277 resultados para Rewriting


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If planning is the conscious formulation of a preferred.future and deliberate actions to realise that future in the landscape, then Indigenous Australians have long been involved in planning settlements and regions. Yet such actions - pre and post-contact - are absent from the history of Australian planning, as evidenced by some major texts on the subject. That also passes without serious comment in the planning literature and contemporary practice are the theoretical implications of admitting key aspects of recent Indigenous history - such as prior occupancy, ongoing sovereignty, resistance strategies, ghettoisation and Native Title. There are, therefore, significant gaps in the history and theory of Australian planning which impact negatively on its current teaching and practice. The consequences of such omissions range.from incomplete histories to ongoing injustices in Australian planning practice. My larger research project will collate these absences before reworking the history of Australian planning from the perspective of those systematically excluded from it -women, migrants from racially marked non-white backgrounds and Indigenous Australians. This paper will consider only a small part of this larger project. It will first examine some of the key texts which construct the history of Australian planning before examining one place - Lake Condah in Western Victoria - as one site of permanent settlement by the Gundijmara people who lived in stone houses arrayed in villages around an engineered sophisticated fish farming enterprise. Here then is but one example - admittedly subject to contestation over its scale, anthropological and archaeological fundamentals - which challenges the view of indigenous Australians as not only nomadic and "primitive" but also as legitimately placed outside the history of Australian planning. I will conclude by speculating on what this example might mean to any reworking of that history.

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The methods and algorithms of generative modelling can be improved when representing organic structures by the study of computational models of natural processes and their application to architectural design. In this paper, we present a study of the generation of branching structures and their application to the development of façade support systems. We investigate two types of branching structures, a recursive bifurcation model and an axial tree based L-system for the generation of façades. The aim of the paper is to capture not only the form but also the underlying principles of biomimicry found in branching. This is then tested, by their application to develop experimental façade support systems. The developed algorithms implement parametric variations for façade generation based on natural tree-like branching. The benefits of such a model are: ease of structural optimization, variations of support and digital fabrication of façade components.

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 Rewriting History is a contemporary political story about taking action in the face of seemingly insurmountable odds – a David Vs Goliath tale that bears testament to the power of conviction and the importance of fighting for the historical truth. SCREEN HISTORY : 14 May, 20 May, 3 Jun., 15 Jul. 2012, The Sydney Jewish Museum, Australia 28 Jun. – 3 May 2012, Classic Cinema Melbourne, Australia SBS TV, Australia 14 Sep. 2012 16 Apr. 2013, George Washington University, in conjunction with the Washington DC Jewish Community Centre, Washington DC, USA 18 Apr. 2013, Jay Ipson Holocaust Lecture Series, Richmond, Virginia, USA 28 Apr.2013, American Jewish University, in conjunction with LA Holocaust Museum and Survivor Mitzvah Project, Los Angeles, USA 10 Jun. 2013, Limmud Oz, Sydney, Australia 10 Jul. 2013, Borehamwood & Elstree Synagogue, London 16 Jul. 2013, Simultaneous United Synagogue Screenings across the UK: Scotland, Newcastle, Leeds, Manchester and multiple locations in London, to coincide with the Jewish day of mourning of Tish B’Av 4 Aug. 2013, Limmud South Africa, Cape Town 7 Oct. 2013, Jewish Eye Film Festival, Israel “Official Selection"