Análise de ofícios sob uma perspectiva bakhtiniana

The objective of this work is to describe the particularities of the official letter genre, according to theoretical perspective of the Russian philosopher of language Bakhtin. The discourse genres, in this perspective, presented in relative stability, being affected by alterations occurred in the activity sphere where they circulate, for the ideological values that produce the speeches of this sphere and for the dialogic relations with other genres and spheres. It is intended to show as the official letter, in the public departments, although the stability acquired for its formal style, objective, reveals in an instability permeated for the thematic aspect, compositional and until stylistic. For realization of this analysis, were select sixty official letters of the public town administration sphere of the city of Araraquara, produced in the months of February, March and April of 2011. The official letters were separate in two groups for subject: repayment; diverse subjects. The methodology uses the dialogic boarding of the discourse used for the circle of Bakhtin

A aventura da escrita. A produção do diário como instrumento didático pedagógico ou de como as crianças escrevem e tecem considerações sobre o ato de escrever

The diary - considered here as a writing instrument that allows reflection of who reads and who writes - was chosen as a didactc and pedagogical, to follow the trajectory of the writing of the research subjects, which are 30 children, two groups of participants school support, offered by the ONG Núcleo Artevida, and have between 06 and 14 years of age. These children are also attending meetings of the municipal schools of the city of Rio Claro-SP, and in general, have difficulties especially in activities involving the practices of reading and writing. By the writing of the diaries, pretend to, beyond to follow the trajectory of the writing of these children, attend to theirs writing production – on the diaries - attending to what they say about the act of writing. The open pages of each book are invitations to readings, to possible readings. These readings indicate possible dialogical relations and dialogues, and indicated widespread practice of writing. Note that the written diaries is diferente of the school writing, because it doesn't carry the obligation of school tasks, and doesn't require forms, rules and pre-set styles.

Gênero discursivo cinema, o filme musical: análise dialógica de Across the Universe

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

A polêmica sobre os transgênicos: Monsanto vs. MST

Based on a discursive perspective, in this paper we analyze some aspects of the dialogue between the discourse in favor of and the one against transgenics in Brazil, by showing the dialogic relations that each of them engages with other discourses. We noticed that the anti-transgenics discourse, which opposes openly the pro-transgenics trend, has been built upon both the scientific and the leftist political discourses, whereas the pro-transgenics discourse has been constructed upon the scientific discourse and covertly polemicizes with its other.

A seção o português é uma figura, de Marcílio Godói, em diálogo com gêneros discursivos nas esferas jornalística, científica e pedagógica

Pós-graduação em Linguística e Língua Portuguesa - FCLAR

Dialogismo e construção da voz autoral na escrita do texto científico de jovens pesquisadores

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Dialogização de vozes: o fio construtor do estilo de José Bezerra Gomes no romance A porta e o vento

This research aims to investigate the process of stylistic construction in novelistic prose of Northeastern Brazilian writter José Bezerra Gomes, taking as a corpus his novel called A porta e o vento. The theoretical foundations supporting this study are related to the ideas disseminated by a group of linguistic researchers known as Bakhtin Circle, especially the notions of dialogic language, literary word, concrete utterance, social voices, and sociological style/stylistic. Concerning to methodological guidance, this work is characterized by adopting the interpretive paradigm of socio-historical background, still situated in the great field of Applied Linguistics, an undisciplinary area of research and frontier whose primary focus is concrete and situated language. The analysis allowed me to hear several social voices embodied therein, realizing a variety of dialogs, numerous worldviews in constant struggle, that due to the management and the finish given by the author, eventually create a tone, a unique composition compared to other discourses and current styles in his midst. Ideological clashes are evident: the voice of tradition versus particular character Santos’ voice regarding the institution of marriage; confrontation between antagonistic hinterland pictures - a living hinterland (rich and diverse) as opposed to the stereotypical notion of hinterland (poor and sterile); and the door and the wind as a metaphor of a fighting arena and a hint of poeticization of the language of prose. The main feature of Bezerra’s style in A porta e o vento is related to the aforesaid modes dialogization voices present in the novel. Therefore, one can found veiled polemic, dialogical replicas and veiled dialogues, which are categories already discussed in Bakhtin's theory, but also other new modes dialogization, grounded in the dynamics of living and concrete language

