Paper graciós, politic, y entretengut, pera el desfrés de les Carnistoltes, contrafent als Llauradors [Texto impreso]

Contiene: "Decimes" al final del texto

Paper gracios, politic y entretengut, pera el desfrés de les Carnistóltes, contrafent als Llauradors de la hórta : [Texto impreso] de la Molinera

Hay un ejemplar encuadernado con: Respuesta a vna consulta, sobre si son licitas las comedias que se vsan en España : (XVIII/1703).

Postcolonial Language: Rejection and Subversion

A literatura pós-colonial é muitas vezes pensada como uma forma de tradução cultural, como um lugar privilegiado a partir do qual se pode reescrever a história e retroactivamente reflectir sobre a experiência colonial. Tomando como ponto de partida esta noção de tradução cultural, o presente ensaio procura analisar as obras Une Tempête (1969), de Aimé Césaire, e Foe (1986), de J. M. Coetzee, no que diz respeito à re-escrita das personagens Caliban e Friday, respectivamente. Ambas as figuras serão comparadas e contrastadas relativamente ao uso particular que fazem da língua enquanto instrumento de poder, subversão e rejeição do domínio europeu. Palavras-chave: Literatura Pós-colonial, Mecanismo de “Writing Back”, Tradução Cultural, Língua, Alteridade Postcolonial literature is often depicted as a form of cultural translation, a privileged space from which to rewrite history and retroactively reflect upon the colonial experience. Based on this notion of cultural translation, the article seeks to examine, respectively, Aimé Césaire’s Une Tempête (1969) and J. M. Coetzee’s Foe (1986) as regards the “written-back” characters Caliban and Friday. Both characters will be compared and contrasted concerning their peculiar use of language as an instrument of power, subversion, and rejection of the European ruling. Keywords: Postcolonial Literature, Writing Back, Cultural Translation, Language, Other(ness)

The history of the reign of the Emperor Charles V; with a view of the progress of society in Europe, from the subversion of the Roman Empire to the beginning of the sixteenth century. To which are added, Questions for the examination of students,

[At head of title:] "Harper's stereotype school edition."

The history of the reign of the Emperor Charles V : with a view of the progress of society in Europe from the subversion of the Roman Empire to the beginning of the sixteenth century /

Mode of access: Internet.

The history of the reign of the Emperor Charles V. ; with a view of the progress of society in Europe, from the subversion of the Roman empire to the beginning of the sixteenth century.

Mode of access: Internet.

The principles of natural and politic law /

Translation of: Principes du droit naturel et politique.

Observationes historico-politicæ in instrvmentum pacis osnabrugo-westphalicum, statum Imperii ecclesiasticum maxima ex parte repræsentans:

Mode of access: Internet.

History of the revolutions in Europe, from the subversion of the Roman empire in the west, to the Congress of Vienna,

Published also under title: The revolutions in Europe.

The sphere of the state; or, The people as a body-politic.

Mode of access: Internet.

Army Signal Corps - subversion and espionage : hearings ... Eighty-third Congress, first session.

Joseph R. McCarthy, Chairman.

Comic relief: Subversion and catharsis in organizational comedic theatre

There has been a growth of interest in the role of humour in organizations from both practitioner and academic perspectives. Various claims for the functionality of humour have been made, ranging from stress reduction to helping form and cement corporate cultures. Latching on to these presumed benefits, businesses and consultants have begun to employ humour and comedy in a direct and explicit manner. However, there is a counterpoint, which suggests that humour cannot always be managed and in fact has subversive qualities. This article addresses the issue of the subversive potential of comedy in organizational contexts. It draws illustratively on the case of a successful corporate comedian to do so. The article argues, through an analysis of the case, the history and philosophy of comedy, and theories of the comedic, that while comedy has inherent subversive potential, it most often is contained. Indeed, it suggests that comedy works by intruding as a potential threat to mundane reality, but offers comic relief when it is apparent that the threat will not be actualized and the status quo ante prevails. Implications for using corporate comedy are drawn..