Cheney -- Life's magnet / Ella Wheeler Wilcox -- The little boy's prayer / S.M. Talbot -- Little Nan -- Little orphant Annie / James Whitcomb Riley -- A little woman / Eugene Field -- Maud Rosihue's choice / T. Edwin Leary -- The mischievous misses / James G. Small -- Miss Maloney on the Chinese question / Mary M. Dodge -- Mrs. Stuart learns how to skate / Clara Augusta -- My lover / Emma Mortimer White -- My garden / Anon -- Nancy / Arty Brace -- Now and then / Anon -- O captain, my captain / Walt Whitman -- The old man in a palace car / John H. Yates -- The orthod-ox team / Fred Emerson Brooks -- The porter's story / Maurice Edmunds -- The proposal -- Romeo and Juliet / The Poet-Scout -- Room enough for all / Anon -- The saint and the sinner / Madeline Bridges -- Sam / Albert Hardy -- A schoolroom idyl / Charles B. Going -- A telephone message -- The countersign / J. Hooker Hamersley -- Uncle Ned's defense / Anon -- Unforgiven / Frank McHale -- The valentine / Mary D. Brine -- Wash dolly up like that / Eleanor Kirk Ames -- What is a gentleman / N.L. O'D -- The witness / Anon -- Yellow roses / J. Hooker Hamersley.