O estranho perfeito: a música orquestral de Franz Zappa. -

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Antinomia e expressão: Adorno ante o sismógrafo de Erwartung Op. 17 de Schoenberg

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Quando a paisagem torna-se obra: uma abordagem ecológica das composições do tipo paisagem sonora

Pós-graduação em Música - IA

Os tons de Zé: transformações paradigmáticas na obra de Tom Zé (1967-1976)

Pós-graduação em Música - IA

O poema em música e a música além do poema: estudo sobre a relação entre música e poesia em obras de Almeida Prado, Eduardo Guimarães Álvares e Harry Crowl

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A elaboração do discurso no Romancero Gitano de Castelnuovo-Tedesco / Lorca

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Musique ancienne : le mépris pour les anciens--la force de la sonorité--le style--l'interprétation--les virtuoses--les Mécènes et la Musique /

Mode of access: Internet.

Stories behind the world's great music,

Mode of access: Internet.

Führer durch den Concertsaal /

1. Abth. Sinfonie und Suite.--2. Abth., 1. Th. Kirchliche Werke: Passionen, Messen, Hymnen, Psalmen, Motetten, Cantaten.--2. Abth., 2. Th. Oratorien and weltiche Chorwerke.

Führer durch die Konzertmusik /

Mode of access: Internet.

Führer durch den Concertsaal

I. Abtheilung; I-II Band: Sinfonie und Suite; II. Abteilung, erster Teil: Kirchliche Werke: Passionen, Messen, Hymnen, Psalmen, Motetten, Kantaten. II. Abtheilung, zweiter Theil: Oratorien und weltliche Chorwerke. Zweite Auflage.

What music can do for you; a guide for the uninitiated,

List of phonograph records chosen from the Columbia Graphophone Co., p. 189-215, [1]

Living music; a popular introduction to the methods of modern music,

Bibliography: p. 90-91.

Foundations of music.

Mode of access: Internet.

A place for West Side Story (1961): Gender, race, and tragedy in Hollywood's adaptation

In 1961, three years after West Side Story premiered on Broadway, Hollywood created a highly successful film version. Although directors Robert Wise and Jerome Robbins strove to remain faithful to the original production in many ways, the change in medium necessitated a number of alterations, including those that conformed to the particular conventions of the Hollywood studio system. In this paper, I explore the film West Side Story as an adaptation in order to demonstrate how Hollywood’s conventions impact the show. The effects of the Production Code, the star system, and the practice of dubbing the actors all had a significant impact on the film. More than that, alterations made to Leonard Bernstein’s music coupled with cinematic techniques modify the musical’s dramatic arc while simultaneously affecting both the gendered and ethnic representations within the show. My approach within this paper takes into account how the music, lyrics, dialogue, and cinematography all work together to form a creative adaptation of West Side Story. Therefore, I combine cinematic and musical analysis in ways that have yet to be applied to this film. I take this approach in order to better understand how West Side Story reflects and even challenges the conventions and stereotypes present during the Hollywood studio era. Furthermore, this provides insight into the ways in which West Side Story fits into film history, particularly that of the movie musical.