Out of the ordinary : Anne Ryan and collage

Anne Ryan (1889-1954) was an active member of New York’s vibrant avant-garde art community during the tumultuous period marked by World War II. Ryan participated in the famed 1951 “Ninth Street Show,” and was an early member of Betty Parsons’s legendary stable of artists. She is not widely known today, however, and her influence is rarely acknowledged. Ryan is primarily known for her abstract collages—works that are frequently linked to Abstract Expressionism.

Closer to life : the work of sari dienes

Like many of her female contemporaries, artist Sari Dienes’s contributions to the art historical dialogue have been largely overlooked in favor of her male counterparts. Often seen as a mentor and mother figure to neo-Dada artists Jasper Johns and Robert Rauschenberg, Dienes was an active member of the New York avant-garde circle surrounding composer/choreographer duo John Cage and Merce Cunningham in the 1950s and 1960s. These social relationships are central to the existing discourse on Sari Dienes, while her work remains little discussed. The fact that her dynamic, ever-changing style lacked aesthetic consistency was commonly lamented by notable figures such as Betty Parsons, however, I argue that Dienes’s diverse oeuvre is unified by her philosophies on art and life. The unification of art and life, denoted clearly by Dienes’s use of the found object, experimentation and chance happenings, and sensory experience, marks her as an innovator and catalyst in the neo-Dada movement as well as in other experimental art endeavors that took place in the aftermath of Abstract Expressionism.

Columbina e Pierrot ‒ A Evidência de Traços do Expressionismo em Três Máscaras de José Régio

Três Máscaras, um texto dramático da autoria de José Régio, insere-se na tradição realista do teatro social de atualidade da época, todavia denuncia já alguns traços do expressionismo. Com efeito, nesta fantasia dramática, duas personagens, Columbina e Pierrot, assinalam, numa fase embrionária, alguns lineamentos indicativos da principal temática do teatro expressionista, na medida em que ― sonhadores, tristes, sofredores e humilhados nas e pelas respetivas posições socioeconómicas específicas ― manifestam interesse no alcance da individualidade e do carácter do homem livre orgulhosamente associal. Acusam, assim, um certo antagonismo perante a generalidade social padronizadora, visando assinalar uma ética individual.

Der Expressionismus; mit 50 Abbildungen ... 5. bis 9. Tausend.

Plates printed on both sides.

Metropolitan seminars in art /

Pronunciation guide, 2 pages in pocket of each portfolio.

Neue Kunst ; ein Führer zu den Gemälden der sogenannten Expressionisten in der National-Galerie.

Mode of access: Internet.

Die neue Malerei : der Impressionismus, Van Gogh und Cézanne : die Romantik der neuen Malerei, Hodler, Gauguin und Matisse : Picasso und der Kubismus : die Expressionisten /

Includes bibliographical references.

Menschen.

"Monatsschrift für neue Kunst."

Der Impuls des Expressionismus.

"Von dieser Ausgabe mit eigenhändiger Unterschrift des Verfassers werden 100 Exemplare ausgegeben. Dieses Exemplar trägt die Nummer: 10."

Tidskrift för konstvetenskap.

Editors: R. Josephson, E. Wettergren.

Die Methode des Expressionismus : Studien zu seiner Psychologie /

Plates printed on both sides.

Tribüne der Kunst und Zeit : eine Schriftensammlung.

Hrsg.: Kasimir Edschmid.

Der Sturm.

Edited by H. Walden.

Ronald Reagan Rain

RONALD REAGAN RAIN is a collection of poems that explore the wildness and terror lurking beneath the surface of contemporary suburban landscapes in a largely imagined America. Images of menacing policemen, bears, fast food restaurants, and dead film stars appear as substantive figures that embody loss and a preoccupation with aging, money woes, and a failed national confidence. Influenced by Russel Edson and Georg Trakl, poets whose work is characterized by Hermeticism and Expressionism, the poems in RONALD REAGAN RAIN suggest a similar dual need for autonomy and compromise in both highly charged poetic fragments and longer prose passages that examine issues of civil and personal estrangement as the outside world calls for constant introspection and reassessments of identity.

La filosofía genética de Gilles Deleuze en Spinoza y el problema de la expresión y diferencia y repetición

En la literatura existente sobre la obra de Gilles Deleuze existe un vacío en lo que concierne a la relación entre sus dos tesis doctorales: Spinoza y el problema de la expresión y Diferencia y repetición. Esta tesis le apuesta a una lectura en paralelo de ambos textos para no solo develar sus arquitecturas conceptuales sino también para proponer conexiones novedosas entra ambos: la ontología de Deleuze puede reconstruirse a partir de su interés por los modos finitos de Spinoza y por una actualización contemporánea del problema de la individuación.