Life of George R. Smith, founder of Sedalia, Mo., in its relations to the political, economic, and social life of southwestern Missouri, before and during the Civil War,

Mode of access: Internet.

The Russian peasantry, their agrarian condition, social life and religion;

The Russian agrarian question.--The moujiks and the Russian democracy.--Paternal government.--Hard times.--Popular religion.--The rascol.--Rationalistic dissent.--Modern sectarianism.--The tragedy of Russian history.

Kansas; its interior and exterior life. Including a full view of its settlement, political history, social life, climate, soil, productions, scenery, etc.

Wagner-Camp (4th ed.)

The songs of the Russian people, as illustrative of Slavonic mythology and Russian social life.

Bibliography: p. [437]-439.

The White Sulphur springs; the traditions, history, and social life of the Greenbriar White Sulphur Springs,

Includes several chapters reprinted from earlier works on the place.

Analyzing character, the new science of judging men; misfits in business, the home and social life,

Mode of access: Internet.

Monastic and social life in the twelfth century, as exemplified in the chronicles of Jocelin of Brakelond from A.D. MCLXXIII to MCII.

Bound with His chronicle in the original Latin entitled: Chronica Jocelini de Brakelonda.

Social life in England and France : from the French Revolution in 1789, to that of July 1830 /

A sequel to A comparative view of the social life of England and France, from the revolution of Charles the Second to the French Revolution.

Athens, its rise and fall; with views of the literature, philosophy, and social life of the Athenian people.

Mode of access: Internet.

Madame Mohl : her salon and her friends : A study of social life in Paris /

Mode of access: Internet.

Sociology and ethics; the facts of social life as the source of solutions for the theoretical and practical problems of ethics,

Mode of access: Internet.

Social life in Greece from Homer to Menander,

"First edition 1874 ... Seventh 1890. Reprinted 1894, 1898, 1902, 1907."

The Pirate Bazaar: The Social Life of Copyright Law

This thesis provides a cultural history of Australian copyright law and related artistic controversies. It examines a number of disputes over authorship, collaboration, and appropriation across a variety of cultural fields. It considers legal controversies over the plagiarism of texts, the defacing of paintings, the sampling of musical works, the ownership of plays, the co-operation between film-makers, the sharing of MP3 files on the Internet, and the appropriation of Indigenous culture. Such narratives and stories relate to a broad range of works and subject matter that are protected by copyright law. This study offers an archive of oral histories and narratives of artistic creators about copyright law. It is founded upon interviews with creative artists and activists who have been involved in copyright litigation and policy disputes. This dialogical research provides an insight into the material and social effects of copyright law. This thesis concludes that copyright law is not just a ‘creature of statute’, but it is also a social and imaginative construct. In the lived experience of the law, questions of aesthetics and ethics are extremely important. Industry agreements are quite influential. Contracts play an important part in the operation of copyright law. The media profile of personalities involved in litigation and policy debates is pertinent. This thesis claims that copyright law can be explained by a mix of social factors such as ethical standards, legal regulations, market forces, and computer code. It can also be understood in terms of the personal stories and narratives that people tell about litigation and copyright law reform. Table of Contents Prologue 1 Introduction A Creature of Statute: Copyright Law and Legal Formalism 6 Chapter One The Demidenko Affair: Copyright Law and Literary Works 33 Chapter Two Daubism: Copyright Law and Artistic Works 67 Chapter Three The ABCs of Anarchism: Copyright Law and Musical Works 105 Chapter Four Heretic: Copyright Law and Dramatic Works 146 Chapter Five Shine: Copyright Law and Film 186 Chapter Six Napster: Infinite Digital Jukebox or Pirate Bazaar? Copyright Law and Digital Works 232 Chapter Seven Bangarra Dance Theatre: Copyright Law and Indigenous Culture 275 Chapter Eight The Cathedral and the Bazaar: The Future of Copyright Law 319