992 resultados para Obrería-Parroquia de sant Martí Bisbe i sant Antoni Abad (València)-Distribució


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Presentació a càrrec del director de l'Escola Politècnica superior sobre la nova ordenació dels ensenyaments universitaris i l’assoliment dels objectius de la declaració de Bolonya

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Estas Jornadas tuvieron lugar en Punta Prima, Menorca, en mayo de 1986 y fueron editadas por el ICE de la UIB. Resumen tomado de la propia publicación. Contiene un resumen en inglés, en la página 85

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Resumen tomado de la publicación. Los alumnos de E. Primaria deben hacer las actividades en rojo y los alumnos de E. Secundaria las actividades en rojo y azul

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Es presenta el gruix dels resultats producte de l’encàrrec realitzat per l’Ajuntament de Lleida a la Càtedra de Geografia Humana de la Universitat de Lleida sobre l’anàlisi de les dades referides a població, activitat econòmica i característiques de l’edificació i de la fàbrica urbana del centre històric de la ciutat

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En aquest estudi s’examina la llengua d’alguns textos de Francesc Eiximenis (concretament, el ‘Dotzè del Crestià’ i les cartes autògrafes publicades per Martí 2002) per tal d’aprofundir en la distribució de l’estructura informativa i el consegüent ordre de mots que utilitza l’autor. L’objectiu d’aquesta comunicació és aprofundir en els casos d’ avantposició del català antic que correspon a una estructura de focalització feble (no contrastiva)

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L'objectiu d'aquest article és presentar les línies bàsiques de l'evolució del paisatge vegetal d'una part d'una àrea geogràfica que des de l'antiguitat ha estat un passadís històric d'assentaments i comunicacions i que comprèn les comarques de la Selva, del Vallès Oriental i del Vallès Occidental Biogeogràficament es tracta d'una zona de contacte entre el món mediterrani, representat a nivell climàtic per l'alzinar litoral, i l'eurosiberià, que té com a principals comunitats climàtiques la roureda de roure martinenc i la fageda amb el·lèbor verd

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Contiene: Apolo Carretero, alias el Parnaso Triunfal : esto es, nueva coleccion de los ingeniosos versos que se tiraban al pueblo de los Carros Triunfales de los Oficios / su autor Domingo Pablo, enano de Santa Ana, 1761

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Los autores constan en final de cada parte

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Network Jamming systems provide real-time collaborative media performance experiences for novice or inexperienced users. In this paper we will outline the theoretical and developmental drivers for our Network Jamming software, called jam2jam. jam2jam employs generative algorithmic techniques with particular implications for accessibility and learning. We will describe how theories of engagement have directed the design and development of jam2jam and show how iterative testing cycles in numerous international sites have informed the evolution of the system and its educational potential. Generative media systems present an opportunity for users to leverage computational systems to make sense of complex media forms through interactive and collaborative experiences. Generative music and art are a relatively new phenomenon that use procedural invention as a creative technique to produce music and visual media. These kinds of systems present a range of affordances that can facilitate new kinds of relationships with music and media performance and production. Early systems have demonstrated the potential to provide access to collaborative ensemble experiences to users with little formal musical or artistic expertise.This presentation examines the educational affordances of these systems evidenced by field data drawn from the Network Jamming Project. These generative performance systems enable access to a unique kind of music/media’ ensemble performance with very little musical/ media knowledge or skill and they further offer the possibility of unique interactive relationships with artists and creative knowledge through collaborative performance. Through the process of observing, documenting and analysing young people interacting with the generative media software jam2jam a theory of meaningful engagement has emerged from the need to describe and codify how users experience creative engagement with music/media performance and the locations of meaning. In this research we observed that the musical metaphors and practices of ‘ensemble’ or collaborative performance and improvisation as a creative process for experienced musicians can be made available to novice users. The relational meanings of these musical practices afford access to high level personal, social and cultural experiences. Within the creative process of collaborative improvisation lie a series of modes of creative engagement that move from appreciation through exploration, selection, direction toward embodiment. The expressive sounds and visions made in real-time by improvisers collaborating are immediate and compelling. Generative media systems let novices access these experiences with simple interfaces that allow them to make highly professional and expressive sonic and visual content simply by using gestures and being attentive and perceptive to their collaborators. These kinds of experiences present the potential for highly complex expressive interactions with sound and media as a performance. Evidence that has emerged from this research suggest that collaborative performance with generative media is transformative and meaningful. In this presentation we draw out these ideas around an emerging theory of meaningful engagement that has evolved from the development of network jamming software. Primarily we focus on demonstrating how these experiences might lead to understandings that may be of educational and social benefit.

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The advent of e-learning has seen the adaptation and use of a plethora of educational techniques. Of these, online discussion forums have met with success and been used widely in both undergraduate and postgraduate education. The authors of this paper, having previously used online discussion forums in the postgraduate arena with success, adopted this approach for the design and subsequent delivery of a learning and teaching subject. This learning and teaching subject, however, was part of an international collaboration and designed for nurse academics in another country – Vietnam. With the nursing curriculum in Vietnam currently moving to adopt a competency based approach, two learning and teaching subjects were designed by an Australian university for Vietnamese nurse academics. Subject materials constituted a DVD which arrived by post and access to an online platform. Assessment for the subject included (but was not limited to) mandatory participation in online discussion with the other nurse academics enrolled in the subject. The purpose behind the online discussion was to generate discourse between the Vietnamese nurse academics located across Vietnam. Consequently the online discussions occurred in both Vietnamese and English; the Australian academic moderating the discussion did so in Australia with a Vietnamese translator. For the Australian University delivering this subject the difference between this and past online discussions were twofold: delivery was in a foreign language; and the teaching experience of the Vietnamese nurse teachers was mixed and frequently very limited. This paper will provide a discussion addressing the design of an online learning environment for foreign correspondents, the resources and translation required to maximise the success of the online discussion, the lessons learnt and consequent changes made, as well as the rationale of delivering complex content in a foreign language. While specifically addressing the first iteration of the first learning module designed, this paper will also address subsequent changes made for the second iteration of the first module and comment on their success. While a translator is clearly a key component of success, the elements of simplicity and clarity in hand with supportive online moderation must not be overlooked.