906 resultados para Howe, Richard Howe, Earl, 1726-1799
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Mode of access: Internet.
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Vols. 8 and [9] have also special title-pages.
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Mode of access: Internet.
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"La musique des chœurs d'Esther et d'Athalie par J. B. Moreau, et celle des quatre Cantiques spirituels, œuvre de même musicien pour les trois premiers, de Michel-Richard de la Lande pour le quatrième, sont données ici telles qu'elles ont été imprimées ou gravées du temps des compositeurs ... On a fidèlement reproduit les titres portent les éditions du Conservatoire." (Chœurs de la tragedie d'Esther avec la musique composée par J.-B. Moreau ... [Paris] Chez Denys Thierry [etc.] 1689.--La Musique d'Athalie par J.-B. Moreau ... Paris, Chez l'autheur [etc.] [n. d.]--Cantiques chantez devant le roy et composez par M. Moreau ... A Paris, Chez Christophe Ballard ... 1695)
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Caption title.
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Mode of access: Internet.
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The span of the bridge was assumed as 100 feet. The type of bridge used is the timber Howe Truss. The height of truss was taken as 20 feet between center lines of top and bottom chords. The width was taken as 18 feet center to center of trusses. The truss was divided up into five panels 20 feet long.
It was designed according to the "General Specifications for Steel Highway Bridges" by Ketchum. For the live load for the floor and its supports, a load of 80 pounds per square foot of total floor surface or a 15 ton traction engine with axles 10 feet centers and 6 feet gage, two thirds of load to be carried by rear axles.
For the truss a load of 75 pounds per square foot of floor surface.
For the wind load the bottom lateral bracing is to be designed to resist a lateral wind load of 300 pounds per foot of span; 150 pounds of this to be treated as a moving load.
The top lateral bracing is to be designed to resist a lateral wind force of 150 pounds per foot of span.
The timber to be used in the bridge is to be Douglas fir.
The unit stresses used for timber are those of the American Railway Engineering Association.
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This thesis studies contemporary poetry’s innovations in textual borrowing and the range and scope of its appropriative practices. The restrictions of the inherited definitions of appropriation include a limited capacity for expression and meaningfulness, a partial concept of appropriation’s critical capacity, and an inadequate sense of the poet’s individual and unique practice of appropriation. This thesis resolves the problematic constraints limiting contemporary definitions of appropriation by tracing the history of the practice to reveal an enduring relation between appropriation and poetic expression. Close readings of Trevor Joyce’s, Alan Halsey’s, and Susan Howe’s poetry serve as evidence of contemporary poetry’s development of appropriation beyond the current ascriptions and offer some direction on how the critical understanding of appropriation might be extended and redefined. Here, appropriation is recognized as another source of lyric expression, critical innovation, and conceptual development in contemporary poetry. This thesis encourages a new perspective on the purpose and processes of poetic appropriation and the consequences of its declarative potential for both poet and poem.
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The diminutive marine red alga Antithamnion densum (Suhr) Howe (Ceramiales, Rhodophyta), previously known in the north Atlantic from three sites in north-western France, is reported from the subtidal of a wave-exposed site at Clare I., Co. Mayo, Ireland, where it grows epiphytically on various macroalgae. The previously restricted distribution of this species in the North Atlantic gave rise to speculation that it represented an introduced plant. The geographical isolation of the Irish locality and the restricted habitat in which plants were found suggests that A. densum may be native to the north eastern Atlantic. However, the finding of the Trailliella-phase of the adventive red alga Bonnemaisonia hamifera Hariot at Clare I. in 1911, shortly after it had been discovered on the south coast of England, indicates the potential for the transport of introduced species to the west coast of Ireland.
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Receipt from Lucien Howe, M.D., Buffalo, New York for ear examination, Sept. 24, 1887.