The poetical works of Thomas Cooper.

Purgatory of suicides.--Smaller prison rhymes.--Paradise of martyrs.--Early pieces.

The novels, tales and letters of Prosper Mérimée /

v.1. Carmen; Arsène Guillot, Abbé Aubain. Tr. by E. M. Waller, M. Loyd and E. B. Thompson; with illus. by G. Fraipont and S. Arco.--v.2. Colomba, tr by the Lady Mary Loyd; with illustrations by G. Vuillier.--v.3. The mosaic, comprising Mateo Falcone, and other tales. Tr. by Emily M. Waller and Mary H. Dey; with illustrations by J. Le Blant, P. Sinibaldi, L. O. Merson, Myrbach, E. de Beaumont, and Lalauze.--v.4. The double mistake; Souls in purgatory; The Venus of Ille. Tr. by W. M. Arnold, Olive E. Palmer, and Emily M. Waller; with illustrations by G. Fraipont, A. Bramtot, and J. J. Aranda.--v.5. Last stories and translations, tr. by Emily M. Waller and Louise Paul; with illustrations by A. Robaudi; Lokis, The "Viccolo" of Madam Lucrezia. The blue chamber. Djoûmane. The Spanish witches. The pistol shot. The queen of spades. The Bohemians. The hussar.--v.6. A chronicle of the reign of Charles IX. Tr. by G. Saintsbury; with illus. by E. Toudouze.--v.7-8. Letters to an unknown, tr. by Olive E. Palmer.

Mortal life; and the state of the soul after death : conformable to divine revelation as interpreted by the ablest commentators, and consistent with the discoveries of science /

Mode of access: Internet.

The Divina commedia and Canzoniere,

v.1. Hell.--v.2. Purgatory.--v.3. Paradise.--v.4. Canzoniere Dante's Confession of faith. Eclogues.--v.5. The genesis and growth of the "Commedia". Estimates, contemporary and later. Dante as an observer and traveler. Portraits of Dante.

The Divine comedy of Dante Alighieri /

Vol. 1. Hell -- v. 2. Purgatory -- v. 3. Paradise.

The writings of Prosper Mérimée, comprising his novels, tales and letters to an unkown, with an essay on the genius and achievement of the author,

At head of each t.p.: The novels, tales and letters of Prosper Mérimee.

The revelation to the Monk of Evesham, 1196 /

"15 October, 1869."

The Divine comedy of Dante Alighieri /

Tr. of: La Divina commedia.

The Divine comedy of Dante Alighierei;

"Aids to the study of the 'Divine comedy'": v. 1, p. [v]-viii.

Readings on the Purgatorio of Dante, chiefly based on the commentary of Benvenuto da Imola,

Frontispiece: "Dante by Giotto after a drawing ... by Baron Seymour Kirkup made before the restoration of the fresco in 1841."

Corpos mortos e vivos: as cerimônias mortuárias e as representações da morte entre católicos brasileiros

Esta pesquisa procurou descrever, analisar e comparar as cerimônias mortuárias e as representações coletivas de católicos brasileiros da morte e do luto. Tivemos por objetivo estudar os sistemas simbólicos desenvolvidos em várias sociedades, começando com as culturas tribais, passando depois para o cristianismo dos primeiros séculos, antes da instauração do processo de institucionalização que originou o cristianismo católico e durante ele. Analisamos as práticas e representações católicas relacionadas com a morte e o morrer, na Idade Média, Idade Moderna e Contemporânea, tanto na Europa como no Brasil. O objetivo também foi apresentar os ritos mortuários como formas de dar sentido à vida, de reforçar e manter a coesão social, em que indivíduos vivem constantemente os desarranjos gerados pela presença da morte que arrebata um dos seus semelhantes provocando um desequilíbrio social. Ao realizar tal pesquisa sobre os rituais mortuários católicos, a meta consistiu em avançar um pouco mais no conhecimento sobre um fenômeno social religioso nem sempre abordado pelos pesquisadores: a morte do crente, as práticas mortuárias dos grupos católicos, seus hábitos e discurso quanto ao morto, dentro de um cenário brasileiro que se torna cada vez mais urbano e secularizado.(AU)

Relationship status and identity construction in heterosexual women:A discourse analytic and personal construct study

This thesis reports the findings of three studies examining relationship status and identity construction in the talk of heterosexual women, from a feminist and social constructionist perspective. Semi-structured interviews were conducted with 12 women in study 1 and 13 women for study 2, between the ages of twenty and eighty-seven, discussing their experiences of relationships. All interviews were transcribed and analysed using discourse analysis, by hand and using the Nudist 6 program. The resulting themes create distinct age-related marital status expectations. Unmarried women were aware they had to marry by a ‘certain age’ or face a ‘lonely spinsterhood’. Through marriage women gained a socially accepted position associated with responsibility for others, self-sacrifice, a home-focused lifestyle and relational identification. Divorce was constructed as the consequence of personal faults and poor relationship care, reassuring the married of their own control over their status. Older unmarried women were constructed as deviant and pitiable, occupying social purgatory as a result of transgressing these valued conventions. Study 3 used repertory grid tasks, with 33 women, analysing transcripts and notes alongside numerical data using Web Grid II internet analysis tool, to produce principle components maps demonstrating the relationships between relationship terms and statuses. This study illuminated the consistency with which women of different ages and status saw marriage as their ideal living situation and outlined the domestic responsibilities associated. Spinsters and single-again women were defined primarily by their lack of marriage and by loneliness. This highlighted the devalued position of older unmarried women. The results of these studies indicated a consistent set of age-related expectations of relationship status, acknowledged by women and reinforced by their families and friends, which render many unmarried women deviant and fail to acknowledge the potential variety of women’s ways of living.