Le Horla.

Le Horla.--Amour.--Le trou.--Sauvée.--Clochette.--Le marquis de Fumerol.--Le signe.--Le diable.--Les rois.--Au bois.--Une famille.--Joseph.--L'auberge.--Le vagabond.

Selected stories;

v. 1. Ball-of-Suet ; A family affair ; The artist's model ; The letters ; Cemetery sirens ; The dying peasant ; A madman's journal ; Checkmate! ; The shepherd's leap ; A husband's confession ; Madame Parisse ; The wedding night ; Father and son ; The false jewels ; The umbrella! ; The clock ; The dowry ; The lancer's wife ; Prisoners of war ; Woman's love ; The devil's visit ; Was it a dream? ; Simon's papa ; The diamond necklace ; Duchoux ; Timbuctoo ; Denis -- v. 2. The horla ; Monsieur Parent ; Miss Harriet ; Mad! ; Mademoiselle Pearl ; The farmer's wife ; A coward ; Mount Olivet ; The flight of years ; The old maid ; The Tellier house ; The parricide ; The fortune of war ; Humble happiness ; The mysterious groom ; The open door ; Wife and mistress ; The fathers ; The mountain inn ; Madame Husson's rosier ; An unfortunate resemblance -- v. 3. The Sunday outings of a bourgeois ; Little Louise Rocque ; A voice from the deep ; The father ; Magnetism ; The wrong house ; Moiron ; Monsieur Bombard's little game ; Madame Baptiste ; The Parisian accent ; A fashionable woman ; Mademoiselle Cocotte ; Who knows? ; Boitelle ; Uncle Jules ; The hand ; A lock of hair ; On the river ; My Uncle Sosthenes ; An artist ; Father Toine ; The viaticum ; True forgiveness ; A twelfth-night supper ; Father Matthew's saints ; A bit of string ; The minuet ; The relics ; A farm girl's story -- v. 4. The legacy ; Two little soldiers ; A state affair ; Old Amable ; Mademoiselle Fifi ; The ghost ; Useless beauty ; The fishing-hole ; The Rondoli family ; Châli ; The odalisque ; The wicked Mohammed ; Marroca ; Allouma ; A strange meeting ; Feminine wiles ; A strange night in Paris ; All over!

Monsieur Parent /

Mode of access: Internet.

Musotte : pièce en trois actes

Mode of access: Internet.

Clair de lune.

Clair de lune.--Un coup d'état.--Le loup.--L'enfant.--Conte de Noél.--La reine Hortense.--Le pardon.--La légende du Mont-Saint-Michel.--Une veuve.--Mademoiselle Cocotte.--Les bijoux.--Apparition.--La porte.--Le père.--Moiron.--Nos lettres.--La nuit (cauchemar).

Les Soirées de Médan.

Mode of access: Internet.

La petite Roque.

Mode of access: Internet.

La main gauche /

Mode of access: Internet.

Maupassant: um amigo e um crítico de Zola

Esse artigo tem como objetivo apresentar uma leitura da correspondência de Guy de Maupassant (1850-1893). Trata-se de descrever e analisar a prática epistolar no conjunto das cartas por ele escritas a Émile Zola, entre 1875 e 1890, de seguir os passos dos dois escritores e de observar que, paralelamente a uma relação mútua de amizade e de respeito, surge uma crítica aos princípios estéticos e às obras do mestre do naturalismo. Assim, é possível entender a amizade e a experiência estética que se constroem ao longo desses quinze anos.

Index to the laws of California, 1850-1893 ; including the statutes, the state edition of the codes, 1872, and subsequent amendments, and the Constitution of 1879, also tables of all statutes and code sections which in terms have been amended, supplemented, or repealed, and a list of the statutes amended by the Code Commissioners to be repealed /

Mode of access: Internet.

As Cartas De Guy de Maupassant

Esse trabalho tem como objetivo tecer algumas considerações acerca de uma crônica de Guy de Maupassant (1850-1893), intitulada Le style épistolaire. Publicado no jornal Le Gaulois, no dia 11 de junho de 1888, o texto aborda alguns aspectos importantes do gênero em questão, entre outros, o missivista, tanto o remetente quanto o destinatário, ou ainda, o teor e o estilo das cartas. Revela como Maupassant concebia a arte de escrever cartas, e entender sua visão é um passo importante para adentrar a produção epistolar do próprio autor que, entre 1862 e 1891, escreveu mais de 750 cartas.

A mentora literária de Guy de Maupassant

Laure Le Poittevin, Guy de Maupassant’s mother (1850-1893), had from his early childhood, a key role in the literary education of her son. This intelligent and sensitive woman, who was always passionate about arts, especially literature, to whom Maupasssant entrusted his projects and literary adventures, was his fi rst and eternal critic. In the letters he writes her, most of the time he takes the opportunity to plan and discuss his future projects; he presents a text in progress, he draws its guiding lines, he foreshadows its structures and points out some procedures based on a series of principles and recommendations of personal and universal values. Therefore, by reading again these letters, the readers nowadays can follow the writer’s daily life, the progression of his ideas and his literary development, the editing process of his book and his moments of sorrow and joy, anger and affection.

De Flaubert para Maupassant

This article aims to present some reflections about a selection of letters that Gustave Flaubert (1821-1880) wrote to Guy de Maupassant (1850-1893), between September 23, 1872 and May 3, 1880. For eight years, Flaubert was Maupassant’s friend and a literary master and his letters, marked by a multiple and disordered discourse, reveal a path to friendship and the passionate dedication of the master regarding the intellectual and artistic development of the young writer. It is intended here, to draw some considerations to the moments when Flaubert’s speech assumes, directly or indirectly, a pedagogical role and the letter becomes a way to literary teaching.

Novelas cortas de Guy de Maupassant

UANL

La vida errante

UANL