COMUNICAÇÃO POPULAR-ALTERNATIVA DESENVOLVIDA POR JOVENS INDÍGENAS DAS ALDEIAS DO JAGUAPIRU E BORORÓ EM DOURADOS / MS

Trata-se de um estudo de caso em que analisamos a comunicação alternativa desenvolvida pela AJI (Ação dos Jovens Indígenas), em Dourados/MS, nas aldeias do Jaguapiru e Bororó. Os jovens, que produzem audiovisuais, fotografias, blog, fotolog e um jornal impresso, encontraram na comunicação uma alternativa ante à marginalidade com que os índios são tratados na cidade, e buscarem seus direitos à voz e ao espaço social, em suas próprias tribos, já que os jovens indígenas solteiros ocupam um não-lugar na Reserva, pois não pertencem à organização tradicional indígena, tampouco estão inseridos entre os brancos. A partir das características e limitações da comunicação alternativa no Jornal AJIndo, por meio de pesquisa bibliográfica, entrevistas semi-estruturadas e análise de conteúdo, buscamos verificar o impacto da utilização desta comunicação nas aldeias para os jovens que a produzem, levando em conta interferências nas formas tradicionais de hierarquia e comunicação entre os indígenas e a função social da comunicação alternativa para eles. Embora não seja o objetivo principal do AJIndo, destaca-se o desenvolvimento da auto-estima como resultado desse processo. Soma-se a esta função, a mobilização por transformação social e a formação crítico-educativa. Após o esforço de organização, os jovens começaram a se sentir pertencentes aos indígenas e a serem ouvidos pelos brancos, mesmo que acreditem ser por interesses políticos da comunidade como um todo.

PARTICIPAÇÃO POPULAR NA ELABORAÇÃO DO PLANO DIRETOR DE JOANÓPOLIS ASPECTOS SOCIOEDUCATIVOS DO PROCESSO

Este trabalho busca descrever o processo de mobilização da população da cidade de Joanópolis - S.P., com vistas à participação na elaboração do Plano Diretor da cidade. Do mesmo modo, busca compreender os principais pressupostos teóricos necessários à elaboração de processos de educação social que garantam a construção coletiva de políticas públicas. A metodologia utilizada neste trabalho é de caráter qualitativo, que tanto permite o tratamento objetivo dos dados da ação quanto acolhe a parte ativa das tomadas de decisão. A contribuição deste trabalho reside em partilhar a elaboração de uma metodologia sócioeducativa que possa ser utilizada por agentes político-pedagógicos na elaboração de Planos Diretores,notadamente em cidades pequenas e médias.

COMUNICAÇÃO POPULAR-ALTERNATIVA DESENVOLVIDA POR JOVENS INDÍGENAS DAS ALDEIAS DO JAGUAPIRU E BORORÓ EM DOURADOS / MS

Trata-se de um estudo de caso em que analisamos a comunicação alternativa desenvolvida pela AJI (Ação dos Jovens Indígenas), em Dourados/MS, nas aldeias do Jaguapiru e Bororó. Os jovens, que produzem audiovisuais, fotografias, blog, fotolog e um jornal impresso, encontraram na comunicação uma alternativa ante à marginalidade com que os índios são tratados na cidade, e buscarem seus direitos à voz e ao espaço social, em suas próprias tribos, já que os jovens indígenas solteiros ocupam um não-lugar na Reserva, pois não pertencem à organização tradicional indígena, tampouco estão inseridos entre os brancos. A partir das características e limitações da comunicação alternativa no Jornal AJIndo, por meio de pesquisa bibliográfica, entrevistas semi-estruturadas e análise de conteúdo, buscamos verificar o impacto da utilização desta comunicação nas aldeias para os jovens que a produzem, levando em conta interferências nas formas tradicionais de hierarquia e comunicação entre os indígenas e a função social da comunicação alternativa para eles. Embora não seja o objetivo principal do AJIndo, destaca-se o desenvolvimento da auto-estima como resultado desse processo. Soma-se a esta função, a mobilização por transformação social e a formação crítico-educativa. Após o esforço de organização, os jovens começaram a se sentir pertencentes aos indígenas e a serem ouvidos pelos brancos, mesmo que acreditem ser por interesses políticos da comunidade como um todo.