Do discurso da resistência à resistência do discurso: as construções identitárias de Mossoró nos enunciados da literatura de cordel

This study has as objective to investigate the identity constructions of Mossoró, at the statements of the string literature. Having as thread the episode of resistance of the city against the group of Lampião at June the thirteenth of nineteen twenty seven, our study built itself at the statements present in nine strings, produced between the space-time of 1927 and 2007, year that Mossoró celebrated eighty years of the episode. Aware that the theme extrapolated the limits of the means of communication of the time and it became part of the everyday of the people from Mossoró, producing at the collective memory the image of a resistance city at the street’s names, at companies’ names, at radios’ names with the “FM Resistance”, at the discourses of the politicians, at the city hall which name is “Palace of the Resistance”, the central question that guides our investigation congregates the discussion around the dialogical relations done at the statements about the theme in vogue. This bias, the research elected as categories of analysis the concept of social voices and chronology, considering that the different identities are produced according to placements made by the subjects, as well as, by the context of production. Admitted at the area of Applied Linguistics (AL) and its line language and pratic of social the research articulates the theorizations provided from the area of Cultural Studies (especially regarding identity) with the theoretical framework of the bakhitinian Circle (regarding the social-historical conception of language and in its dialogical character). The results indicate that even existing an axiological movement around the representations of Mossoró and of the episode of 1927, the statements of the strings converge to a hegemonic discourse, corroborating with the identity profile of resistance transported over eighty decades

Anúncio publicitário direcionado ao público masculino: uma abordagem dialógica

In this study, we intend to focus on the printed advertisement genre which reveals its discursive genre condition circulating in printed media sphere, specifically in four magazines: Playboy, Score, GQ and Men's Health. The overall objective of this study is to analyze the identity in advertisement gender directed at male audience in printing, by considering how commercials work in the consumer society by seeking to satisfy a particular group, the reader/male consumer with modern customs and behaviors. For this, advertisements from four magazines of January, April, July and October were gathered, totaling sixteen magazines and twenty-seven types of genre pieces over a period of one year: from January to December 2012. We have selected about 27 pieces that advertisers tried to expose the body on the space of advertisements, resulting in a heightened appreciation of physical appearance. So we divide our corpus in a category, adiáforo body, and three sub-categories: the body building; the tattooed body and the consumption body. This work is part of a qualitative-interpretative approach, in order to investigate the social reality, paradigm advocated by applied linguists. Thus, our study is turned to a related activity with language issues present in the printed media sphere. Advertisement is understood as real unity of discursive and inter-subjective communication, maintaining relationships with others statements already said and prefigured and calling others to settle. Based on these assumptions, we have presented an analysis of the printed advertisement gender in men's magazines basing ourselves in contemporary research on Discourse Dialogic Analysis in Circle studies by Mikhail Bakhtin, revisiting his theoretical and methodological aspects and the identity concepts and culture as well as authors of the advertising sphere. This research has been presented relevant as it has contributed to an analysis of the verbal-visual dimension of advertising directed at male audience, considered as a discursive genre that circulates in the printed media and advertising, steeped in dialogical relations and have also contributed to the construction and development of theoretical and methodological frameworks, and applied to teachers and professionals interested in the theme. Results have shown data demonstrating that the search for a completeness never come, the man have built himself the search of the perfect body, the pursuit of exquisite stereotype, the search for products that contribute to this his self-assertion always transient and in construction. It is concluded that the body is a recurring theme in the four magazines. The body tailored is always presented as the ideal to which every man must achieve.

