O símbolo e a alegoria nos textos teóricos de Goethe [de 1772 a 1798]

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Adélia Prado e o diálogo com mulheres bíblicas

Pós-graduação em Letras - FCLAS

Virgílio e Ovídio, poetas de Orfeu: um estudo sobre a poética da expansão seguido de tradução e notas

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Aventuras de Diófanes: as aventuras do romance português

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

As representações da mulher em As meninas, de Lygia Fagundes Telles

Pós-graduação em Letras - IBILCE

Dos laços de família aos laços da tradução: o trajeto de um conto de Clarice para o inglês e o espanhol

Pós-graduação em Letras - IBILCE

La fiesta del chivo de Mario Vargas Llosa: uma visão literária da história

Pós-graduação em Letras - FCLAS

O realismo mágico e seus desdobramentos em romances de José Saramago

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

João Vêncio : os seus amores: escritura neopicaresca e angolanidade

Pós-graduação em Letras - FCLAS

Entre o acadêmico e o jornalístico: análise da coluna de crítica literária Prosa de Sábado, do suplemento Sabático

The literary criticism was developed in Brazil in the period that comprehends the end of the 19th century and the beginning of the 20th century. During that time, the mean of dissemination of the criticism were the footnotes of the newspapers, places in which literature was discussed and the critics expressed their personal impressions about literary works with the objective of orientating the good taste of the readers. With the progressive evolution of journalism and of the newspaper's audience, the criticism columns became incompatible with the informative part of the periodicals, being transferred to the literary supplements, during a transition phase, until it was concentrated in the universitary field. This change in the paradigms of the production of criticism also caused a change in the profile of the literary critics and in the criteria to do the criticism. Before, if the critics were professionals that only needed to have enough erudition to judge the literary works, they turn into literature experts and need to use scientific methodologies in the literary analysis, while the cultural journalist begins to look at the events and literary works as products which belong to a market that needs to be reported. This research proposes studying and comparing the critics published in the column Prosa de Sábado, of the literary supplement Sabático, produced by Silviano Santiago, critic of an academic origin, and Sérgio Augusto, journalist critic, with the objective of identifying similarities and contrasts between them, and analyse the relation of this critics with their distinct fields of literary legitimation, as well as reflecting about the presence of the literary criticism and of the critics in the current press

O trabalho de Sísifo no sertão: uma análise de Vidas Secas

This paper revisits the work Vidas Secas, by Graciliano Ramos, in search of a literary analysis, observing the narrative aspects of time, space and characters, from the myth of Sisyphus's perspective, the existentialist philosophy of Sartre and Camus and theory the eternal return of Nietzsche. With the use of these special lenses, intended to show how this work is able to generate the effect of absurdity in the reader, through a narrative construction that brings out the absolute lack of meaning and purpose of those lives, but still, unlike than one would tend to conclude, builds characters who pass by a mere determinism of the environment and act in the world through freedom possible within all disturbing limitations imposed on them

A presença da angústia em um conto de Mia Couto

This article intends an approach among literary analysis, philosophy and psichoanalysis in a short story from Mia Couto, Mozambican author. From the trajectory of the main character and from their relationship with the others, we intended to do a reading on the presence of anguish within this literary text. In order to do that, two definitions were used to explain what would be considered torment: one from the philosopher Kierkegaard and the other from the psichoanalyst Freud. Concluding, we aim to compare this two readings in a way that we establish bounds between both.

Experiências de conversas nas ruas: aprendizados e questões no estar com o outro

Pós-graduação em Artes - IA

A escrita dialógica: investigando o relacionamento do sujeito com o próprio texto

Pós-graduação em Letras - FCLAR

Perspectivas dialógicas para o trabalho com a leitura em sala de aula: letramento literário no ensino fundamental

Pós-graduação em Letras - FCLAR