995 resultados para Lever, Charles James, 1806-1872.


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Have special title pages: The trident of Albion, an epic effusion ; and an oration on the influence of elocution on martial enthusiasm ; with an address to the shade of Nelson... Liverpool : Printed for the author by G. F. Harris, 1805. Mr. Thelwall's ode addressed to the energies of Britain in behalf of the Spanish patriots... London : Printed by J. M'Creery, 1808.

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Martin Joseph Routh.--Hugh James Rose.--Charles Marriott.--Edward Hawkins.--Samuel Wilberforce.--Richard Lynch Cotton.--Richard Greswell.--Henry Octavius Coxe.--Henry Longueville Mansel.--William Jacobson.--Charles Page Eden.--Charles Longuet Higgins.

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Mode of access: Internet.

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Title varies slightly.

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The depiction of drapery (generalised cloth as opposed to clothing) is a well-established convention of Neo-Classical sculpture and is often downplayed by art historians as of purely rhetorical value. It can be argued however that sculpted drapery has served a spectrum of expressive ends, the variety and complexity of which are well illustrated by a study of its use in portrait sculpture. For the Neo-Classical portrait bust, drapery had substantial iconographic and political meaning, signifying the new Enlightenment notions of masculine authority. Within the portrait bust, drapery also served highly strategic aesthetic purposes, alleviating the abruptness of the truncated format and the compromising visual consequences of the “cropped” body. With reference to Joseph Nollekens’ portraits of English statesman Charles James Fox and the author’s own sculptural practice, this paper analyses the Neo-Classical use of drapery to propose that rendered fabric, far from mere stylistic flourish, is a highly charged visual signifier with much scope for exploration in contemporary sculptural practice.

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http://www.archive.org/details/hindrancestothew00unknuoft

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UANL

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UANL

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UANL