O belo antro e a grande oliveira : recepções da alegoria da caverna na tradição neoplatônica

Desde a Magna Grécia de Pitágoras, Empédocles e Parmênides, passando pelas relações “perigosas” entre a sabedoria nascente e as tradições órfico-dionisíacas, em nítida continuidade com a mitologia arcaica e as narrativas teogônicas, dialogando com as práticas médicas asclepíades, a filosofia antiga visita cavernas. A caverna da República, uma das mais poderosas e fecundas alegorias do pensamento ocidental, é simultaneamente herdeira e ponto de fuga da longa trajetória dessa metáfora. Não se pretende aqui, no entanto, compreender a imagem platônica como a consumação de uma velha tradição filosófica que “pensa em cavernas”; procura-se, antes, iluminar essa alegoria com a interpretação oferecida pela filosofia acadêmica posterior. No Antro das Ninfas, Porfírio parte de 11 versos de Homero (Od. XIII, 102-112) para habilmente desenhar uma exegese inspirada na teoria platônica da alma. A lectio porfiriana permite sugerir que a imagem da caverna revela algo mais que uma simples alegoria literária. Ela dá prova da existência de relações dialógicas e circulares entre a filosofia platônica e o imaginário religioso popular do mundo antigo. _______________________________________________________________________________ ABSTRACT

Dialogic relations in the Brazilian scientific dissemination from the 19th century: a look in the light of the bakhtinian Metalinguistics

The present study aims at presenting a metalinguistic analysis of one of the Brazilian scientific dissemination architectonics aspects of the 19th century, materialized in the concrete utterance of the Conferências Populares da Glória: the issue of dialogic relations. For such, it adopts as a theoretical-methodological support the discourse analysis and dialogic theory proposed by Bakhtin, aiming to show how the scientific dissemination utterance establishes dialogic-semantic relations with utterances from other ideological spheres, as example of scientific, philosophic and religious utterances in circulation in sociodiscursive context of the nineteenth century.

TRANSGREDINDO A NORMA: UM ESTUDO COMPARATIVO...

O presente ensaio trata do processo de indefinição que o pósmodernismoacarreta em relação às formas e gêneros literários. A partir daestética pós-modernista, as fronteiras que classificavam os gêneros seguindoas regras aristotélicas, tornam-se cada vez mais imprecisas de tal formaque um ensaio pode apresentar características de narrativa bem como aficção mistura-se com a informação contida em textos não-ficcionais. Partindo-se dos ensinamentos de Linda Hutcheon quanto a uma nova configuraçãona ficção contemporânea, analisa-se três contos de autores pertencentesao grupo de escritores pós-modernos, repectivamente “Perdido notúnel do terror”, de John Barth, “Anotações sobre Macedonio num diário”,de Ricardo Piglia e “Tema del traidor y del héroe” , de Jorge Luis Borges. Oestudo comparativo dos três contos revela uma estética voltada aautoreferencialidade, justificando o termo utilizado por Hutcheon de narrativanarcísica, a qual se volta para o processo da construção literária,intercalando o texto ficcional com artifícios da metaficção. Uma das conseqüênciasmais marcantes dessa nova estética é a (re) definição do papel doleitor de mero espectador passivo para um leitor atuante e necessário nestejogo que se estabelece entre o texto e leitor. Dessa forma, a visão autoritáriaque se tinha do autor dá lugar a um processo democrático em que o leitortorna-se peça fundamental nas relações dialógicas que se estabelecem entreo universo ficcional das personagens e o universo do leitor.

