Antwerp, Belgium, 1852 (Raster Image)

This layer is a georeferenced raster image of the historic paper map entitled: Antwerp = (Antwerpen) (Anvers), drawn by W. B. Clarke ; engraved & printed by B. R. Davies. It was published under the Superintendance of the Society for the Diffusion of Useful Knowledge [by] George Cox, Jan. 1, 1852. Scale [ca. 1:4,700]. Covers Antwerp, Belgium.The image inside the map neatline is georeferenced to the surface of the earth and fit to the 'Belge Lambert 1972' coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map.This map shows features such as roads, railroads, drainage, canals, built-up areas and selected buildings, fortification, ground cover, and more. Relief shown by hachures. Includes inset map: Plan of the Scheldt & the Forts from Antwerp to Lillo, and views: Antwerp from the road to Mechlin Brussels and Louvain (from a print at the British Museum) and A Comparison of the Principal Buildings at Antwerp.This layer is part of a selection of digitally scanned and georeferenced historic maps from The Harvard Map Collection as part of the Imaging the Urban Environment project. Maps selected for this project represent major urban areas and cities of the world, at various time periods. These maps typically portray both natural and manmade features at a large scale. The selection represents a range of regions, originators, ground condition dates, scales, and purposes.

Bulletin van het Koloniaal museum te Haarlem.

"De mededeelingen, die vóór 1892 van het Koloniaal museum zijn uitgegaan, komen alle voor in het Tijdschrift van nijverheid. De verkorte inhoud der jaarverslagen en kleine berichten van het museum worden bij voortduring gepubliceerd in datzelfde maandblad, alsmede in het weekblad De Indische Mercuur."-no. 52, p. 182, foot-note.

German legislation for the occupied territories of Belgium; official texts,

Text in German, French, and Flemish.

Tijdschrift voor economische en sociale geografie.

Imprint varies: 1910- 's Gravenhage, Mouton. 1946, Amsterdam, J. F. Duwaer.

Bulletin van het Koloniaal museum te Haarlem

"De mededeelingen, die vöör 1892 van het Koloniaal museum zijn uitgegaan, komen alle voor in het Tijdschrift van nijverheid. De verkorte inhoud der jaarverslagen en kleine berichten van het museum worden bij voortduring gepubliceerd in datzelfde maandblad, alsmede in het weekblad De Indische Mercuur."

Anatomy and variability of "Cuvierichelys parisiensis", a geoemydid turtle that crosses the Eocene-Oligocene boundary in Belgium

Abundant material of turtles from the early Oligocene site of Boutersem-TGV (Boutersem, Belgium), is presented here. No information on the turtles found there was so far available. All the turtle specimens presented here are attributable to a single freshwater taxon that is identified as a member of Geoemydidae, Cuvierichelys. It is the first representative of the ‘Palaeochelys s. l.–Mauremys’ group recognized in the Belgian Paleogene record. This material, which allows to know all the elements of both the carapace and the plastron of the taxon, cannot be attributed to the only species of the genus Cuvierichelys so far identified in the Oligocene, the Spanish form Cuvierichelys iberica. The taxon from Boutersem is recognized as Cuvierichelys parisiensis. Thus, both the paleobiogeographic and the biostratigraphic distributions of Cuvierichelys parisiensis are extended, its presence being confirmed for the first time outside the French Eocene record. The validity of some European forms is refuted, and several characters previously proposed as different between Cuvierichelys iberica and Cuvierichelys parisiensis are recognized as subjected to intraspecific variability.

Concerning the house museum and the picturesque landscape in the work of Sir John Soane : with raw hints for post-heritage museum space

The picturesque aesthetic in the work of Sir John Soane, architect and collector, resonates in the major work of his very personal practice – the development of his house museum, now the Soane Museum in Lincoln’s Inn Fields in London. Soane was actively involved with the debates, practices and proponents of picturesque and classical practices in architecture and landscape and his lectures reveal these influences in the making of The Soane, which was built to contain and present diverse collections of classical and contemporary art and architecture alongside scavenged curiosities. The Soane Museum has been described as a picturesque landscape, where a pictorial style, together with a carefully defined itinerary, has resulted in the ‘apotheosis of the Picturesque interior’. Soane also experimented with making mock ruinscapes within gardens, which led him to construct faux architectures alluding to archaeological practices based upon the ruin and the fragment. These ideas framed the making of interior landscapes expressed through spatial juxtapositions of room and corridor furnished with the collected object that characterise The Soane Museum. This paper is a personal journey through the Museum which describes and then reviews aspects of Soane’s work in the context of contemporary theories on ‘new’ museology. It describes the underpinning picturesque practices that Soane employed to exceed the boundaries between interior and exterior landscapes and the collection. It then applies particular picturesque principles drawn from visiting The Soane to a speculative project for a house/landscape museum for the Oratunga historic property in outback South Australia, where the often, normalising effects of conservation practices are reviewed using minimal architectural intervention through a celebration of ruinous states.