94 resultados para Indie
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Vols. 4-5 have added title: "Geschiedenis van het verval der magt van de Nederlanders in Indie, tot op het verlies van Java in 1811"; v. 6-7: "Gesschiedenis van de Nederlandsche regering in Indie, gedurende 1816-1858.
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Mode of access: Internet.
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Mode of access: Internet.
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Publication suspended 1868-1874.
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Mode of access: Internet.
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Mode of access: Internet.
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Mode of access: Internet.
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Mode of access: Internet.
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Master microform held by: MoSU.
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Mode of access: Internet.
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Includes section "Boekbespreking."
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"Oratio habita ... in funere ... Caroli Thomae Maillard de Tournon ... a Carolo Majello": p. [51]-70.
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Title varies: 1893-1909, Archief voor de Javasuikerindustrie
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There has been a boom in Australian horror movie production in recent years. Daybreakers (2010), Wolf Creek (2005), Rogue (2007), Undead (2003), Black Water (2008), and Storm Warning (2006) among others, have all experienced varying degrees of popularity, mainstream visibility, and cult success in worldwide horror markets. While Aussie horror’s renaissance is widely acknowledged in industry literature, there is limited research into the extent of the boom and the dynamics of production. Consequently, there are few explanations for why and how this surge has occurred. This paper argues that the recent growth in Australian horror films has been driven by intersecting international market forces, domestic financing factors, and technological change. In so doing, it identifies two distinct tiers of Australian horror film production: ‘mainstream’ and ‘underground’ production; though overlap between these two tiers results in ‘high-end indie’ films capable of cinema release. Each tier represents the high and low-ends of Australian horror film production, each with different financing, production, and distribution models.