976 resultados para Fermes générales. 1731, dossier Liancourt


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Despite being set in an unnamed Texan city, Ghost Rider (Mark Steven Johnson, 2007) was a landmark film for Melbourne. It was the first international production to be made at the Central City (now Docklands) Studios, much to the relief of the heavily-invested state government. And it demonstrated to the world (or more importantly, to producers resident in a small part of southern California), that the city was willing and available to be made over and made up to fit even (especially!) the most stupid filmmaking fantasies. Announcing the imminent arrival of the production in October 2004, the Herald Sun boldly predicted that '[c]ity lanes, Telstra Dome and the Yarra River will be the stars of the new action film'. In fact Melbourne is, as the filmmakers intended, (virtually) unidentifiable onscreen. For the Victorian State government, Ausfilm, Film Victoria and the Melbourne Film Office, this lack of specificity was something to be celebrated; a few months before Ghost Rider went in to production, the then State Minister for Innovation, John Brumby, declared that 'it's almost inconceivable that [Ghost Rider] won't put Melbourne on the map internationally'.

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El dossier contiene los siguientes documentos pertenecientes al Pbro. Dr. Víctor Manuel Fernández: La preocupación por la vida en "Aparecida" -- Un padre que ama la vida. El contexto adecuado de nuestra preocupación por la bioética -- La defensa de los que tienen menos poder -- Vida -- El niño por nacer iluminado por la palabra -- Defender los derechos humanos implica atender la vida en el vientre materno -- La opción por la vida en esta Universidad -- ¿Qué le hace el aborto al corazón de la sociedad? -- Cuestiones sensibles en torno al aborto -- Presiones internacionales sobre América Latina con respecto a temas de salud reproductiva e identidad de género.

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O objetivo do STING é oferecer uma plataforma para análise e visualização de estruturas proteicas.

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Definição de superfície. Cálculo dos valores de curvatura com SurfRace.

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Parâmetros apresentados pelo JPD. Sequência de resíduos. Contatos. Contatos internos. Contatos na interface. Estrutura secundária. Dupla ocupância. Fator de temperatura. Entropia relativa. Confiabilidade. Acessibilidade de resíduos. Ângulos de torsão. Potencial eletrostático. Curvatura na superfície. Hidrofobicidade. Analisando com maior detalhes os parâmetros apresentados.

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John Perceval (1685–1748), 1st Viscount Perceval and (from 1733) 1st Earl of Egmont, was an assiduous recorder of his own life and times. His diaries, published by the Historical Manuscripts Commission from manuscripts in the British Library, are the best source for parliamentary debates at Westminster in the 1730s. For the years 1730-1733, when Perceval sat in the Commons (as an Irish peer) they are remarkably full. His practice seems to have been to prepare two versions (presumably on the basis of notes taken in the House), the first attributing speeches to individuals, and the second, entered up in the diary, which listed speakers and summarized all arguments on each side. His letterbooks for 1731 contain accounts of five debates that embody his first editing process, with speeches attributed to individuals. They were sent to an Irish correspondent, Marmaduke Coghill, and largely omitted from the diary because Perceval had already transcribed them elsewhere. They are new to historians and cast light on two main issues: the unsuccessful attempts by Perceval and the ‘Irish lobby’ to persuade the British parliament to settle the Irish woollen trade, a question bedevilling Anglo-Irish relations in this period; and an attempt by the opposition to stir up anger against perceived Spanish aggression against Gibraltar. One of the most interesting features is the insight afforded into the Commons performances of Sir Robert Walpole: his management of debates, his own style of speaking, and his sharp exchanges with opponents like William Pulteney.

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