Literature review and update of lower limb neural mobilization

Summarize the available literature descriptions of neural mobilization (NM) techniques and neural provocation tests (NPT) for the Lower Limb (LL). Compilation of data was performed in May 2016 using MEDLINE data base, Google Scholar and the library of the European University of Madrid. After application of inclusion/exclusion criterions 5 books and 14 journal publications where found to be of interest and used during data extraction.Results: a list of 8 different LLNM techniques are applied in a rhythmic alternating oscillatory cycle fashion, starting in the initial position from where the therapist proceeds to move the limb in order to achieve a final position. LL NPTs are useful tools for differential diagnose and selecting the proper LLNM procedure. There is no consensus about the time frame of repetition intervals or amount of tensile strength during NPT never the less it is found to normally be performed at a rate of 2-4 seconds per complete cycle of movement, during 1-5 minutes, 3-5 times a week. LLNM treatment techniques all thou increasingly popular in clinical practice are found to be frugally described and lack proper standardization in regards to therapeutic dosification.

How does ‘Newstainment’ actually work? : ethnographic research methods and contemporary popular news

Much debate has taken place recently over the potential for entertainment genres and unorthodox forms of news to provide legitimate – indeed democratized – in-roads into the public sphere. Amidst these discussions, however, little thought has been paid to the audiences for programs of this sort, and (even when viewers are considered) the research can too easily treat audiences in homogenous terms and therefore replicate the very dichotomies these television shows directly challenge. This paper is a critical reflection on an audience study into the Australian morning “newstainment” program Sunrise. After examining the show and exploring how it is ‘used’ as a news source, this paper will promote the use of ethnographic study to better conceptualize how citizens integrate and connect the increasingly fragmented and multifarious forms of postmodern political communication available in their everyday lives.

Less popular but more democratic? Corrie, Clarkson and the dancing Cru

The central cultural experience of modernity has been change, both the ‘creative destruction’ of existing structures, and the growth, often exponential, of new knowledge. During the twentieth century, the central cultural platform for the collective experience of modernising societies changed too, from page and stage to the screen – from publishing, the press and radio to cinema, television and latterly computer screens. Despite the successive dominance of new media, none has lasted long at the top. The pattern for each was to give way to a successor platform in popularity, but to continue as part of an increasingly crowded media menu. Modern media are supplemented not supplanted by their successors.

Media Studies: "Media, History and Society", and "Thinking Popular Culture".

“When cultural life is re-defined as a perpetual round of entertainments, when serious public conversation becomes a form of baby talk, when, in short, a people become an audience and their public business a vaudeville act, then a nation finds itself at risk.” (Postman) The dire tones of Postman quoted in Janet Cramer’s Media, History, Society: A Cultural History of US Media introduce one view that she canvasses, in the debate of the moment, as to where popular culture is heading in the digital age. This is canvassed, less systematically, in Thinking Popular Culture: War Terrorism and Writing by Tara Brabazon, who for example refers to concerns about a “crisis of critical language” that is bothering professionals—journalists and academics or elsewhere—and deplores the advent of the Internet, as a “flattening of expertise in digital environments”.

Journalism, History and the Politics of Popular Culture

I argue that a divergence between popular culture as “object” and “subject” of journalism emerged during the nineteenth century in Britain. It accounts not only for different practices of journalism, but also for differences in the study of journalism, as manifested in journalism studies and cultural studies respectively. The chapter offers an historical account to show that popular culture was the source of the first mass circulation journalism, via the pauper press, but that it was later incorporated into the mechanisms of modern government for a very different purpose, the theorist of which was Walter Bagehot. Journalism’s polarity was reversed – it turned from “subjective” to “objective.” The paper concludes with a discussion of YouTube and the resurgence of self-made representation, using the resources of popular culture, in current election campaigns. Are we witnessing a further reversal of polarity, where popular culture and self-representation once again becomes the “subject” of journalism?

