Chanson polifônica francesa: um estudo nas obras corais a capella de Claude Debussy e Maurice Ravel

Pós-graduação em Música - IA

A epopéia maranhense de Josué Montello: desvendando a poética montelliana em quatro romances

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A Revista de Cultura Brasileña e a recepção de “Grande Sertão Veredas” (1962-2011)

A proposta desta dissertação é examinar a recepção crítica em língua espanhola de Grande sertão: veredas (1956), obra de Guimarães Rosa (1908-1967). Desde a sua edição no idioma espanhol, a referida narrativa provocou certo impacto na sociedade de língua cervantina por abordar um tema polêmico como a relação ambígua de Riobaldo e Diadorim, oculta até o final da primeira leitura e por escrever numa linguagem poética acerca dos conflitos humanos e existenciais, inseridos na descrição de uma região que ultrapassa os limites geográficos, para a construção de um sertão universal. A recepção crítica em língua espanhola, de fato, iniciou-se em 1967 com a publicação de Grán sertón: veredas, pela editora Seix Barral, traduzida por Ángel Crespo. Este trabalho propõe uma leitura sobre as interpretações da narrativa que causou grande repercussão entre os intelectuais hispano-falantes que, ao se debruçarem sobre o sertão, procuraram desvendar os sentidos forjados na obra. É nessa perspectiva que serão abordados os textos do arquivo da Revista de Cultura Brasileña da década de 1960, elemento primordial para o desenvolvimento deste estudo e da recepção crítica mais contemporânea de Soledad Bianchi (2004), Antonio Maura (2007), Maria Rosa Álvarez Sellers (2007) e Pilar Gómez Bedate (2007), além de outros críticos literários brasileiros. Como base metodológica desta pesquisa, recorrer-se-á entre outras referências, ao estudo sobre a teoria da recepção de Hans Robert Jauss no que concerne ao leitor como construtor de um novo objeto artístico. O trabalho está dividido, em três capítulos: no primeiro, far-se-á uma abordagem dos pressupostos da Estética da Recepção, de Hans Robert Jauss (1921-1997) e, sucintamente, far-se-á uma discussão sobre o texto A tarefa do tradutor de Walter Benjamin e os princípios teóricos de Antoine Berman no que tange ao ato tradutório. Nos capítulos posteriores, será desenvolvido o trabalho específico sobre a crítica no idioma espanhol, e por meio desta análise, destacar-se-ão as divergências entre as obras de língua portuguesa e espanhola, focando nos elementos pertinentes à linguagem poética na construção do texto para os hispano-falantes e a inserção da obra no contexto sócio-histórico da ficção rosiana nos países de língua hispânica.

Fazendo retratos e experimentos: a performance da linguagem em Lygia Bojunga

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

A poesia do romance: Memorial de Aires, um caso exemplar

Pós-graduação em Letras - IBILCE

Experiência, infância e cuidado de si: desafios aos atuais saberes e práticas escolares

This paper deals with the problem of experience and its possible languages between school knowledge and practices. Its objective is to find the different possibilities of thinking the experience in the educational praxis, based on the contemporary philosophical categories of event and childhood as well as on the genres of poetic language and testimony. In order to do so, it is reconstructed a genealogy of the transformation of educational praxis into pedagogical art in its relationships with childhood whether as a government goal or as a subject, revealing the domination states that constitute them and pointing out their potential of resistance to the actual one. It is also stated that this event breaks into in the aesthetic dimension of experience and concurs in order to interrupt the order of discourse, making subjects of educational praxis think about it and causing care of oneself to become an ethic attitude put together with an aesthetics of experience. Thus, this research aims at restoring the dignity of experience among school knowledge and practices.

O telurismo e a poética de Manoel de Barros em Tratado geral das grandezas do ínfimo

This study aims to investigate the manifestation of the tellurism in the book Tratado Geral das Grandezas do Ínfimo (2001), written by the contemporary poet Manoel de Barros. Our intention is to examine how the poet works with this aspect in his poetry and how he uses it in his poetic conception. This research was motivated by his earth language which internalizes the man and the earth cultural elements, it´s how if the poet scratches it to find his roots and to create his poetic language, the mato-grossense poet moves the earth in search of the uselessness and he also does it in search of supposed uselessness of expression. His poetic universe, his “swamp”, seems to have no limits, its elements move in complete freedom, things, beings and words that once seemed not to communicate themselves, meet and mix like an alchemical process, this is his poetry origin

