806 resultados para House-museum


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Vol. 13, no. 9 and v. 20, no. 7 issued also as Fay House monographs, no. 1-2.

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British Museum General Catalogue of Printed Books... to 1955, London, v. 133.

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Kitagawa Utamaro; 1 ft. 2 21/64 in.x 9 31/64 in.; woodcut, oban, ink and color on paper

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Katsukawa Shuncho; 1 ft. 1/64 in.x 9 1/64 in.; woodcut (oban) with mica ground

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Katsukawa Shuncho; 1 ft. 1/64 in.x 9 1/64 in.; woodcut (oban)

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A Museum of County life. 500 North Main Street at Beakes, Ann Arbor, Michigan 48104. This 1830's house was moved from Wall Street to Main Street on June 10, 1990.

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Scanned one of the two transparencies (the one I judged as having better contrast). Original watercolor in Cayuga Museum of History & Art, Auburn, NY

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Thesis (Master's)--University of Washington, 2016-06

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Thesis (Master's)--University of Washington, 2016-06

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Thesis (Master's)--University of Washington, 2016-06

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McLean builds strong connections between the cultural capital of the Jerwood prizewinning craft maker and the world of business and trade. It is crucial that higher education research can consider its relationship to the creative industries. London is a fashion capital, known for its style experimentation and playful creativity. The wit and anarchic play of the art school is a leading force in fashion innovation and Mclean's work articulates this clearly. Designing hats that reference the stylised coiffures of Hollywood icons, in the soft medium of felted wool, is a sophisticated play on the relations between nature and culture that, according to Levi Straus, are at the heart of all culture. The Fifty Hats that Changed the World makes direct allusion to the way that fashion is often regarded with mild disdain as insignificant or trivial, and the Design Museum London, an international leader in disseminating design discourse has, recently, included fashion design within its agenda for exhibition. McLean's work is a leading component of this transformation of design culture.