The idylls and epigrams commonly attributed to Theocritus /

Herbert Kynaston formerly Herbert Snow.

Select epigrams from the Greek anthology ;

Greek text with English translation at foot of page.

Poems, dialogues in verse, and epigrams by Walter Savage Landor;

v. 1. Dramatic scenes.--v. 2. Poems and epigrams.

Memory lineage of Ansúrez: the funerary monument in Gordaliza del Pino (León).

The discovery of the mural on the walls of the church of Santa Maria de Arbas of the town of Leon Gordaliza del Pino has been a revelation. The funerary monument called Knight Gordali-za addition to its artistic value , has a historical value that try to reflect in this study and that clears some questions about the his-tory of the kingdom of Leon, and specifically about the lineage of Ansúrez.

CIL 6.31617 – Funerary inscription for Servius Sulpicius Galba

Squeeze, photograph, and notes by A.E. Gordon

CIL I(2): 2.4, 3216 – Funerary (?) inscription for Aula Tetia, priestess of Ceres

Photograph and notes by A.E. Gordon

CIL 2.1265 – Funerary inscription for C. Fabius Cornelianus

Photograph

CIL 2.5270 – Funerary inscription for Gellia Patricia

Photograph

CIL 3.4310 – Funerary inscription

Photograph

CIL 3.5839 – Funerary inscription for Claudio Constantio and members of his family

Photograph

CIL 3.6074 – Funerary inscription for M. Helvius Geminus

Photograph

CIL 3.6085 – Funerary chest of Titus Valerius Secundus

Photograph

CIL 3.6090 – Bilingual funerary inscription for P. Terentius Olympus, his wife, Octavia Paula, and their family

Photograph

CIL 3.12498 – Funerary inscription for T. Valerius Germanus

Photograph

IDENTITY, IMMORTALITY, INTERACTION: FEMALE FUNERARY MONUMENTS AS SITES OF IDENTITY BUILDING IN THE ROMAN EMPIRE

As final markers of identity and memory, the tombs of Roman women carried ritual, ideological, and emotional significance. By surveying the funerary monuments of four distinct Roman women, it is possible to reconstruct, at least in part, the exhibited identities of Eumachia, Naevoleia Tyche, Faustina the Elder, Claudia, Amymone, and Postumia Matronilla. Drawing in the viewer to participate in the creation of identity through narrative and contextual relationships, each of the sepulchers solidifies the memories of the deceased women, thereby granting them an immortality of sorts. Engaging with issues of gender, status, the politics of self, propaganda, and regional variation, this paper seeks to explore the nuances of life, death, and identity in the Roman world, with an emphasis on understanding the monuments in their original contexts.