Coroa da terra: a poesia como (re)criação do mundo

This monograph is aimed at reflecting the internal structure of the book Coroa da Terra (1946), the Portuguese poet Jorge de Sena (1919-1978), investigating for this, the guiding criteria for the ordering of poems. Starting from a question posed by an author paratext, we considered the possibility that the book is constituted as a unit of poetic path, in which each poem comprises a stretch of the pilgrimage undertaken by the poet toward the crown of the Earth. Moreover, from the epigraph of the book and the Preface (1960) of 1st edition of Poesia I (1961), we consider the idea that the Coroa da Terra is a search for truth, or even that the pilgrimage made by the poet is on the trail of a poetic word conscious and therefore ethically responsible. This search would set the poetic language of testimony, from which derive two other important vectors for the exegesis of poetry seniana: metamorphosis and pilgrimage. Upholding the unity of the book would be the language in dialectical flow as a formal procedure, which enables the poet be an expression in constant motion. To check the validity of our hypothesis, we conducted an analysis of four poems in sequential order (―Purgatório‖, ―Suma Teológica‖, ―Os trabalhos e os dias‖, ―Espiral‖). To them, it was added to analyze the poem ―Metamorfose‖, poem 23rd of the Coroa da Terra, which acted as a reference point and as close to the research by presenting a character's thought seniano synthesis. It was found that the idea of unity is sustained when we consider Coroa da Terra as a journey of formative poetic direction

Um tempo para a literatura ou a vida entre o labirinto e a bússola

Since the priors, man has been trying to understand the concept of time. From myth to quantum physics, time is something that inspires reflections on our own lives. Do we exist in time or for time? Literature, a peculiar form of knowledge, deals with the experience of time in many ways. By avoiding categorizations, literature converges time and space in a dimension in which labyrinth and compass converge: at the reading time, in the reader’s space, in the universe of the book, where Cronos, Kairos, and their heir, by excellence, the literary word, constellate. In this way, in this essay, I discuss some aspects of the relationship between literature and time, or still, what literature can teach us about the time.

Poéticas interditas: erotismo, subversão e repúdio em Florbela Espanca (1894-1930) e Judith Teixeira (1880-1959)

Pós-graduação em Letras - FCLAS

A questão da inexauribilidade do texto: o Frühromantik e a escritura derridiana

This article aims to investigate the configuration on the new scenario, during the Early German Romanticism, which led to dismantle the philosophical discourse as the expression of a safe and fixed content, free from the ambiguity of figural language. Our main argument is that already Schelling’s concept of symbol brings up the question about the opacity of the text. By analyzing to what extent this problematization around the language lingers on in the contemporariness, we refer to Derrida’s thought which points out to the illusion embedded in the pretension to conceive a clear and unambiguous language, creating therefore a new ground between art and philosophy since the text itself as a neutral and closed subject will be questioned now.

As configurações do amor na lírica de Nuno Júdice

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Densa tessitura: uma leitura em contraponto, a visão da academia sobre a produção literária de Marina Colasanti

Pós-graduação em Letras - FCLAS

América latina: as coisas para além delas mesmas

If Plato compared the artist's work a reflection of the things, the contemporary art transcends the projection of things beyond themselves by creating unusual pictures, requiring the reader a posture of meanings' digger to establish the signification. Our object is the mestizo, hybrid and heterogeneous Latin America presented by sensitive eyes of art. We chose the route of ambiguous and poetic language of art, selected three works of Brazilian artist Regina Silveira since the last two decades has sought to un/construction of the image from the shadow, reflection, anamorphic projections, which offers unusual images, poetic visual paradoxes. Art as a mirror labyrinth where the reader/viewer as a wanderer without contemporary "gps" to select territories where will step from a map that he will have to build.

Self, writing and feminine transactions in Virginia Woolf's Orlando and Clarice Lispector’s The stream of life

Este artículo realiza un acercamiento a Orlando, de Virginia Woolf, y a Agua viva, de Clarice Lispector, como obras que logran escribir la multiplicidad, la fluidez y la contingencia del ser. Jugando con las convenciones de la biografía y la autobiografía respectivamente, estas obras encuentran los medios para presentar un sujeto multidimensional y para mostrar, en particular, cómo la dimensión relacional, forjada por un orden simbólico patriarcal, ha hecho de la mujer el “otro" del hombre; un “otro" que debe ser dominado. Se exploran en este artículo los conceptos de “economía masculina" y “economía femenina" teorizados por Hélène Cixous y se propone al lenguaje poético como un medio capaz de eludir los dictados del falocentrismo. Lo poético, que no puede ser nunca agotado por uno o varios sistemas de significación, brinda la posibilidad de ir más allá de las categorizaciones y de explorar la multiplicidad. Tanto Orlando como Agua viva muestran las estrategias y las esperanzas de personajes y escritoras que ven en el lenguaje poético, en la “escritura femenina" como la entiende Cixous, el potencial de desarticular la “economía masculina" y abrir un nuevo espacio para sujetos diversos, múltiples y complejos.