Collaborative Filtering Recommender Systems based on Popular Tags

The social tags in web 2.0 are becoming another important information source to profile users' interests and preferences for making personalized recommendations. However, the uncontrolled vocabulary causes a lot of problems to profile users accurately, such as ambiguity, synonyms, misspelling, low information sharing etc. To solve these problems, this paper proposes to use popular tags to represent the actual topics of tags, the content of items, and also the topic interests of users. A novel user profiling approach is proposed in this paper that first identifies popular tags, then represents users’ original tags using the popular tags, finally generates users’ topic interests based on the popular tags. A collaborative filtering based recommender system has been developed that builds the user profile using the proposed approach. The user profile generated using the proposed approach can represent user interests more accurately and the information sharing among users in the profile is also increased. Consequently the neighborhood of a user, which plays a crucial role in collaborative filtering based recommenders, can be much more accurately determined. The experimental results based on real world data obtained from Amazon.com show that the proposed approach outperforms other approaches.

Restrung New Chamber Festival : Bridging the Gap Between High Art Music and Popular Sensibilities

The Restrung New Chamber Festival was a practice-led research project which explored the intricacies of musical relationships. Specifically, it investigated the relationships between new music ensembles and pop-oriented bands inspired by the new music genre. The festival, held at the Brisbane Powerhouse (28 February-2 March 2009) comprised 17 diverse groups including the Brodsky Quartet, Topology, Wood, Fourplay and CODA. Restrung used a new and distinctive model which presented new music and syncretic musical genres within an immersive environment. Restrung brought together approaches used in both contemporary classical and popular music festivals, using musical, visual and spatial aspects to engage audiences. Interactivity was encouraged through video and sound installations, workshops and forums. This paper will investigate some of the issues surrounding the conception and design of the Restrung model, within the context of an overview of European new music trends. It includes a discussion of curating such an event in a musically sensitive and effective way, and approaches to identifying new and receptive audiences. As a guide to programming Restrung, I formulated a working definition of new music, further developed by interviews with specialists in Australia and Europe, and this will be outlined below.

Art, popular culture and cultural policy: variations on a theme of John Carey

The article presents a criticism of the accounts of John Carey in his book entitled "The Intellectuals and the Masses." The author focuses on Carey's argument that the art is not an eternal category but an invention of the late eighteenth century and it no longer has any intellectual legitimacy other than that of provoking feelings which are no more and no less valuable than those provoked by any other form of entertainment or physical activity

The Clubcultures Reader: Readings in Popular Cultural Studies

This reader in popular cultural studies meets the need for an up-to-date collection of readings on contemporary youth cultures and youth music. Table of Content: Introduction: Reading Pop(ular) Cult(ural) Stud(ie)s: Steve Redhead. Part I: Theory I:. 1. Pearls and Swine: Intellectuals and the Mass Media: Simon Frith and Jon Savage. 2. Over-the-Counter Culture: Retheorising Resistance in Popular Culture: Beverly Best. Part II: Commentaries. 3. Organised Disorder: The Changing Space of the Record Shop: Will Straw. 4. Spatial Politics: A Gendered Sense of Place: Cressida Miles. 5. Let's All Have a Disco? Football, Popular Music and Democratisation: Adam Brown. 6. Rave Culture: Living Dream or Living Death?: Simon Reynolds. 7. Fear and Lothing in Wisconsin: Sarah Champion. 8. The House Sound of Chicago: Hillegonda Rietveld. 9. Cocaine Girls: Marek Kohn. 10. In the Supermarket of Style: Ted Polhemus. 11. Love Factory: The Sites, Practices and Media Relationships of Northern Soul: Kate Milestone. 12. DJ Culture: Dave Haslam. Plates: Patrick Henry. Part III: Theory II: . 13. The Post-Subculturalist: David Muggleton. 14. Reading Pop: The Press, the Scholar and the Consequences of Popular Cultural Studies: Steve Jones. 15. Re-placing Popular Culture: Lawrence Grossberg. Index.

'Black is beautiful', and Indigenous : Aboriginal authorship in Australian popular music

The ‘black is beautiful’ movement began in the United States in the early sixties, and changed mainstream attitudes towards the body, fashion and personal aesthetics, gaining African American people a new sense of pride in being – and being called – ‘black’. In Australia the movement also had implications for changing the political meanings of ‘black’ in white society. However, it is not until the last decade, through the global influence of Afro-American music, that a distinctly Indigenous sense of black sexiness has captured the attention of mainstream audiences. The article examines such recent developments, and suggests that, through the appropriation of Afro-American aesthetics and styles, Indigenous producers and performers have developed new forms of Indigenous public agency, demonstrating that black is beautiful, and Indigenous.