AND THEY LIVED HAPPY FOREVER AND EVER: the dialogical relationship in a advertising campaign by O Boticario

According to Bakhtin, the discourse is always the result f intercrossing with other texts and from them the collective aspect from the “I”, tagged by voices which join to each other in the discourse. One of the ways of putting different voices into the discourse is the stylization. In it, there’s the imitation of another discursive materiality, that implies a dialogue whose effects of meaning are convergent among them. As an effect, it’s gotten a bivoiced discourse in which echoes are listened from the discourse which stylizes and also from the one which was stylized. Based on this, this paper has as an objective to find out the dialogue, made by the stylization, that the chosen advertising campaign maintain with some of the known fairy tales. The theoretical foundation will be Bakhtin’s studies and reflexions (1997; 1998; 2011) about the language dialogical character and studies from people who studied his studies, such as Brait (2005; 2010), Fiorin (2006a; 2006b), among others. The research methodology was, based in the balkintinian dialogism concept, in the reading and search for the dialogical relationship and texts which have the advertising style in relation to the childish tales. As a result, it was gotten the confirmation that the advertisement is always a memory from other texts by its intertextual and interdiscoursive characteristics. So, when the speaker created the campaign from already known voices, id arouse an expectation in the interlocutor, with whom, a dialogue will be held that, consequently, will result in a response. In this case, the interlocutor interest by the announced product.

Práticas dialógicas e cidadania no ensino de ciências: uma experiência educativa com mulheres e homens do campo em Curupaiti - Viseu/PA

O presente trabalho, intitulado Práticas Dialógicas e Cidadania no ensino de ciências: uma experiência educativa com mulheres e homens do campo em Curupaiti – Viseu,/PA, foi desenvolvido com uma turma de 2ª etapa de Educação de Jovens e Adultos – mulheres e homens do campo. Tem como objeto de estudo práticas pedagógicas de Educação em Ciências que consideram como ponto de partida para a construção de conhecimentos as realidades dos educandos, visando uma educação dialógica e interdisciplinar em prol de sua formação cidadã. Objetiva investigar se tais práticas pedagógicas contribuem para uma educação dialógica e interdisciplinar em prol de sua formação cidadã. A questão de pesquisa é expressa do seguinte modo: Em que termos práticas pedagógicas que consideram as realidades de alunos do campo na modalidade de Educação de Jovens e Adultos contribuem para uma educação dialógica e interdisciplinar na educação em ciências, como mediação para a formação para a cidadania? Trata-se de uma pesquisa qualitativa na abordagem pesquisa-ação, de natureza narrativa. As ações pedagógicas desenvolvidas foram relacionadas à alimentação humana, ao plantio de feijão como atividade econômica e a projetos de agricultura familiar na perspectiva da agroecologia. Os instrumentos de pesquisa utilizados foram diários e entrevistas não estruturadas. São analisadas três práticas pedagógicas desenvolvidas com a turma, constituindo o que denomino de teias dialógicas, o que, neste estudo, traduz a idéia de que tais episódios estão ligados a momentos anteriores à sua ocorrência, propriamente dita, tais como o planejamento e também a situações posteriores, sempre numa perspectiva de interação. A primeira teia é denominada Alimentação humana: uma alternativa na perspectiva popular; a segunda, Dialogando às sombras do feijoal e a última, Agricultura Familiar e os desafios da agroecologia. Considero nas análises, como pontos de destaque, as relações de diálogos estabelecidas entre os sujeitos envolvidos, entre as disciplinas escolares e entre diferentes tipos de conhecimentos. A concepção de diálogo adotada neste trabalho diz respeito a uma compreensão interativa que admite que num diálogo há interação e nunca hierarquização e supremacia de um dos atores envolvidos. As reflexões construídas são indiciárias de que ações pedagógicas construídas com os sujeitos do processo educativo, tendo como ponto de partida a realidade em que estão inseridos, convergem para uma educação dialógica e interdisciplinar coerente com o propósito de construção de cidadania, cuja percepção de vida e sociedade compreende uma teia que não pode ser entendida sem seus fios e suas múltiplas relações de complexidade.

Entre-sons, entre-mundos, entre-idades: ações dialógicas, cultura adolescente e educação musical

Pós-graduação em Música - IA